Often when people hear about my New Orleans music show they assume its a jazz show. It’s not. And I occasionally worry that I let them down with my wide mix of blues, Mardi Gras Indian, rock, swamp pop, cajun, folk, hip hop, R&B with some jazz thrown in. Today’s show is for those folks. You can listen to it while I ramble on.
For the first hour, this show features traditional New Orleans jazz with Bunk Johnson, Preservation Hall Jazz Band (listen for the Tiger roars!), Jelly Roll Morton, Tuba Skinny, Aurora Nealand and the Royal Roses, King Oliver and a couple of obscure tracks from a Smithsonian Folkways album featuring 1920’s era dance hall bands from New Orleans. I finish with a bit of Cuban jazz by New Orleans resident Alexey Marti.
The second hour starts with a recognition of the little known Adolph Smith, a tenor with a locally popular R&B group, The Monitors. He also wrote some songs sung by The Spiders. I finish the R&B set with songs by Davell Crawford and John Mooney.
Later in the show, I venture into the Bonerama does Led Zeppelin – including the amazing cover “Heartbreaker” featuring Matt Perrine’s sousaphone performance the defies gravity. I also play from Aurora Nealand’s modern piece The Monocle.
This week’s show features a set about cars and two sets on quadrupeds such as horses, ponies and mules. But really this show is about chilling out with some blues, folk, country and Americana. Get it started and I’ll tell you more.
Andrew Duhon kicks it off with his ode to New Orleans street fairs, inspired by stumbling across the Freret Street Fair while biking. AllDay Radio carries on the vibe with its “Pothole City,” Gina Forsyth takes a turn with “Somewhere Off the Foot of the Mountain” and the Subdudes finish the first full set with “Wedding Rites.”
I hit the Subdudes again later in the show since they’ll be performing in Seattle next week. (May 19th at The Triple Door). I also play Sonny Landreth’s “U.S.S. Zydecoldsmobile” to anchor a set on cars. Landreth will be playing two nights at the Triple Door.
The horse sets started as a coincidence. When I build a playlist for a show, I often just go for songs I want to hear. I picked the Meter’s cover of “Ride Your Pony” and later pulled Spencer Bohren’s “Stone Pony Blues.” When I noticed that, it was easy to pull some other songs such as Benny Turner’s “Dont’ You Ride my Mule” and Bonerama’s energetic “High Horse.”
Stay with the show and you’ll hear some wonderful songs by Yvette Landry, Helen Gillet, Leyla McCalla, Jonathon Long and Shawn Williams. Thanks for listening and please consider subscribing so you can be notified of future shows.
Perhaps the hardest part about listening to the WWOZ live feed of the New Orleans Jazz & Heritage Festival is hearing the on-air hosts talk about the food. Shrimp and lump crab ravigote, fried green tomatoes, catfish almondine, Key Lime tart, crawfish strudel — for starters. Listen to today’s show to be subjected to similar punishment with appropriate musical accompaniment.
The show starts with the basics of greens, gumbo, red beans and fried fish. Or put in terms of songs: Champion Jack Dupree’s “Cabbage Greens #1,” Rebirth Brass Band’s cover “Shrimp and Gumbo,” Professor Longhair’s “Red Beans” and Charmaine Neville’s inspired version of the the Louis Jordan classic “Saturday Night Fish Fry.”
During the air breaks you’ll hear descriptions of food sold by vendors at Jazz Fest such as fried crab cake with smoked tomato and jalapeno tartar, alligator pie, crabmeat stuff shrimp — just to name a few.
I do songs about catfish stew (Bobby Rush), chicken (C.J. Chenier) and a wide range of other songs from coffee to sweet potatoes.
At one point, I list off all the dishes served at Jazz Fest that have crawfish in it. There’s lot of them as well as good old spicy boiled crawfish where you “Suck the Heads and Squeeze the Tip” following the Radiator’s song advice.
I also do a sweet set and list of menu items on desserts near the end. So stay with the whole show. And thanks for tuning in.
Mick Jagger’s health issues cancelled the Stone’s North American tour so I thought this week’s show, aired right as the gates were opening at the race track where Jazz Fest is held, should feature the great New Orleans songs covered by this great rock n roll band over its lengthy career. I started with “Fortune Teller”, using the snaky version by The Iguanas. Dale Hawkins takes it from there with “Suzie Q,” followed by Irma Thomas’ “Time Is On My Side,” Larry Williams’ “She Said Yea” and Slim Harpo’s “Shake Your Hips.” He comes back later to sing “I’m a King Bee.”
I also feature a cover by Erica Falls of Fleetwood Mac’s “Dreams” because apparently that band was arranged as a fill in for the Stone but bailed when Stevie Nicks had health issues. Damn, we’re getting old.
Perhaps my favorite pairing of songs in the show is Maria Muldaur’s rendition of Danny Barker’s “Now You’re Down in the Alley” followed by Antoine Diel’s robust “Hallelujah, I Love You So.”
