New Orleans deserves more recognition for its funk

This week’s show is a funky one.  Get the show started by clicking the Mixcloud arrow then read how Ohio scooped New Orleans on the funk

meters.jpgA recent NPR story about Dayton, Ohio having a Funk Hall of Fame took me a bit by surprise.  It’s not that I have anything against Ohio though I resent the tendency of their vote for president seeming to count more than mine. And yes, there are some fine funk bands from Dayton (Ohio Players, Heatwave, Zapp, etc.).

Like many though, when I think of funk masters, I think James Brown, George Clinton and, well, The Meters.  In the late 60’s, Art Neville (keyboards), George Porter, Jr. (bass), Leo Nocentelli (guitar) and Zigaboo Modeliste (drums) became the studio band for Allen Toussaint backing hits like “Everything I Do Gohn Be Funky,” sung by Lee Dorsey. And while they didn’t make it as big as some of the mid-70 funk bands, The Meters, along with James Brown, are widely considered to be the originators of the funk sound.

But its not that simple.  The Meters were influenced by New Orleans parade rhythms, Professor Longhair,  and Earl Palmer, who before moving to Los Angles to be part of the famed “Wrecking Crew” as part of the Cosimo Matassa studio band that created many of the early R&B hits by Fats Domino and Little Richard.  The same Little Richard sound that James Brown cited as being an influence on his funk sound.

So why isn’t the Funk Hall of Fame in New Orleans?  Probably for the same reason there’s not a decent Jazz or R&B museum in New Orleans. Dayton made it happen and New Orleans didn’t.   Well, least the music is good. Other acts on this show include Corey Henry, Galactic, Johnny Sketch and the Dirty Notes, Dr. John, Eddie Bo, New Orleans Nightcrawlers, Jon Cleary, Papa Grows Funk and Walter “Wolfman” Washington.

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New Orleans vocalists have great back up

Click the arrow in the box to this week’s edited show started and then read about what you will hear

New Orleans vocalists have such a deep musician’s bench to pull from for their recordings that its no surprise they’re great to listen to.  But there’s no question who the star is in the songs I played today. . .starting with “Sweet Home New Orleans” by Dr. John. It’s the voice!

Alexandra Scott follows with her haunting “Something Altogether New.” I played a rare major label song with Harry Connick Jr. doingdownload “Wish I Were Him” and Antoine Diel does a duet with Arsene Delay singing “Bless You (For the Good That is in You).

Later sets include Marva Wright, Linnzi Zaorski, Lena Prima, Aaron Neville, Johnny Adams, Percy Mayfield, Ingrid Lucia, and Debbie Davis.  Sarah Quintana, Miss Sophie Lee and Theryl Declouet (Houseman) keep the focus on the voice. Though in every case, there is excellent support.

I realize I could easily do another show of vocalists without repeating. Afterall, this show does not include Irma Thomas, Ernie K-Doe, Fats Domino, John Boutte to name a few.  Instead, I finish twith a tribute to my alma mater, a trio of songs on Georgia to honor the University of Georgia marching band getting to perform in the Rose Bowl and now the NCAA championship. Go dawgs!

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KAOS/Gumbo YaYa’s – Top Ten 2017 New Orleans CD’s

Here are my top 10 New Orleans music releases.  All of these have been played on my show on KAOS in 2017 (For more new releases played on my show this year, go to my end of year roundup.)  You can listen to the show featuring these releases while you read about them.

A Beautiful World.jpgA Beautiful World – Kermit Ruffins and Irvin Mayfield hit a home run with this home town love note featuring over 50 New Orleans musicians with originals and covers that totally capture Ruffins’ style and vibe.  Mayfield, as producer and master trumpeter, does a great job of letting the relaxed, hip style of Ruffins shine through.

boneramaHot Like Fire – Mark Mullins and Craig Klein are solidly in their comfort zone with their latest Bonerama release, their first through Basin Street Records. The album’s strength is the talent of the musicians, especially Matt Perrine, who contributed three songs as well as his sousaphone expertise and Bert Cotten, whose guitar gives this brass heavy release a rocking feel.

roamin-jasmine-live-at-horaces-barLive at Horace’s – Taylor Smith may regret putting his favorite neighborhood (Central City) bar on the international map but the cozy Horace’s apparently was just the venue for him to showcase his energetic style of New Orleans R&B.  Guitar Slim, Earl King, Elmore James and Blind Lemon Jefferson all get  the Roamin’ Jasmine treatment in this set.

