As COVID cases begin to rise again, bands that thought the coast was clear are starting to announce their tour plans, or in some cases, already getting out there and performing. This week’s show features those New Orleans acts with plans to tour the Northwest as well as new records released in recent months.
There’s other music in this two-hour show (featuring the KMRE edit version), including Helen Gillet, Kevin Sekhani, Josh Garrett, Debbie Davis and Josh Paxton, Egg Yolk Jubilee to cite a few.
The funky Meters jump on around the 35 minute mark to do a live version of “Fire on the Bayou” from the 2010 New Orleans Jazz and Heritage Festival. Once again, COVID has cancelled this very important event to the New Orleans economy. The news sucks but the song is good.
This fire season over 100 large fires have incinerated two million acres of land in the U.S. And new fires are reported each day. . . Let’s play some music, starting with Rebirth Brass Band’s “Fire.” (you can listen to the show while still staying on this page using the player below)
While New Orleans sits on the western side of the hurricane season, Olympia sits on the western edge of the fires. We might be mostly safe from the flame but the smoke is creating a haze and red hue to our sunlight. Air quality is holding but is vulnerable to a shift in the winds. New Orleans Suspects kick off the first full set with “You Got the Fire” carried on by Mike Doussan’s “Breathe” and Papa Grows Funk “Fire in the Garage.” The Royal Southern Brotherhood finish the set with “Where There’s Smoke There’s Fire.”
Fire and smoke in song are metaphors usually for love though Randy Newman’s “Let’s Burn Down the Cornfield” covered by Papa Mali seems more about destruction. Alexey Marti does his instrumental “Fire Land” and Trombone Shorty performs “Fire and Brimstone.” You’ll even hear the patron saint of this show, Ernie K-Doe, say his trademark “Burn K-Doe Burn.”
Midway through the show, we take a break from the fire for “Indian Summer” one of my favorites of Eric Lindell along with a radio edit version of Tiffany Pollack’s “Crawfish and Beer.” In honor of Davis Rogan coming to Olympia, I play an All That song and Buckwheat Zydeco does Bruce Springsteen’s “Back In Your Arms.”
But I eventually bring it back to theme of fire aided by Bon Bon Vivant’s “Burn” and New Birth Brass Band’s “Smoke That Fire.” The topic gives me an excuse to play the nine-minute live version of “All Our Fire” by Johnny Sketch and the Dirty Notes at the Maple Leaf Bar and I finish the theme with the Neville’s “Fire on the Bayou.” And somewhere before that, Davell Crawford does “Fire and Rain” with Nicholas Payton doing his interpretation of that song on trumpet.
There’s more music that follows. The player is above and you can listen from this page. Just don’t let smoke get in your eyes.
If you’re looking for the song that perfectly captures what it’s like to live in the kind of heat we have endured during this record breaking summer check out the first song on this week’s show. . . But stick around for ice cream and fireworks.
If the heat has caused you to change your shirt or take more than one bath in a day then you’ll appreciate “Dog Days” written and sung by Leigh Harris, better known as Little Queenie. In addition to her steamy lyrics, the song features a gravity-defying sousaphone performance by Matt Perrine. The song is the opening track from her 2006 Polychrome Junction.
The show bounces between the twin themes of Independence Day and Summer with songs like Dee-1’s “No Car Note” expressing the economic freedom of owning a vehicle that is paid for to George Lewis’ “Ice Cream.” Later, Louis Armstrong and his Hot 5 show off their improvisational “Fireworks” from a 1928 recording.
Stay with the show and you’ll hear “Freedom” — the live 1991 Mardi Gras performance by Rebirth Brass Band in honor of the release of Nelson Mandela from prison. Louie Ludwig sings “God Hates Flags” and Dr. John and Tab Benoit do “We Ain’t Gonna Lose No More.”
Henry Gray does “Cold Chills” and Dr. Michael White covers “Happy Together.” Gal Holiday sings “Found Myself Instead” followed by The Soul Rebels with “Living for the City.” In short, I’m back to my usual mix of jazz, country, blues, rock, and funk.