Stay with me to the end to hear the Radiator’s Jazz Fest performance of “7 Devils”. This live recording was captured in 2006 at the first festival after Hurricane Katrina. I was lucky enough to catch that performance. What I can’t recreate was the amazing healing vibe that was going on throughout the field as New Orleanians who just gone through a lot of pain, swayed to their favorite hometown jam band. I could sense their return to home.
This show helped anchor the last day of the KAOS Spring Pledge Drive. I cut out all the pledge drive jabber but if you feel inclined to support KAOS, here’s how you do it. But you don’t need to pledge to listen the show, just click the arrow in the the Mixtape box below. (something has happened to the embedded feature for mixcloud so here’s a link directly to the podcast.)
To reward myself for doing hosting two pledge shows during this 10-day Spring Drive, I finally bought the album and discovered that there are some other amazing tracks on the release, including the fifth song on this show. The recording is of North Carolina fishermen singing a chantey that they used to sing when hauling in menhaden fish. Here’s a bit more about that fishery. The producers noticed an island lilt to the singing and turned it into a reggae-style number with Trombone Shorty providing some great tracks. I pair that song with a couple of other reggae-influenced New Orleans performances.
Given all the pledge drive appeals that were edited out, this week’s show is not as long as usual so I hope you’ll stay listening for the last two songs — a live at JazzFest performance by The Wild Magnolias and a humorously well-done funk song by Mem Shannon that caused local musician “Dr. Soul” to pull over from his driving so that he could call the station and pledge. Thank you man!
This week’s pledge drive show was a delight to host with guest and friend Juli Kelen helping out but you won’t hear much of our conversation. The show below is almost all music with only the song announcements. Go ahead and get it started.
Our station manager contends that even during pledge drive shows, KAOS and other community radio stations still play more music per hour than commercial stations. Well, this podcast is a good test. While it doesn’t contain as much music as my regular weekly shows, it still includes 18 great songs from New Orleans and Lafayette. I start the show with four excellent contemporary cajun numbers.
Even though this show doesn’t include the wonderful and charming banter between Juli and I, laying out the important reasons for why you should support community radio, you can still support KAOS and KMRE — the two stations that carry my show. Just click the call letters and it will take you to their respective membership pages.
My show rotation means I’ll be doing another pledge drive show next week. Catch me live on KAOS, 89.3 FM and streaming at www.kaosradio.org/listen . Show starts at 10 a.m. (PST) on Thursdays.
If you ever get sentimental about favorite stores that have closed or been bought out, or people you no longer see or experiences that are long gone, well this week’s show might be for you. Click the arrow in the box below to start the show and then read on.
John Boutte sings the opening number “Never Turn Back” which is a caution we will not follow for most of the first part of the show. However, first we warm up with a couple of classic New Orleans piano players (Professor Longhair and Dr. John) and one contemporary one destined to be a classic (Josh Paxton).
Given its multi-national history, New Orleans is home to a variety of accents. One in particular “is hard to distinguish from the accent of Hoboken, Jersey City, and Astoria, Long Island” according to A.J. Liebling author of “The Earl of Louisiana.” a Hear’s more on how New Orleanians talk.
I mention this to provide some understanding of why “Ain’t Dere No More” became a catch phrase in New Orleans made famous by a song of the same name by Benny Grunch and the Bunch. In a town with businesses such as Schwegmann’s, a 19th century grocery store that pioneered the concept of “supermarket,” and K&B, a purple-famed ubiquitous drugstore that stood for Katz and Besthoff, their buyouts and closures are still mourned decades later.
The song may seem silly but in my home of Olympia, I still miss going to the Rainbow Tavern and drinking dark Olympia beer (both are gone). And maybe you remember some place or things you used to do that you also miss. In the case of Alex McMurray its an old bar he can’t go back to. For Davis Rogan and his brass, hip hop band, All That, its the end of live music performances in a Treme neighborhood restaurant “Little People’s Place.” For Alex Duhon, its the passing of a generation that knew how to fix things and make them last.
I carry on with this theme for a few sets ending with a wonderful rendition by Allen Toussaint of his hit song “Southern Nights” — a song that brought back memories of an Arkansas childhood for Glen Campbell who popularized the song. For songwriter Toussaint, “Southern Nights” is about going into the Louisiana back country to visit relatives who speak in a difficult to understand patois, drink from jars and make stories about the stars. Please stay with the show through at least that song.
And if you do, well I celebrate the birth anniversary of George Landry, big chief of the Wild Tchoupitoulas and uncle of the Nevilles. Listen to one of the songs that brought these four talented brothers together in the studio for the first time. Leyla McCalla’s new song “Settle Down” pairs well with the Mardi Gras Indian song. Much more beyond that. I’ll let it be a surprise. Thanks for tuning in and please subscribe.
Marcia Ball kicks off this week’s show with “Crawfishin'” which I play in honor of the fact that we’re now in the height of the mud bug season. But there’s more mouth-watering songs in the show so get it started and then read more of what’s on the menu.