SoItIsSo It Is –  This is the second release by Preservation Hall Jazz Band with all original tunes. While Preservation Hall, with its musician’s collective, is known for keeping the tradition alive, the recording/touring band is keeping the tradition alive by providing fresh music that connects New Orleans to its Afro-Cuban roots. It’s totally hip and hard to stop playing.

With-You-in-Mind-Cover-980x980With You in Mind – Stanton Moore was still grieving the unexpected death of Allen Toussaint, the central architect of New Orleans R&B and Funk in the 60’s and beyond, when he went into the studio with David Torkanowsky and James Singleton. With the help of Cyril Neville, Nicholas Payton, Trombone Shorty and Donald Harrison Jr, the trio captured Toussaint’s joy for life as well as ability to touch your heart.

hot 8 on the spotOn the Spot – The Hot 8 Brass Band does brass band music right. Given my fondness for this band and its sound, I would be hard pressed to not have them on my list.  But after 20 years, this band is not resting on its laurels.  The band covers Stevie Wonder and the classic St. James Infirmary in its usual ear-opening style but it also offers new songs that speak to this band’s amazing ability to keep on plugging against adversity.

sketchSketch –  Johnny Sketch and the Dirty Notes should be getting a helluva a lot more attention, particularly after this release. While the band can play just about any style, the members seem most entertaining with their original funk rock sound.  They have a reputation as a party band, but its members are professionals who know how to play and create unique, entertaining music.

marsalisMake America Great Again – This late 2016 release is Delfeayo Marsalis and the Uptown Jazz Orchestra’s formula for what truly makes our country great.  Yes, he starts with the Star Spangled Banner and lays down some solid swinging big band sounds through 14 tracks but there’s sharp commentary spliced in between the jazzy sounds.  This is a great release for a deejay of New Orleans music show. It has a bit everything with top-flight craftsmanship.

dirty bourbonThe Flying Musical Circus – Noah Adams is the brainchild, singer and songwriter of this frenetically entertaining group, the Dirty Bourbon River Show.  “New Orleans Big Brass Circus Rock Music” is the elevator pitch for the music but even if that doesn’t appeal to you, give this album a listen. The music is deep and its elephant free

CreaturesFront_mini.jpgCreatures  – If Sweet Crude makes it big and it certainly has the potential, you might be able to point to this album as when they figured it all out.  This is a uniquely Louisiana-band with strong roots in Arcadia, but its clearly a pop band, that sings in French and English, with the opportunity to grow a wider audience.  Get on the ground floor with Creatures.

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Happy Holidays – 2017

Here’s the edited version of my holiday show, aired December 21, 2017 on the community radio station, KAOS, 89.3 FM.  Holiday music with a very distinctive New Orleans bent.

Songs by Alex McMurray, Fats Domino, Kermit Ruffins, Charmaine Neville, Theryl “Houseman” Declouet, Smoky Greenwell, Lena Prima, Craig Klein (Bonerama) and many more.

Next post will be my top 10 albums of 2017.  Stay Warm!

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Your 2017 New Orleans Music Buying Guide, Part 2

Mardi Gras dot background.

Here’s Part 2 of my annual roundup of 2017 releases from New Orleans  (and a couple from Lafayette) just in time for the holiday shopping season.   Part 1 here.  The recording of this show features songs from the releases discussed in this article so you can listen while you read.  Please consider subscribing (on the right)

Kermit Ruffins & Irvin Mayfield – There’s an infectious joy with a Kermit Ruffins performance and on the occasion of its 20th anniversary,  Basin Street Records created the environment for Ruffins to reach peak effervescence.  A Beautiful World is lovingly produced by Irvin Mayfield and supported by a large cast of top New Orleans talent including Cyril Neville, John Boutte, Jason Marsalis,  Dr. Michael White, Shannon Powell, Glen David Andrews and actor Wendell Pierce.  Throw in the sterling voice of Haley Reinhart and the party sounds of Rebirth Brass Band, which Ruffins co-founded, and you have an album that richly deserves its place on top of the Billboard Jazz chart. Here’s more on the album including my interview with Ruffins and Mayfield at the Mother-in-Law Lounge in New Orleans.

