This show helped anchor the last day of the KAOS Spring Pledge Drive. I cut out all the pledge drive jabber but if you feel inclined to support KAOS, here’s how you do it. But you don’t need to pledge to listen the show, just click the arrow in the the Mixtape box below. (something has happened to the embedded feature for mixcloud so here’s a link directly to the podcast.)
To reward myself for doing hosting two pledge shows during this 10-day Spring Drive, I finally bought the album and discovered that there are some other amazing tracks on the release, including the fifth song on this show. The recording is of North Carolina fishermen singing a chantey that they used to sing when hauling in menhaden fish. Here’s a bit more about that fishery. The producers noticed an island lilt to the singing and turned it into a reggae-style number with Trombone Shorty providing some great tracks. I pair that song with a couple of other reggae-influenced New Orleans performances.
Given all the pledge drive appeals that were edited out, this week’s show is not as long as usual so I hope you’ll stay listening for the last two songs — a live at JazzFest performance by The Wild Magnolias and a humorously well-done funk song by Mem Shannon that caused local musician “Dr. Soul” to pull over from his driving so that he could call the station and pledge. Thank you man!
This week’s pledge drive show was a delight to host with guest and friend Juli Kelen helping out but you won’t hear much of our conversation. The show below is almost all music with only the song announcements. Go ahead and get it started.
Our station manager contends that even during pledge drive shows, KAOS and other community radio stations still play more music per hour than commercial stations. Well, this podcast is a good test. While it doesn’t contain as much music as my regular weekly shows, it still includes 18 great songs from New Orleans and Lafayette. I start the show with four excellent contemporary cajun numbers.
Even though this show doesn’t include the wonderful and charming banter between Juli and I, laying out the important reasons for why you should support community radio, you can still support KAOS and KMRE — the two stations that carry my show. Just click the call letters and it will take you to their respective membership pages.
My show rotation means I’ll be doing another pledge drive show next week. Catch me live on KAOS, 89.3 FM and streaming at www.kaosradio.org/listen . Show starts at 10 a.m. (PST) on Thursdays.
If you ever get sentimental about favorite stores that have closed or been bought out, or people you no longer see or experiences that are long gone, well this week’s show might be for you. Click the arrow in the box below to start the show and then read on.
John Boutte sings the opening number “Never Turn Back” which is a caution we will not follow for most of the first part of the show. However, first we warm up with a couple of classic New Orleans piano players (Professor Longhair and Dr. John) and one contemporary one destined to be a classic (Josh Paxton).
Given its multi-national history, New Orleans is home to a variety of accents. One in particular “is hard to distinguish from the accent of Hoboken, Jersey City, and Astoria, Long Island” according to A.J. Liebling author of “The Earl of Louisiana.” a Hear’s more on how New Orleanians talk.
I mention this to provide some understanding of why “Ain’t Dere No More” became a catch phrase in New Orleans made famous by a song of the same name by Benny Grunch and the Bunch. In a town with businesses such as Schwegmann’s, a 19th century grocery store that pioneered the concept of “supermarket,” and K&B, a purple-famed ubiquitous drugstore that stood for Katz and Besthoff, their buyouts and closures are still mourned decades later.
The song may seem silly but in my home of Olympia, I still miss going to the Rainbow Tavern and drinking dark Olympia beer (both are gone). And maybe you remember some place or things you used to do that you also miss. In the case of Alex McMurray its an old bar he can’t go back to. For Davis Rogan and his brass, hip hop band, All That, its the end of live music performances in a Treme neighborhood restaurant “Little People’s Place.” For Alex Duhon, its the passing of a generation that knew how to fix things and make them last.
I carry on with this theme for a few sets ending with a wonderful rendition by Allen Toussaint of his hit song “Southern Nights” — a song that brought back memories of an Arkansas childhood for Glen Campbell who popularized the song. For songwriter Toussaint, “Southern Nights” is about going into the Louisiana back country to visit relatives who speak in a difficult to understand patois, drink from jars and make stories about the stars. Please stay with the show through at least that song.
