If smoke has been getting into your eyes lately, perhaps its also worth getting it into your ears with this week’s show featuring “Fire” by Rebirth Brass Band and “Where There’s Smoke There’s Fire” by Buckwheat Zydeco.
The first full set attempts to exorcise the fire and smoke demons bedeviling the West Coast — though a rational climate policy would be a far better approach. I start with”Something in the Air” by Kid Eggplant and the Trad Melatauns and written by Papa Eggplant (aka Sidney Snow) and featuring Bruce Brackman on clarinet.
In recognition of the passing of Frederick “Toots” Hilbert, the show dives into a Jamaican-theme set starting with Toots and the Maytals performing the classic Fats Domino hit “Let the Four Winds Blow.” It’s an appropriate choice given the pivotal role Domino and songs like “Be My Guest” (which you will also hear) play in helping to shape early Rock Steady and Reggae music. The set progresses from there culminating in Bonerama’s “Sun Lion” and returning to the clarinet with Dr. Michael White’s take on Bob Marley’s “One Love.”
Lee Mohler joins me at that point. Lee is a trumpet player for the Artesian Rumble Arkestra — a collective of Olympia-area musicians who best exemplify, at least locally, the spirit of New Orleans second line music. Lee also serenaded our children and their classmates on an overnight school field trip playing “Taps” while they crawled into sleeping bags on a gymnasium floor in the Columbia Gorge in what feels like about two hundred years ago. Lee and I have visited New Orleans together and he shares some of his love for the music with Smoking Time Jazz Club playing in the background.
I also recognize the passing of blues guitarist Bryan Lee who held down for many years a regular stint at the Old Absinthe House. Lee has 17 albums to his name but I thought, given his passing, I would honor him with a very upbeat original song from his all-Gospel final release – Sanctuary.
Maria Muldaur, Shamarr Allen, Sarah Quintana, Guitar Lightnin Lee, Spider Murphy and over a dozen others join us to fill out two hours of music from New Orleans. Thanks for tuning in. Consider subscribing which means you’ll get a notice every time a new show posted. Cheers.
Why should a little global pandemic stand in the way of a virtual summer trip.
”Good times are down the road. . . .Mama won’t let me go. ” If sung today, Marcia Ball might sing her line as “COVID won’t let me go.” But why should a little global pandemic stand in the way of a virtual summer trip. Put your virtual mask on, click the sideways arrow in the box below and let’s get this week’s musical journey started with a ride on the “Magic Bus” courtesy of Billy Iuso.
You can go “Down the Road” with Marcia Ball in a “Big Old Rusty Car” by Big Al and The Heavyweights, on an “August Night” (Preservation Hall) going from “Austin to Destin” with Davis Rogan, on the Next Train (Ted Hefko and the Thousandaires), in the “Dog Days” (Little Queenie) of “High Summer” (Alex McMurray) and if you’re not “King of the Road”(James Booker cover) by then you can “Go Out on the Road” (Hurray for the Riff Raff) on “Southern Nights” (Allen Toussaint’s long version). And that’s just the first half of the show.
Jimmy Carter had just moved into the White House when Glen Campbell’s “Southern Nights” began its climb to being the number one song in both the Billboard’s pop and country charts. But that version is nothing like the song delivered by the man who wrote it. Allen Toussaint started as a teenager working to shape the sound of New Orleans R&B with the help of Irma Thomas (who sings a Toussaint song later in the show), Ernie K-Doe, Lee Dorsey and The Meters. But when he sings his autobiographical “Southern Nights,” he becomes a young city boy exploring the fascinating yet spooky outdoors in the backwaters of Louisiana on a weekend trip to visit relatives who don’t quite speak the same language. Yea, nice thing about a virtual trip like this is you don’t need to worry about the mosquitos!
Another song where it’s probably better to hear it than experience it is”Dog Days” by Leigh Harris (Little Queenie). In less than six minutes, this song covers all the aspects of the August heat in New Orleans. “How many baths can you take in one day.”
The second half of the show is a mixed bag of music featuring a bit of reggae by a no longer active Rock Steady group from New Orleans (007) and Dr. Michael White covering Bob Marley’s “One Love.” Later listen to Irma Thomas pivot on stage in a live recording to do a song she hadn’t sung in years. The band helps out with the forgotten lyrics with a great little jam near the end on “Hittin’ on Nothin.”