Trombone Shorty – Troy “Trombone Shorty” Andrews is an international touring artist with a grammy nomination and a slick third release Parking Lot Symphony since his breakout Backatown.  But his recordings still reflect his roots.  From the opening and closing funeral-like dirges to his cover of Allen Toussaint’s “Here Come the Girls” to his colloquially titled “Where It At?” Andrews leaves no doubt he’s a part of a proud family of Treme musicians. Check out his “Tripped Out Slim” for a healthy hit of brass funk.

Bonsoir_Catin_LAurore_Cover_WebBonsoir Catin – First, don’t use the Google translation to say the English version of this band’s name. I made that mistake while doing my show and was promptly corrected by a fan of the band listening from Baton Rouge (Thank you Bill Boelens) This mostly all-female group from Lafayette plays cajun music in a fresh, addictive manner.  L’aurore  is an excellent ambassador for your friend who’s been reluctant to attend a fais do-do. The opening, title track makes it clear you’re going somewhere else and by the funky La Delaissee, you two will be dancing. I GAR-ON-TEE!.

Shotgun Jazz Band –  Steppin on the Gas is not just another New Orleans hot jazz release.  Imagine attending one of the three live performances this band does on a weekly basis on Frenchmen Street, except get rid of all the chatting diners and drinkers and add clarinetist Tom Fischer and trumpeter Ben Polcer to the already strong Shotgun Jazz Band line up featuring Charlie Halloran on trombone and Marla Dixon on vocals.  You will be transported to another time, say 100 years ago, to Tom Anderson’s saloon at the corner of Basin and Iberville.

Twerk Thomson  –  Mr. Thomson is clearly into time travel.  With Twerk Thomson Plays Unpopular Songs, the bass player for Shotgun Jazz Band literally takes you back to the infancy of music recording, assembling a talented band and using one microphone to feed into a Presto K8 lathe, cut directly to acetate discs at 78 rpm. He edited for sound and fortunately made it available on more new-fangled formats like CD and MP3. The total vintage jazz effect is perfect for the vinyl lover who doesn’t own a turntable.

roamin-jasmine-live-at-horaces-barTaylor Smith & The Roamin’ Jasmine – With his third release, Live at Horace’s, Taylor Smith continues his mission of being a New Orleans guardian of the R&B groove.  Singing from behind his upright bass in the cozy neighborhood bar walking distance from his Central City home, Taylor and his five Roamin’ Jasmine deliver 13 tight songs. The band fearlessly tackle Blind Lemon’s “Hangman’s Blues,” Maybelle’s “That’s a Pretty Good Love,” Blind Boy Fuller’s “Step It Up and Go,” Little Bob’s “I Got Loaded” and Earl King’s almost forgotten “Feeling My Way Around.”  Here is more, including an interview with Taylor Smith

Lost Bayou Ramblers –  Brothers Andre and Louis Michot formed this band in 1999, having learned their craft from their father and uncles in the family band, Les Frères Michot. They are more than capable of playing traditional cajun music sung in French/French Cajun. Yet while Kalenda is uncompromising in its presentation, it also pushes the boundaries with a jazz like, edgy pacing, particularly with the title track which taps into a folklore that dates back to before Congo Square.

Paula and the Pontiacs,  Looking for some swinging blues with sax, harmonica and a voice that fills the roadhouse but is connecting directly to you, consider Paula Rangel’s Seventeen– a sort of best hits from her previous releases. She handles all the above, including stongwriting but also gets great support from a rotating cast of familiar names including Jeffrey “Jelly Bean” Alexandar and Johnny Vidacovich on drums, John Mooney on slide guitar (Cadillac Love) and Cranston Clements on guitar.

Delfeayo Marsalis –  His exceptionally-timed 2016 release Make America Great Again with the Uptown Jazz Orchestra arrived too late for last year’s buying guide, so I’ll give it a two thumbs up now. And for something a bit different, Kalamazoo presents the trombonist member of the Marsalis musical dynasty performing with his father in a relaxed live setting. Starting with the New Orleans Rhythm King’s “Tin Roof Blues” to the oft-played standard “Do You Know What It Means to Miss New Orleans,” you’ll recognize many of the songs but you won’t have heard them played this way.  There is love in this music.