Have a safe holiday and remember Little Queenie’s words: “It’s not the heat, its the humidity.”
With two weeks left before election day, over 800,000 ballots in my state have been turned in. Turnout is even stronger where this show is broadcast with ballots turned in by nearly one out of three voters. Over 42 million have already voted nationwide. Wow!
For those who haven’t voted yet, here’s music to vote . . .or to listen to while waiting to vote.
This week’s songs, like last week’s songs, are selected to get you into a frame of mind for exercising your right to vote, starting with John Boutte’s cover of “A Change is Gonna Come” — a song inspired by a racist experience when Sam Cooke attempted to check into a Shreveport motel.
The Meters gives us “People Say” to start the first full set and Leyla McCalla puts Langston Hughes words to music with “Song for a Dark Girl.” It’s a set designed to remind us that its been a long, long journey for racial equity and justice and we’re not done yet. This set finishes with The Neville Brothers’ “Sons and Daughters (Reprise)” and Rebirth Brass Band’s “Take it to the Street.”
Allen Toussaint starts “Yes We Can Can” by singing “We are America” to a New Orleans Jazz Fest audience. His song enlivens a second half hour set of music that includes The Hot 8 Brass Band’s “Working Together,” Marcia Ball’s “World Full of Love,” Smoky Greenwell’s “Get Out and Vote,” and Tab Benoit and Dr. John doing “We Ain’t Gonna Lose No More.”
In the second half of the show, Davis Rogan’s “Joe Biden Will Do Just Fine” pairs nicely with Paula and The Pontiacs doing “Play to Win.” Eric Lindell follows up with “Revolution” as in a revolution in our heart. New Orleans Suspects offers up “Whatcha Gonna Do” and Dr. Michael White delivers “Sometimes I Feel Like a Motherless Child.”
The show ends with an amazing Louis Armstrong cover of John Lennon’s “Give Peace a Chance.” Amazing because first it was recorded less than a year after Lennon and Yoko Ono recorded the original Second, its clearly a funk version which is unusual for Armstrong who would live only a year after the release of this song. And finally, the song comes across so well, particularly for the vibe I was going for. Let me know what you think.
If smoke has been getting into your eyes lately, perhaps its also worth getting it into your ears with this week’s show featuring “Fire” by Rebirth Brass Band and “Where There’s Smoke There’s Fire” by Buckwheat Zydeco.
The first full set attempts to exorcise the fire and smoke demons bedeviling the West Coast — though a rational climate policy would be a far better approach. I start with”Something in the Air” by Kid Eggplant and the Trad Melatauns and written by Papa Eggplant (aka Sidney Snow) and featuring Bruce Brackman on clarinet.
In recognition of the passing of Frederick “Toots” Hilbert, the show dives into a Jamaican-theme set starting with Toots and the Maytals performing the classic Fats Domino hit “Let the Four Winds Blow.” It’s an appropriate choice given the pivotal role Domino and songs like “Be My Guest” (which you will also hear) play in helping to shape early Rock Steady and Reggae music. The set progresses from there culminating in Bonerama’s “Sun Lion” and returning to the clarinet with Dr. Michael White’s take on Bob Marley’s “One Love.”
Lee Mohler joins me at that point. Lee is a trumpet player for the Artesian Rumble Arkestra — a collective of Olympia-area musicians who best exemplify, at least locally, the spirit of New Orleans second line music. Lee also serenaded our children and their classmates on an overnight school field trip playing “Taps” while they crawled into sleeping bags on a gymnasium floor in the Columbia Gorge in what feels like about two hundred years ago. Lee and I have visited New Orleans together and he shares some of his love for the music with Smoking Time Jazz Club playing in the background.
I also recognize the passing of blues guitarist Bryan Lee who held down for many years a regular stint at the Old Absinthe House. Lee has 17 albums to his name but I thought, given his passing, I would honor him with a very upbeat original song from his all-Gospel final release – Sanctuary.