The show finishes with a Bon Bon Vivant number, “The Alchemist.” Abigail Cosio and Jeremy Kelley and their merry band of friends and musicians have created a relaxed and yet deceptively high tech presentation for their weekly live Facebook shows . The sound is great. The visuals are fun with camera work that puts you in the intimate room with them. You can watch the roughly one-hour shows at 5 p.m. West Coast time on Sundays or any time afterwards as a recording. And now because of some sort of magic that Jeremy hooked me up with, the same performance will show live on the Gumbo YaYa Facebook page.
As I write this, I’ve been informed that COVID-19 virus was discovered in the building where the KAOS studio is located. As a result, the studio is in lockdown and the Olympia broadcast of the show will be postponed one week. Meanwhile in Bellingham (the City of Subdued Excitement), KMRE will be airing this week’s Gumbo YaYa two hours earlier this Friday (5 p.m. instead of 7 p.m.) because of its airing of the virtual Subdued Stringband Jamboree. But you can listen to the full show now. Thank you for tuning in.
If the line “There is a hatchet not so deep in my head” from Dr. John’s “Holdin’ Pattern” speaks to you, then this is your show. The persistence of COVID-19 feels like a holding pattern which is a problem for all those whose livelihoods depend on our ability to gather –such as brass band musicians. I’ll tell you about the show and more once you get it started. (click sideways arrow in box below and it will play while you continue to read.)
The uptick in COVID-19 infections and its impact on our health care system has slowed down the possibility of having live shows and congregating. I’m not an advocate of rushing this process but I do worry what impact it will have on our culture — particularly the unique New Orleans brass band culture.
The New Orleans Brass Band Musicians Relief Fund is currently crowdsourcing funding through GoFundMe and seeking larger donations to provide emergency cash grants to musicians. The relief fund was started by the Save Our Brass Culture Foundation, a nonprofit advocating for the city’s brass band musicians, with Seth Bailin, a saxophonist who plays with New Orleans brass bands, and Joanna Farley, who used to work in disaster response.
You’ll hear me make a plug for this foundation in the second hour as I play a long set of brass band music that includes the following: Lazy Boyz Brass Band with “Come and Dance,” The Hot 8 Brass Band with “War Time,” The To Be Continued Brass Band with “Numba2 (We Dem Folks)” edited for radio, The Original Pinettes Brass Band with “We Got Music,” The Soul Rebels with Trombone Shorty with “Sabor Latino,” Treme Brass Band with “Tuba Fats,” Rebirth Brass Band with “Dilemma,” and the Forgotten Souls Brass Band with “The Second Half.” It’s about 45 minutes of brass music.
This week’s show is carried by the rhythms of Stanton Moore who turns 48 on the day the show airs on KAOS (July 9, 2020). You can listen to it now though by clicking the sideways arrow below.
Over its 26-year history, the New Orleans band Galactic has been adept at funk, R&B, rock, soul and hip hop, performing with an ever changing cast of singers ranging from Boots Riley to Irma Thomas. And driving the beat throughout that quarter century is the only hometown member of the band, Stanton Moore. On today’s show, you’ll hear songs from his own albums, as well as from Galactic and two other bands that perform his songs.
But its a two-hour show so you’ll hear a lot more if you stay with it. Here are some highlights:
A song by Dragon Smoke – a group that includes Stanton and Robert Mercurio from Glactic as well as Ivan Neville and Eric Lindell.
Larry Williams singing “Bony Moronie” — original recording from 1957.
Today’s show begins with an Allen Toussaint song of unity and tolerance and ends with Delfeayo Marsalis’ erudite dissection of the slogan “Make America Great Again.” Perhaps in this the 244th year of our nation, we can make real progress toward the equitable society imagined in our Declaration of Independence. Let the show begin.
President Obama was only in office a few months when Allen Toussaint took the stage at the 2009 New Orleans Jazz and Heritage Festival and sang “We are America – we are some of yesterday and we are some of tomorrow. . .” as an intro to his “Yes We Can Can.”
Seven years later, trombonist and bandleader Delfeayo Marsalis released “Make America Great Again” with its title song featuring a narration by Wendell Pierce (a high school mate of Delfeayo) that indicts the phrase with “there will always be those of us who long for “the good old days,” either because we weren’t there or we’ve simply forgotten what those days were actually like.”
The show’s first full set is introduced by veteran blues musician Smoky Greenwell, speaking from New Orleans to introduce two songs from his latest album (one of my favorites of 2019) “Common Ground” and “Get Out and Vote.” Smoky celebrates a birthday on Fourth of July.