And if you do, well I celebrate the birth anniversary of George Landry, big chief of the Wild Tchoupitoulas and uncle of the Nevilles. Listen to one of the songs that brought these four talented brothers together in the studio for the first time. Leyla McCalla’s new song “Settle Down” pairs well with the Mardi Gras Indian song. Much more beyond that. I’ll let it be a surprise. Thanks for tuning in and please subscribe.
Marcia Ball kicks off this week’s show with “Crawfishin'” which I play in honor of the fact that we’re now in the height of the mud bug season. But there’s more mouth-watering songs in the show so get it started and then read more of what’s on the menu.
Smoking Time Jazz Club is proving to a prolific recording group as well as a live performance band. In the first full set, check out “Snake Hip Dance” from their barely released Contrapuntal Stomp. Tom Worrell lays down “Crawfish Fiesta” from a live performance of piano night, the WWOZ benefit that happens between the two weekends of the New Orleans Jazz & Heritage Festival. (This year, it looks like the event has moved to House of Blues).
I start the second full set with Leyla McCalla’s “Money is King” from her latest The Capitalist Blues . That set is all new music including Big Al and the Heavyweights doing “Fool for You” and Herlin Riley’s wonderful funky jazz number “Wings and Roots.”
Later in the show, you’ll hear Little Queenie, Tuts Washington, Johnny Sketch & the Dirty Notes, James Booker, and Miss Sophie Lee. I spin two more tracks from the Smithsonian Folkways not-yet-released 50 year anniversary of Jazz Fest with a big band performance by Al Belletto and a birthday spin (she turn’s 87!) of Germaine Bazzle scatting with Red Tyler’s Quintet.
At about the hour mark, you’ll hear the Hot 8 Brass Band’s sweaty dance anthem “Get Up” — the 20th anniversary version and then later to end the show I play the Diesel remix of that song — which was recently featured in a soccer highlight show “Match of the Week.”
Oh I left stuff out of this description so you’ll have some surprises along the way. Thanks for listening. Please subscribe and tell ALL your friends about Gumbo YaYa.
This week’s show gives a gentle nod to my Irish heritage but I don’t go overboard. Well, unless you count the two raucous sea shanties. Go ahead and get it started while I explain.
As I’ve said before, New Orleans needs little reason to put on a party. But given that St. Patrick’s Day appears to be our equivalent of Irish-American heritage day, the city has a lot to party about. You’ll find the parades and block parties are centered around a neighborhood in New Orleans along the Mississippi River called the Irish Channel. And while the large influx of Irish families in the first half of the 19th century fanned out throughout the city, many did seem to settle in this Garden District neighborhood since it wasn’t very far from where they go off the boat from Ireland.
My experience with the Irish Channel was as a kid when I gigged as an altar boy for an itinerant priest who would do mass for convents and shut ins. One day, he got a prime time slot, doing mass at St. Alphonsus Church (now a cultural center) in the heart of the Irish Channel. I lived just a few miles away but it may as well been a world away in 1966. All the other neighborhood altar boys, hanging out in the altar boy locker room, sounded like Bobby Kennedy. That’s New Orleans for you.
Well, back to the show, I don’t spend too much time on the Irish theme. I don’t have a lot of music that fits frankly. And I’m not a big fan of the whole St. Patrick’s Day celebration — which you’ll get a taste of when you hear the show. Instead, I treat you to Louis Jordan’s 1949 classic “Saturday Night Fish Fry” and carry on that early R&B vibe with Chubby Newsome and Percy Mayfield
Later, I take a dive into the brand new Smithsonian Folkways recording celebrating 50 years of the New Orleans Jazz and Heritage Festival. Yes, this year is the 50th anniversary. I play a track with Snooks Eaglin getting excited about the huge crowd he had and we rock to a live version of “Back On Dumaine” when Anders Osborne’s heart ache over the end of his marriage was fresh. I also play from the new release by Herlin Riley, singing a jazzy version of “Wang Dang Doodle.”