Preservation Hall Jazz Band – Any thought that Preservation Hall Jazz Band is a relic of New Orleans past, need only listen to So It Is. Following a trend from its last album. That’s It, the band continues to record original songs that break new ground. The opening track could have played on the TV show Mad Men while other tracks use Cuban rhythms, strong keyboards and liberal doses of brass band chaos. This is the new Preservation Hall Jazz Band – – long live them.

benny turnerBenny Turner – He might have 60 years of performing under his belt, but no moss is growing under this veteran bluesman who early in his career performed with his brother Freddie King and then did a 20-year stint in New Orleans as Marva Wright’s bandleader. His second tribute to his beloved brother, My Brother’s Songs, benefits from his guitar and voice and some choice performances by New Orleans musicians, including Jason Mingledorff, Joe Krown, June Yamigishi and Jeffery “Jellybean” Alexander.  An excellent choice for the blues fan on your list.

Dirty Bourbon River Show –  The band’s latest release, Flying Musical Circus, exemplifies its website billing of  “New Orleans Big Brass Circus Rock Music.” With its Eastern European flair and horns, the “show” reminds me of some of the better bands that frequent HonkFest. The difference is the original songwriting and Noah Adams’ voice which prowls through his songs much like he prowls on stage during the band’s energetic performances. The music engages you to clap and sing, particularly with the (unfortunately radio unfriendly) song  “All My Friends are Dead.” Here’s my interview with the band’s saxophonist Matt Thomas along with a couple of the band’s songs recorded during my show.

Revival!  – Carolyn Broussard is the best reason to pick up Now is the Time – the title pulled from the lyrics of Allen Toussaint’s “Yes We Can Can” covered on the album. She gets excellent support from her fellow band members with their bluesy soul vibe, but every time I hear her singing in “Sweet Inspiration” and the Temptation’s “I Can’t Get Next to You,” I kick myself for missing the band’s Thursday evening gig at Cafe Negril the last time I was in New Orleans.

Ken Swartz  and the Palace of Sin –  Smile Away the Blues was a pleasant surprise, arriving at my KAOS inbox for processing into the blues collection. He packs 16 songs into Smile Away the Blues most with an easy, acoustic feel balanced with upbeat harmonica and toe-tapping rhythm.  His unpretentious vocals is well-suited to his Americana-style, particularly in songs like “Payday.”

Darcy Malone and the Tangle – Following up on last year’s release, Darcy Malone and her band released four new tracks on the EP Make Me Over.  Perhaps the indie rock/pop sound is something you don’t associate with New Orleans, yet Darcy Malone and Christopher Boye are very much from the city. As with their last release, the band features a delightful amount of saxophone. If you’re looking for a break from jazz but you want to stay in New Orleans, Darcy Malone and the Tangle will take care of you.

 

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Your 2017 New Orleans Music Buying Guide, Part 1

Mardi Gras dot background.This is my fourth annual Buying Guide to encourage you to give the gift of music. To hear the music click on this week’s show and then read about it below. (Here’s Part 2 of the guide).

Links to all the bands are provided so you can purchase from the source. There’s no pecking order to my presentation (I’ll present my top 10 at the end of the month).  Also, while there is a Part 2 coming, this list is far from comprehensive. Let me know if I’ve left something out you like.

boneramaBonerama -Trombone Shorty was 12-years-old when two trombonists from Harry Connick Jr.’s band decided to move to the front of the stage and create the brass-funk-rock group, Bonerama. With their seventh release, Hot Like Fire, Craig Klein and Mark Mullins joined by a third trombonist, a sousaphone, guitar and drums, are clearly in their element jamming on original tunes as well as a Radiohead cover and Allen Toussaint’s Basic Lady.  Learn more about this cool band, check out my interview with Klein and Mullins.

Stanton Moore  – One of the best drummers in the business, Moore pulled together an all-star cast (Trombone Shorty, Nicholas Payton, Maceo Parker, Donald Harrison Jr. and Cyril Neville to name a few) in paying homage to Allen Toussaint with With You In Mind. Whether you like Toussaint or not (what?!), you’re going to dig this album from “Here Come the Girls” with Trombone Shorty  to Toussaint’s autobiographical “Southern Nights” with Wendell Pierce reading, not singing, the lyrics.