In addition to Smoky’s birthday, I celebrate four other birth anniversaries. Lee Allen, the tenor sax that brought us New Orleans rock n’ roll, would have turned 94 on July 2. You’ll hear three of his songs and a good argument for why Lee Circle, currently named after Confederate General Robert E. Lee should be renamed after the Lee Allen song “Walkin’ with Mr. Lee.”
New Orleans favorite son Pete Fountain would have turned 90 on July 3. Fountain’s clarinet was the soundtrack of my childhood, a favorite of my clarinet playing father who taught at Tulane in the 60’s. You’ll hear a couple of his songs with his good buddy Al Hirt.
Reggie Houston lives in Portland now but is New Orleans through and through. Bless him for making a major move late in life that seems to have been good for him and Portland — as attested by his work with the annual Waterfront Blues Festival. His “Before I Grow Too Old” and “Take Me Out to the Ball Game” just seemed perfect for the show. Reggie turns 73 this week.
I suspect Matt Perrine is well known in the music industry as one of the world’s finest sousaphone players but its not like that distinction scores you the cover of Esquire Magazine — though it might get you a cameo in The Simpsons. He turns 51 and while I could do a whole show of his performance given his prolific studio work — I limited him to two of his own songs. He turns 51.
Lots of other music to enjoy in today’s show including Leigh Harris with “Make a Better World,” Walter “Wolfman” Washington with “Trials and Tribulations,” and Cowboy Mouth’s new “Oh Toulouse.” Thanks for tuning in. Stay safe this weekend.
On today’s musical journey of New Orleans, we celebrate the birth anniversaries of two Jazz pioneers and we visit the House of Dance and Feathers to hear the voice of the museum curator and recent COVID-19 victim Ronald Lewis talk about his passion for preserving his community’s culture. We’ll also hear from Helen Gillet and Shawn Williams whose music evoke a passion in very different ways. Go ahead and start the show and I’ll tell you about the ghost . . .eventually.
After Danny Barker gets the show rolling with “Rose of Picardy,” I kick up a set featuring two songs with Sidney Bechet and James “Zutty” Singleton — early jazz pioneers who followed the Great Migration out of New Orleans to larger venues. Singleton would participate in Louis Armstrong’s Hot Five recordings and Bechet, would find his comfort zone in Europe where he would innovate with clarinet and saxophone. They were born near the end of the 19th Century but their music lives on.
Helen Gillet joins the show around the 15 minute mark. One of her last performances before a real audience was in Olympia at Octapas Cafe. She will introduce a song from her latest Helkiase followed by two from her Bangkok Silver record. She references two organizations that are working hard to support the community during the COVID closures in New Orleans – Letters from the Porch and Krewe of Red Beans . She’s doing shows on Mondays starting at 5 p.m. Olympia time on her Facebook page.
At about the 40-minute mark, Shawn Williams comes on to talk about serenading her neighborhood and expressing her hope to be able to tour the Northwest soon. I’m hoping it happens and you will too when you hear her sing two songs from her Motel Livin’ record.
I wasn’t happy with my recording of Ronald Lewis when I had the pleasure of meeting him in his lower Ninth Ward backyard museum, House of Dance and Feathers, a few years back. The hammering of nearby construction made me reluctant to use it. But with the short voice clip I share (for the first time) you’ll identify the enthusiasm in this special man’s voice. He was one of the Nine Lives by Dan Baum — a wonderful book that introduces you to some of the many facets of the New Orleans social diamond. The fact it was made into a musical by many New Orleans musicians is an indication of how spot on it was. Sadly, Lewis died in March, possibly from complications of COVID-19. I play two songs by Shamarr Allen, Lewis’ uber-talented nephew, that depict the role of his uncle as curator of his neighborhood’s unique culture. If you want to skip to that, it all starts around the 57 minute mark. As lagniappe, here’s a video of Mr. Allen performing in his uncle’s museum for the NPR Tiny Desk contest. It’s a winner particularly when Shamarr shows us his footwork near the end.
Now about that ghost, its been weird shopping at the Olympia Food Coop. I love that store (I’m an Eastside customer) and I love my regular shopping routine. But, like every other grocery, its different now. We put on gloves and masks and we move haltingly through the aisles sometimes making eye contact and recognizing (maybe) the driver of the next shopping cart. When I heard this opening lyric “I saw your ghost at the grocery,” I had to include the Hurray for the Riff Raff’s song “Is That You?” I’ll say no more except that the last hour is basically two long sets of great New Orleans music including a new window-pane rattling number by Cowboy Mouth.