Lots of other great stuff in between. Give it a listen. And “Erin Go Bragh.”
The day after Mardi Gras can be unsettling because even though you can “Do Whatcha Wanna” on Fat Tuesday, the next day is accompanied by a hangover, sore feet and vocal chords and, for some, a broken heart. Get the show started and let Alex McMurray’s song “The Day After Mardi Gras Day” fill you in.
In some ways, it was a relief to get out of the party zone with the show and get reacquainted with other New Orleans music. In this show you’ll hear Kristin Diable, Mem Shannon, Dana Abbott, Glen David Andrews, Henry Butler, Carlo Ditta, and many more.
On re-listening to this show, I’m most impressed by Lil Queenie doing a cover of David Bowie’s “Stay” from her new release Purple Heart. Other covers include Carlo Ditta channelling Leonard Cohen in a cover of Jimmy Cliff’s “Many Rivers to Cross” and Mem Shannon’s persuasive take of Tom Petty’s “Don’t Back Down.”
I start a new feature called “Gumbo YaYa Earworm” where I play a song from the last show that stuck in my head. If you have that malady when you listen to my show, let me know the culprit and I’ll include it in the next show.
I also replay a segment of Helen Gillet’s live in-studio performance at KAOS last summer where she talked about Alcide Pavageau, a well-regarded New Orleans bass player who was born on this day in 1888. The song is called “Slow Drag Pavageau” and is featured on her latest album.
What would like to hear in future shows? Let me know. Cheers.
Today’s show finds that magic balance between delivering the classic Mardi Gras feel while still being fresh. Get it started and you’ll see what I mean. (you can click the arrow in the box below and still read on)
Even if you are tired of hearing Professor Longhair’s “Go to the Mardi Gras” you can’t help but appreciate how much rhythm and action he packs into less than three minutes. The version that starts the show is the 1959 New Orleans recording featuring Mac Rebennack (before his Dr. John days) on guitar.
The first full set features Los Hombres Calientes (Irvin Mayfield and Bill Summers group) doing “Mardi Gras Bayou” followed by Kermit Ruffin’s “Do the Fat Tuesday” and Chuck Carbo’s rarely played “Hey Mardi Gras (Here I Am).”
The musical Nine Lives has a scathing critique of the Rex Parade crowd with the song “King of Mardi Gras” which opens the next set followed by Louie Ludwig’s “The Things You’ve Done On Mardi Gras Day” — just released this carnival season. The set finishes with Lena Prima’s original song “Muses Shoeses” inspired by the Krewe of Muses parade.
Al Hirt provides some fast paced transition to Mardi Gras Indian songs, starting with the “in the streets” recording of Monk Boudreaux and the Golden Eagles followed by some fancied up numbers by Bo Dollis (with some help on the last number by Galactic).
We take a trip out to the swamps for some cajun style Mardi Gras before returning to New Orleans and pulling from Lil Queenie’s new album which features a spoken word opening to her classic “My Darlin’ New Orleans.”
Some dance numbers, a few more Mardi Gras tunes and we finish with a different version of Professor Longhair performing “Mardi Gras in New Orleans.”
Thanks for tuning in. Stay listening by subscribing to this blog. Cheers.
If you grew up with the phrase “See You Later Alligator,” chances are you are also familiar with the hit song by Bill Haley and the Comets. Today’s show features songs by the songwriter (Robert Charles Guidry) who wrote and originally recorded that record.
However, the show starts with Dr. John singing “Let the Good Times Roll” which you would know by now if you would just click the arrow below.
Born February 21, 1938, Bobby Charles is noted for being an early adopter and developer of the “swamp pop” sound that originated from south Louisiana’s Acadiana region. Swamp Pop had its heyday in the early 60’s but has seen a resurgence with recent releases by Roddie Romero, The Revelers and Yvette Landry. The latter featuring covers of Bobby Charles songs, including “Yea, Yea Baby” which you’ll hear in the show. I also play Fats Domino’s “Walking to New Orleans” and Bobby Charles” rollicking rendition of “Take It Easy, Greasy.”