Smoking Time Jazz Club is proving to a prolific recording group as well as a live performance band. In the first full set, check out “Snake Hip Dance” from their barely released Contrapuntal Stomp. Tom Worrell lays down “Crawfish Fiesta” from a live performance of piano night, the WWOZ benefit that happens between the two weekends of the New Orleans Jazz & Heritage Festival. (This year, it looks like the event has moved to House of Blues).
I start the second full set with Leyla McCalla’s “Money is King” from her latest The Capitalist Blues . That set is all new music including Big Al and the Heavyweights doing “Fool for You” and Herlin Riley’s wonderful funky jazz number “Wings and Roots.”
Later in the show, you’ll hear Little Queenie, Tuts Washington, Johnny Sketch & the Dirty Notes, James Booker, and Miss Sophie Lee. I spin two more tracks from the Smithsonian Folkways not-yet-released 50 year anniversary of Jazz Fest with a big band performance by Al Belletto and a birthday spin (she turn’s 87!) of Germaine Bazzle scatting with Red Tyler’s Quintet.
At about the hour mark, you’ll hear the Hot 8 Brass Band’s sweaty dance anthem “Get Up” — the 20th anniversary version and then later to end the show I play the Diesel remix of that song — which was recently featured in a soccer highlight show “Match of the Week.”
Oh I left stuff out of this description so you’ll have some surprises along the way. Thanks for listening. Please subscribe and tell ALL your friends about Gumbo YaYa.
This week’s show gives a gentle nod to my Irish heritage but I don’t go overboard. Well, unless you count the two raucous sea shanties. Go ahead and get it started while I explain.
As I’ve said before, New Orleans needs little reason to put on a party. But given that St. Patrick’s Day appears to be our equivalent of Irish-American heritage day, the city has a lot to party about. You’ll find the parades and block parties are centered around a neighborhood in New Orleans along the Mississippi River called the Irish Channel. And while the large influx of Irish families in the first half of the 19th century fanned out throughout the city, many did seem to settle in this Garden District neighborhood since it wasn’t very far from where they go off the boat from Ireland.
My experience with the Irish Channel was as a kid when I gigged as an altar boy for an itinerant priest who would do mass for convents and shut ins. One day, he got a prime time slot, doing mass at St. Alphonsus Church (now a cultural center) in the heart of the Irish Channel. I lived just a few miles away but it may as well been a world away in 1966. All the other neighborhood altar boys, hanging out in the altar boy locker room, sounded like Bobby Kennedy. That’s New Orleans for you.
Well, back to the show, I don’t spend too much time on the Irish theme. I don’t have a lot of music that fits frankly. And I’m not a big fan of the whole St. Patrick’s Day celebration — which you’ll get a taste of when you hear the show. Instead, I treat you to Louis Jordan’s 1949 classic “Saturday Night Fish Fry” and carry on that early R&B vibe with Chubby Newsome and Percy Mayfield
Later, I take a dive into the brand new Smithsonian Folkways recording celebrating 50 years of the New Orleans Jazz and Heritage Festival. Yes, this year is the 50th anniversary. I play a track with Snooks Eaglin getting excited about the huge crowd he had and we rock to a live version of “Back On Dumaine” when Anders Osborne’s heart ache over the end of his marriage was fresh. I also play from the new release by Herlin Riley, singing a jazzy version of “Wang Dang Doodle.”
Lots of other great stuff in between. Give it a listen. And “Erin Go Bragh.”
The day after Mardi Gras can be unsettling because even though you can “Do Whatcha Wanna” on Fat Tuesday, the next day is accompanied by a hangover, sore feet and vocal chords and, for some, a broken heart. Get the show started and let Alex McMurray’s song “The Day After Mardi Gras Day” fill you in.
In some ways, it was a relief to get out of the party zone with the show and get reacquainted with other New Orleans music. In this show you’ll hear Kristin Diable, Mem Shannon, Dana Abbott, Glen David Andrews, Henry Butler, Carlo Ditta, and many more.
On re-listening to this show, I’m most impressed by Lil Queenie doing a cover of David Bowie’s “Stay” from her new release Purple Heart. Other covers include Carlo Ditta channelling Leonard Cohen in a cover of Jimmy Cliff’s “Many Rivers to Cross” and Mem Shannon’s persuasive take of Tom Petty’s “Don’t Back Down.”
I start a new feature called “Gumbo YaYa Earworm” where I play a song from the last show that stuck in my head. If you have that malady when you listen to my show, let me know the culprit and I’ll include it in the next show.
I also replay a segment of Helen Gillet’s live in-studio performance at KAOS last summer where she talked about Alcide Pavageau, a well-regarded New Orleans bass player who was born on this day in 1888. The song is called “Slow Drag Pavageau” and is featured on her latest album.
What would like to hear in future shows? Let me know. Cheers.