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Shamarr Allen wants to keep you in shape for when Second Lines return. This means today’s show kicks off with”Quarantine and Chill” and Allen’s exhortation that “just because you’re stuck in the house, don’t mean you can’t . . .show me that footwork!”
Get my show started and I’ll fill you in on the rest of the program’s line up.
Four more fine New Orleans artists help me out with calling the music this week, starting with Debbie Davis, former member of the Pfister Sisters. Davis has just released her second record with pianist Josh Paxton t– Interesting Times. She introduces us to her new album (about 5 minutes into the show) with “Other Than Everything, Everything’s Great” and “Will It Go Round in Circles.” She sings two more times in the set — David Bowie’s “The Man Who Sold the World” from her latest record and Lou Reed’s “After Hours” from an earlier project — Debbie Davis and the Mesmerizers.
Lena Prima comes on (at about 38 minutes into the show) to talk about how she’s been doing during the quarantine. As you can see from the picture, she’s been busy making masks. In her set, you’ll hear songs from three of her albums — the title track “Since the Storm”written by her husband who leads her band, “Jump for Joy” from her album of original songs Starting Something and a live recording of a classic pulled from her father’s songbook, “Scuba Diver.”
You will meet Sierra Green at about the 50 minute mark. Sierra Green & the Soul Machine recently received Offbeat Magazine‘s Best Emerging Artist award. You’ll hear two tracks from her self-titled debut record and, just for fun, I finish that set with Glen David Andrews powering through a Galactic number (You Don’t Know). If you were waiting to dance, wait no more!
Davis Rogan was scheduled to perform at Octapas in Olympia next month but obviously those plans are no longer. Like just about every professional musician with a mortgage, Davis has been learning how to get his music and his tip jar out on the Internet. You can catch his live performances on his Facebook page Sundays at 10 a.m. and Wednesdays at 4 p.m. (Left Coast Times). Rogan joins the show about 65 minutes in and introduces his latest single “Mardi Gras Chicken” followed by “No Blues” and “Fly Away.”
I throw in a set of Zydeco and Cajun along with a long string of brass band music kicked off by Chuck Carbo’s “Hurt Coming On.” But before I do that, I make a pitch for supporting community radio. My show airs on Thursdays on KAOS and Fridays on KMRE. Listener support is essential to these stations continued survival.
As for me, I just want to smile and you can make me smile by subscribing to this blog. I’ll be back next week.
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This week’s Gumbo YaYa features the voices and music of Marla Dixon, Craig Klein, Billy Iuso and John “Papa” Gros plus a birthday anniversary and more. Go ahead and play the show which starts with a live Wild Magnolia performance in recognition of the 2020 JazzFest that didn’t happen.
Each week, I’ve been including recorded messages from New Orleans musicians and playing a set of their music as a way for me and listeners of the show to learn a bit more about them. What comes out clear from this week’s set of artists is how passionate they are about their profession and the music they make.
After the Wild Magnolia song, we hear from Marla Dixon (at about 8 and half minutes in) who sings and plays trumpet for the Shotgun Jazz Band and the all-female Shake ‘Em Up Jazz Band which has played festivals in Europe. You’ll hear her perform with both those bands, including a live performance at the Dew Drop Dance & Social Hall (not to be confused with the old Central City Dew Drop Inn) plus a lagniappe spin of her request, Captain John Handy’s “Panama.” I unfortunately got mixed up and did not play her request “Streets of the City” so I will get to that one in my next show. Dixon is fully embedded in New Orleans and its music scene but Northwest listeners attuned to Canadian speak will recognize her origins when she pronounces “out” as in “out-choruses.”
Craig Klein is very much a native of the city. A former member of Harry Connick Jr.’s big band, he formed Bonerama with Mark Mullins over 20 years ago but is also on a long list of other recordings and involved in a string of New Orleans bands. He will tell you a bit about it (starting around the 26 minute mark), as well as fill you in on the New Orleans Nightcrawlers’ latest release Atmosphere and the New Orleans Jazz Vipers new record, Is There a Chance for Me. You’ll hear tracks from both plus the title track from Bonerama’s Hot Like Fire.
Billy Iuso caught my attention at the 2015 Freret Street Festival — an event I attended for two reasons. First, to check out my old elementary school — the former Our Lady of Lourdes on the corner of Freret and Napoleon — and to see Bonerama live for the first time. As luck would have it, we got to the Bonerama stage early and caught Iuso’s show. His songs have a way of pulling me in and holding me. You’ll hear his greeting at about the 52 minute mark followed by tracks from four of his records, including one under the name of Brides of Jesus.