The Deslondes   – The band’s second release, Hurry Home, solidifies the Deslondes reputation as the premiere example of the New Orleans Americana scene. Despite its title, the album takes its time, meandering 13 songs with lyrics that linger in your mind and entice you to sing along.  Why not? Four of the five band members sing as well.

hot 8 on the spot.jpgHot 8 Brass Band – A good brass band can get even the most stiff-limbed old man moving his hips. But what makes this venerable New Orleans brass band special is its great solos, unexpected twists and those sneaky covers you don’t recognize at first.  From the band that has survived to see it all and gave the world the brass version of “Sexual Healing” comes On The Spot — essential to any brass band fan collection.

Tuba Skinny – With its eighth release Tupelo Pine, Tuba Skinny has moved from the streets into institutional status in New Orleans. This band has a deep repertoire of Prohibition and Depression era tunes performed with entertaining and reverent orchestration.  If you’re looking for something special for a traditional jazz fan, you can’t go wrong with this band that has won its audience one street performance at a time. See Pops Coffee for a far more detailed review.

Smoking Time Jazz Club –  Another street-hardened traditional jazz band  that takes you back to another era, Smoking Time has a sultry quality fueled by the band’s mission statement embedded in its name The band started  2017 with a new release Ain’t We Fortunate and finishes the year with Take Your Time and Fly —  they’re both excellent but the second one is strengthened by Sarah Peterson’s vocals.

erica-falls-home-grownErica Falls – With HomeGrown, Erica Falls has demonstrated that hard work, grit and talent can pay off. At least it does for the listener.  While this is her first full release, Fall has paid her dues singing with Allen Toussaint and Galactic and providing backing vocals in the studio for Irma Thomas, Dr. John, Marva Wright, and Bobby Charles — not to mention adding some sweet vocals to two tracks on Rebirth Brass Band’s last release.  But HomeGrown is all hers — eight of the songs are her own composition. She’s soulful, funky, sweet. . .yea, I’m in love.

Naughty Professor   – While Identity does not have a title track, its first two songs go right to the heart of the issue. The rhythmic “Mirror,” choruses with “Give people what they want”  while the second track advises to “be what you want, do what you feel.” And that’s exactly how this jazz-funk sextet has rolled ever since emerging from the New Orlean’s Loyola jazz program in 2010. The band skillfully flows through soul, R&B and hip hop. But underlying it all is a strong jazz sensibility that keeps its fresh and unique. Now that’s an identity.

New Orleans Jazz Vipers  – If you’ve visited Frenchmen Street, chances are you’ve had the opportunity to see the Vipers live. The swing jazz band has been a fixture there long before tourist knew to direct their cab to Frenchmen. “Live & Viperizin” captures the band at its most enigmatic with danceable numbers designed to draw you into the nightclub, except now you can get that live feeling at home.

Jon Cleary – With Live at Chickie Wah Wah, this master piano player follows up his grammy-award winning album featuring his funk group Monster Gentleman with an intimate solo performance recorded live at one of his favorite hometown venues.  It’s just Cleary, his voice and his piano playing some of his favorites, including two from GoGo Juice, as well as some tasty R&B and soul numbers made famous by Smiley Lewis, Jessie Hill and Jessie Belvin.  The only way you can beat this release is if you really catch him live at Chickie Wah Wah.

Sonny Landreth – This electric slide guitar master delivers a much-anticipated live acoustic set performed in his hometown Lafayette and for lagniappe, a second live set with his electric guitar.  If you are fan of this tireless touring professional (he’s in Deming for the Mt. Baker Blues Festival in August 2018), you’ve heard these songs before but not like this. If not, Live at Lafayette is a great way to become a new fan.

debbie-davie-josh-paxton-vices-and-virtuesDebbie Davis and Josh Paxton – There is a magic that derives from the alchemy of a pianist and vocalist who have performed regularly, particularly if they use their familiarity to push each other.  Davis is a lifelong singer who, in addition to her own projects, performs with The Pfister Sisters.  Josh Paxton, who is part of Johnny Sketch and the Dirty Notes, is clearly capable of tearing up the keyboards on inspired solos but lovingly wraps his performance around Davis’ voice.  Vices and Virtues puts you in the room with these two creative professionals.