Maria Muldaur, Shamarr Allen, Sarah Quintana, Guitar Lightnin Lee, Spider Murphy and over a dozen others join us to fill out two hours of music from New Orleans. Thanks for tuning in. Consider subscribing which means you’ll get a notice every time a new show posted. Cheers.
If the line “There is a hatchet not so deep in my head” from Dr. John’s “Holdin’ Pattern” speaks to you, then this is your show. The persistence of COVID-19 feels like a holding pattern which is a problem for all those whose livelihoods depend on our ability to gather –such as brass band musicians. I’ll tell you about the show and more once you get it started. (click sideways arrow in box below and it will play while you continue to read.)
The uptick in COVID-19 infections and its impact on our health care system has slowed down the possibility of having live shows and congregating. I’m not an advocate of rushing this process but I do worry what impact it will have on our culture — particularly the unique New Orleans brass band culture.
The New Orleans Brass Band Musicians Relief Fund is currently crowdsourcing funding through GoFundMe and seeking larger donations to provide emergency cash grants to musicians. The relief fund was started by the Save Our Brass Culture Foundation, a nonprofit advocating for the city’s brass band musicians, with Seth Bailin, a saxophonist who plays with New Orleans brass bands, and Joanna Farley, who used to work in disaster response.
You’ll hear me make a plug for this foundation in the second hour as I play a long set of brass band music that includes the following: Lazy Boyz Brass Band with “Come and Dance,” The Hot 8 Brass Band with “War Time,” The To Be Continued Brass Band with “Numba2 (We Dem Folks)” edited for radio, The Original Pinettes Brass Band with “We Got Music,” The Soul Rebels with Trombone Shorty with “Sabor Latino,” Treme Brass Band with “Tuba Fats,” Rebirth Brass Band with “Dilemma,” and the Forgotten Souls Brass Band with “The Second Half.” It’s about 45 minutes of brass music.
Last week’s African-American Music Month show celebrated the many styles of music generated by New Orleans musicians of color. Just about every genre . . .except for funk. Today’s show is all about the funk starting with The Meters’ “The World Is A Little Under the Weather” from 1971. You got two hours of listening so you best get started now.
When you talk about funk, there’s James Brown (who was inspired by Little Richard’s New Orleans sessions) and then there is The Meters –formed in 1965 by Zigaboo Modeliste (drums), George Porter Jr. (bass), Leo Nocentelli (guitar), and Art Neville (keyboards). Allen Toussaint used The Meters as his studio band, supporting Lee Dorsey on “Ride Your Pony” and “Working in the Coal Mine. By 1969, The Meters were doing their own thing with “Sophisticated Cissy” and “Cissy Strut.” In addition to Weather, you’ll hear the band’s “Zony Mash” and “Stretch Your Rubber Band.” You’ll also hear Eddie Bo with an extended version of his big hit “Hook and Sling.”
To continue to honor African-American Music Month, this show features black artists including Sierra Green, Chocolate Milk, Hot 8 Brass Band, Eldridge Holmes, Rebirth Brass Band, Glen David Andrews, George Porter Jr. and his Runnin’ Pardners, Cyril Neville, Mem Shannon, Dumpstaphunk and more. The two exceptions are songs are by Galactic that feature Irma Thomas and Glen David Andrews on vocals.
He grew up in the tradition but has charted his own musical path.
Today is Troy Andrews’ 34th birthday — a millennial musician, singer, songwriter and children’s book author who has been able to amass a considerable play list that represents the past, present and, I hope, the future of New Orleans music. Today it’s all about Trombone Shorty on Sweeney’s Gumbo YaYa. (Recording of the show below).
According to the Trombone Shorty website, Andrews got his nickname when he picked up his instrument at four. His older brother, noted trumpeter James Andrews, gave him the tag. “My parents pushed me toward trombone because they didn’t need another trumpet player.”
The moment was memorialized in a legendary 1990 photo (with a great story to go with it) from the New Orleans Jazz & Heritage Festival. Bo Diddley was performing on stage when the crowd deposited before him a four-year-old boy barely hanging on to a trombone. When Trombone Shorty blew his horn on that stage with Diddley’s mouth agape, it was tantamount to King Arthur pulling a sword out of a stone in terms of creating a New Orleans music legend.