John “Papa” Gros was the bandleader of the funk group Papa Grows Funk which held down the Monday slot at the Maple Leaf for a decade. When the band broke up, funk fans all over the world were heartbroken. And the story of the band was retold in a highly entertaining documentary called “Do U Want It.” Now, Gros is doing his own thing but years of helping others with their gigs and recordings pays off with quality support in his latest record – Central City. Starting at the 73 minute mark, Gros talks about his line up and the origins of one of its tracks “Old Joe’s Turkey” – a song you’ll hear along with another track from that new release. I also spin one from his previous solo effort Rivers on Fire and I couldn’t resist including one from his funkier days, “Pass It!”
Near the end of the show, I celebrate the birthday anniversary of Bobby Marchan, recognize the passing of Big Al Carson and close with the Funky Meters performing live at a previous JazzFest.
Please consider subscribing to this blog (upper right hand side of page) since it not only clues you into when my shows are available but provides this great little endorphin boost when I see it come through. Cheers.
Six weeks into our Shelter in Place and this week’s show looks at the smiles behind our masks, the festivals we are missing and the ways we are coping. You can start it now as I share with you more details.
This show includes four more messages from New Orleans musicians – Tiffany Pollack, Charlie Halloran, Louie Ludwig and Noah Young. But the show starts with Shotgun Jazz Band’s “Smile” in recognition of the pleasant expressions that our cloth masks cover.
This weekend would be the start of the New Orleans Jazz and Heritage Festival. Also this weekend, in Olympia, we would normally hold our Spring Arts Walk and Procession of the Species. I don’t wish to diminish the significant economic aspects of community celebrations, but for me, Arts Walk, the Procession and other such events serve as a mirror where we can collectively see ourselves. There’s no way to virtually replicate that but I can try.
The first full set features three songs from New Orleans Jazz Fest Past — Flow Tribe performing in 2012, gospel rocker Raymond Myles in 1994 and a very special performance by The Radiator at the first Jazz Fest after Hurricane Katrina — another catastrophe where recovery was made more difficult by a less than competent federal emergency response.
Tiffany Pollack signs on at the 23 minute mark to introduce herself (formally an embalmer!) She and her cousin Eric Johanson knocked it out of the park with last year’s Blues in My Blood record. You’ll hear a couple tracks from that one and her jazz single “Comes Love.” Check out her shows on her Facebook page and YouTube channel every Monday and Friday starting at 6 p.m. Left Coast time or 8 p.m. New Orleans time.
Like all of us, I’m getting tired of drinking at home. I miss that wonderful randomness of going to a bar or club, seeing what I see and hearing what I hear. It’s kind of back to that community mirror thing where I feel a sense of belonging. Doc Souchon starts the next set with a drinking song, followed by Dwayne Dopsie‘s “Harry’s Creole Bar.” Taylor Smith, from a previous radio interview, talks about his neighborhood bar Horace’s where he and his band the Roamin’ Jasmine recorded their last record from which you’ll hear “I Can’t Believe You’re in Love with Me.” I finish with a less than savory bar ballad by Little Freddie King, “Mixed Bucket of Blood.”
The very active (when not Sheltered in Place) trombonist and bandleader Charlie Halloran joins us next at the 55 minute mark where he shares with us what he has been up to under the COVID restrictions. He introduces his latest record from his calypso group (Charlie Halloran and the Tropicales) from which you’ll hear two tracks. I also spin one from Charlie Halloran and the Quality 6.
The next set features tracks from new releases by Cowboy Mouth, Sierra Green & the Soul Machine and the New Orleans Nightcrawlers. Later, Noah Young joins the show to introduce his latest record by the band Slugger and you’ll hear “Take a Breath” featuring Ray Wimbly and Mykia Jovan. I also spin”Starkist” from Slugger’s previous release. The set is finished by a track from the new Jason Marsalis Live — just released by Basin Street Records.
Louie Ludwig first got my attention with his record I Got Nothin to Say. Later when most folks were still figuring out what had gone down during the 2016 election, he released the song and video “Troll Factory.” Now, Ludwig has turned his attentions more fully to film making and was working on a documentary about the New Orleans music recording history. However, as he explains in his comments on the show, the project has turned into a weekly video report focusing on the COVID-19 effects in New Orleans. His latest one is about the loss of the festival season.