Today’s show kicks off though with a solid set of jazz with Dr. Michael White, Tuba Skinny, Kid Ory, Smoking Time Jazz Club, Louis Armstrong, and Eight Dice Cloth.
This show also features some Cajun music and another set of Mardi Gras inspired songs, including Los Hombres Calientes’ “Mardi Gras Second Line.”
Stick with the show into the second hour and you’ll hear Maria Muldaur’s naughty version of “Trombone Man Blues” and a sweet, bluesy cover of “If I Had a Hammer.” The show finishes with Jon Cleary’s “Zulu Strut.”
I know I’m buying into the whole commercial thing of doing songs about love on Valentine’s Day. So what! Once you start the show with the Tin Men’s cover of “I’m in Love Again,” you won’t care either.
I mean, you can’t go wrong with a song about love where the besotted one (in this case Fats Domino who originally sang the song) suggests to his new lover “Baby, don’t you let your dog bite me.”
Earl King takes it up a notch with his “Love is a Way of Life” from his Sexual Telepathy album. Teedy Boutte follows that up with a cover of “Piece of My Heart.” But really it was all a set up for me to play “Ten Commandments of Love.” Yea, if you’re still with me by then, you are a softy.
Eric Lindell provides a more contemporary original rhythm and blues tune called “You Look So Good in Love,” followed by The Iguanas edgy “Nervous.” Kelcy Mae rocks out the end of the set with “(Don’t Be Stupid with) My Love.”
Yvette Landry & the Jukes do the hit off her new album, “I Need Somebody Bad,” (“because I just lost somebody good.”) The Write Brothers follow that up with another lost love song “Losin’ You” and Snooks Eaglin takes on the classic “Careless Love” to finish that set of frustrated love songs.
The next set features some great jazz with Kid Thomas, Preservation Hall Jazz Band, and Shotgun Jazz Band, finishing with Maria Muldaur’s version of the Blu Lu Barker number “Loan Me Your Husband.”
I take a short Mardi Gras music break – yes, its still Mardi Gras season — before finishing with one last love song set with Lynn Drury, Walter “Wolfman” Washington and Big Al and the Heavyweights. If you hang in there for this set, you’ll get a treat of Lenny Kravitz singing “Whole Lotta Loving” with Rebirth Brass Band and Trombone Shorty backing him up .
I’m a little late in posting last Thursday’s show but I’m hoping its worth the wait, featuring music written by and in some cases performed by Earl Silas Johnson – aka Earl King.
Born in the Irish Channel district of New Orleans on February 7, 1934, Earl Silas Johnson is behind one of the more covered Mardi Gras standards, “Big Chief.” So in today’s show (which you should have playing by now – click the arrow above) I dive into Earl King’s music as well as other Mardi Gras numbers — including perhaps the most covered “Mardi Gras in New Orleans” song written by Professor Longhair.
This weekend, the 2019 Mardi Gras parade season ramped up with the quirky, Sci-Fi parade “Krewe of Chewbacchus.” The 900-member, self-described satirical space cult, walks, pedals, pushes but does not drive its contraptions down its parade route. Only three rules: No unicorns unless with rocket thrusters; no elves unless cyborgs; and no whinebots.
Earl King kicks the show off with one of my favorites: “No City Like New Orleans.” Later I play an early recording of his called “Til I Say Well Done” and an example of him funking it up with “Do the Grind.” Covers of King songs by The Roamin’ Jasmine and Dr. John round out my tribute to what would have been his 85th birthday if we hadn’t lost him in 2003. I finish the Earl King segment with The Radiator’s tribute song “King Earl.”
The fun continues though with new music by Walter “Wolfman” Washington, Lena Prima. Benny Turner, Big Al and the Heavyweights and Yvette Landry and the Jukes.
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