On today’s show, you’ll only hear three songs directly attributed to Troy Andrews — which is the limit that federal law places on me when I stream a show. However, every song you’ll hear until the last one is a song in which he performs. This means the show includes Dr. John, Galactic, Preservation Hall Jazz Band, Allen Toussaint, Lenny Kravitz, Mindi Abair, Rebirth Brass Band, Los Hombres Calientes, The Soul Rebels, Hot 8 Brass Band, Stanton Moore, Lakou Mizik and the To Be Continued Brass Band. As well as his own band Orleans Avenue.
Andrews has not forgotten his community now that he’s an international star. He founded the Trombone Shorty Foundation which provides professional support to budding musicians in New Orleans and he’s the author of two children’s books that details stories from his childhood. The self-titled first book tells the story of how he got his nickname and received a Caldecott Honor Book award.
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This week’s show has no organizing principle (other than the show’s underlying commitment to New Orleans and Lafayette music). However late in the show, I do about 30 minutes of brass bands that will get you buck jumping or at least shaking some body part. Get it started by clicking the sideways triangle below and I’ll tell you more.
George Lewis with Preservation Hall kicks off the show with “The Sweet By and By.” But the next set is a mix of stuff including the Tin Men doing “Jesus Always Gets His Man.” Mem Shannon singing his song “Dirty Dishes” and Frog and Henry performing the classic “Song of a Wanderer.”
A didgeridoo opens the next set with “Bayou Billabong” followed by Little Queenie and Shamarr Allen. Sets that follow include Eric Lindell, Oliver Morgan, Dana Abbott and Aurora Nealand. A four-song set of music from Lafayette includes Sonny Landreth, Pine Leaf Boys, Tab Benoit and Roddie Romero.
Somewhere around 80 minute mark, Rebirth kicks in with “Roll With It” followed by the Original Pin Stripe Brass Band, the Forgotten Souls Brass Band and an entertaining Taylor Swift cover by Shamarr Allen.
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More acts from Louisiana and particularly New Orleans are visiting the relatively cooler Northwest during the summer. This show showcases some of those groups so get it started and the read on.
As far as I can tell, Billy Iuso is not visiting the Northwest. He seems content rocking out clubs like Tipitina’s and Chickie Wah Wah in New Orleans. Yet, his “Trippin’ Over Dragons” opens the show. Deacon John sings an old-style swing number for you to open an R&B set before we get on to three that you should make a point to catch when they’re in the Northwest.
Bon Bon Vivant will be in the KAOS studio during my show on August 1 and will perform at Octapas Cafe in Olympia the next evening. The band’s new song “Pinkerton” from their Live at the Circus should be sufficient temptation for you. Shamarr Allen follows with his unique take on the Gnarls Barkley number “Crazy.” Trumpeter-extraordinaire Shamarr will be in Seattle, Portland and Tacoma in mid-August. The set finishes with Rebirth Brass Band’s “Take ‘Em to the Moon.” Rebirth will be playing Seattle, Bellingham and Vancouver BC next week. (By the way more details are available on my calendar page.)
How about Marcia Ball? I play her number “Watermelon Time” to get your mouth watering for her two evenings of performances in Seattle in August. Bruce “Sunpie” Barnes takes a rare turn on the piano to highlight his gigs and appearances at the Port Townsend Acoustic Blues Festival at the end of July.
If you’ve made it through the show so far then you’re ready for some zydeco with three groups that played the Waterfront Blues Festival in Portland last week (Chubby Carrier, Lil Pookie and Feufollet). A second set kicks off with Dwayne Dopsie who will also be up in Vancouver B.C for the Vancouver Folk Fest.
Later in the show you’ll hear Sonny Landreth (playing Mt. Vernon in August) and Frog and Henry (playing all over the region in August). I provide an encore performance of Shamarr Allen and finish the show with a track off of the Bonerama does Led Zeppelin record.
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