There’s a bit more in the show but its nice to have some surprises. Please support these musicians and the others I’ve featured in previous shows. You can support me (emotionally) by subscribing to this free blog (go back to the top and look to the right).
The first original Gumbo YaYa show since the state’s shelter-in-place order ended my live broadcasts is aided greatly by the kindness of New Orleans musicians who sent me audio clips recorded from their shelter. You’ll hear their voices and their music when you click the sideways arrow below. If you keep reading, you’ll learn a bit more about these talented artists.
Dr. John’s “Locked Down” starts the show and I follow that up with a set dedicated to everyone who is having to get out there and work to ensure essential services. Preservation Hall Jazz Band does a lively version of “St. James Infirmary” followed by the original “Rockin’ Pneumonia and the Boogie Woogie Flu” with Huey “Piano” Smith & The Clowns. But please stay with the show at least to the 20 minute mark when you’ll get to meet Antoine Diel.
Born in Manila, Philippines but raised in California, Antoine Diel is a fixture in the New Orleans club scene with regular gigs (at least until recently) at the Spotted Cat, the Carousel Room at Hotel Monteleone and Buffa’s. He checks into the show after I play his beautiful rendition of “Dahil Sa Iyo” which he sings both in Tagalog and English (“Because of You”). You’ll then hear two cuts off his record On the Corner of Hope and New Orleans. Here’s his website where you can find more of his music and say hi to him.
Abigail Cosio of Bon Bon Vivant comes on next (about 35 minutes in). Her band plays infectious music (perhaps not the best description in a pandemic) that she writes. You’ll want to catch her regular Facebook feeds where she and fellow band member and partner Jeremy Kelley do live shows (with other remotely placed musicians) in very creative ways. You can support the band by buying their music but they are also directing tips to the Krewe of Red Beans project Feed the Frontline NOLA which according to the website is working to “feed hospital workers across New Orleans, employ out-of-work musicians/artists, and support locally-owned restaurants during the COVID-19 crisis.”
Alex McMurray is the bard of New Orleans, detailing its deep crevices and taking us to places that tourist rarely frequent. He kicks off his set (after about 50 minutes into the show) with a journey to Hank’s Supermarket on St. Claude Avenue — not too far away from the Saturn and the Carnaval Lounge where he has on a semi-frequent basis assembled a mix of musicians to perform sea shanties under the moniker of the Valparaiso Men’s Chorus. He also has records featuring Rock Steady, vintage American folk music, and original songs by him and other well-regarded New Orleans songwriters (Write Brothers). But his most prolific and still active project is Tin Men featuring one of the best sousaphone players performing anywhere, Matt Perine, and Washboard Chaz Leary. I play one of their songs in Alex’s set. Here’s his website.
Robert Snow aka Kid Eggplant – I couldn’t believe my luck when I bought one of his records last year from Louisiana Music Factory on impulse just because I liked the cover. And it turned out to be great and one of my favorites of the year. How often does that happen? (Never seems to work with wine) Robert is a native of New Orleans and hearing him talk takes me back to my days in the 60’s as a kid in New Orleans. Yes, he goes by the name of Kid Eggplant and his band is the Melatauns usually with with an adjective like “swinging” or “mighty.” While he’s adept at podcasts and live Facebook shows, for some reason he doesn’t have a website. Make it a shelter in place project, Robert! Look for these key words on your favorite streaming service “Kid Eggplant,” “Melatauns” and “Abitals” and of course you can order his music from your local independent record shop.
I have two of Kelcy Mae‘s solo albums (she has three) and I play them regularly on my show. But you’ll hear Kelcy introduce (about an hour and 20 minutes in) her latest project, Ever More Nest, on this show. She also has her own website where I learned she was born on St. Patrick’s Day in Shreveport, Louisiana. She came to New Orleans to attend university and has pretty much stayed, creating music like you’ll hear during her set.
The last musician to co-host the show is a Jack Sledge, a New York native now in New Orleans and he introduces his latest release. Here’s his website.
I finish the show with a set of music by Ellis Marsalis, Jr. who died last week from what appears to be complications of COVID-19. Marsalis was not just a great musician and composer. He was a teacher (Harry Connick Jr. and Donald Harrison to name two students) . He was a mentor and father (Wynton, Delfeayo, Branford and Jason). He was a major force in the New Orleans community, creating affordable housing through the Musician’s Village.
I’m going to try to coax a few more New Orleans musicians to send radio drops for the next show. Sonny Landreth already has. So consider subscribing and stay healthy and we’ll talk again soon.