Johnny Sketch and the Dirty Notes – The band’s website describes it best: “their irreverent funk is cut with rock riffs, a Gypsy/Klezmer flare, a Latin tinge courtesy of a hard hitting horn section, and a sense of humor.” Yea, you right.  And Sketch is the band’s best release yet.  I’m still pissed I can’t play “Fine Time” on the radio but I’ve definitely been playing the dozen other tracks that deliver soul, funk, reggae, and a power violin rock thing (“The Dragon”) that has garnered listener phone calls to the studio.

John Mooney –  John Mooney is a hard act to catch. He has no website and his Facebook and wikipedia pages don’t list his latest CD,  Truth of the Matter. But don’t let that stop you. Mooney’s voice and guitar playing are top flight but its the arrangements and the support he gets that should elevate this release to your shopping list. Ten songs with eight originals.  Most are backed up by a rotating cast of star power keyboardists (Jon Cleary, John Gros and C.R. Gruver) usually on a Hammond B-3.  And his use of male background singers on “Deal with Love” and “Push & Shove” enhance an already strong soul feeling to Mooney’s music.

Egg Yolk Jubilee – To celebrate 20 years of performing, Egg Yolk Jubilee has compiled a retrospective of a dozen previously released songs and three new ones in Crux of the Yolk.  Yes, they are frenetic, irreverent, loud and pretty damn funny, but they also rock. The band provided the brass on Jello Biafra’s New Orleans Raunch All-Stars  release a few years back.  If you have a Frank Zappa fan on your shopping list, particularly if they like horns, literally blow them away with Egg Yolk Jubilee.

Sweet Crude   –  Like many indie acts from New Orleans, Sweet Crude’s music may not make its hometown roots obvious.  Well, except that they sing a lot of their songs in French.  “We are joining a small but fervent group of young Louisianians engaged in keeping the language relevant via art,” announces the band’s website. Soaring vocals (Mon Esprit in particular) and world rhythms place the band’s first full release, Creatures, above the large stack of alternative rock releases we get in the station.

Stay tuned for Part 2 and catch my show on Thursday.

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NOLA trumpters’ friendship spawns beautiful music

My most lasting impression of spending an hour talking with Kermit Ruffins and Irvin Mayfield is how much they really enjoy each other’s company.  While it may be a common trait of New Orleans residents to revel in hanging out, these two accomplished trumpeters truly are soul mates.

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Irvin Mayfield and Kermit Ruffins

On the occasion of Basin Street Records 20th anniversary, Ruffins and Mayfield collaborated on A Beautiful World released this fall and still climbing on the Jazz Week chart. The album boasts over 50 artists, including Rebirth Brass Band – the band which Ruffins co-founded early in his career and which inspired a very young Mayfield.  Here’s part of the interview dealing with that part of their lives (including a couple of tracks from A Beautiful World):

The two trumpeters may seem like unlikely buddies but as the story goes (and they both tell the same story with their own twist, listen to the more complete interview below) Kermit Ruffins was preparing to perform at the Superdome when a young Mayfield basically challenged him to a cutting contest.  And the relationship grew from there.  A Beautiful World is an audio homage to that relationship with Mayfield producing and performing and Ruffins doing what he does best: being himself.

Here are the best parts of the interview held in the Ruffin’s Mother-in-Law Lounge on October 23, 2017.

 

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Bonerama’s latest release is Hot Like Fire

Craig Klein and Mark Mullins might joke they formed Bonerama as a way to give trombonists greater job security but there’s no hiding the enthusiasm they have for their instrument serving as the band’s main voice.  Bonerama’s latest release (it’s seventh in almost 20 years) is aptly named “Hot Like Fire.”

bonerama.jpg

Bonerama has released its seven album in its 20 year history. Its first with Basin Street Records

I caught up with the two after a band practice at Craig’s house in the Lower Garden District late last month.  The album features seven original tunes by Craig, Mark and Matt Perrine, who plays bass and sousaphone.  The songs range from catchy numbers like “Happy” and “Hot Like Fire” to the complex “High Horse.” The album’s two covers include Radiohead’s “Paranoid Android” and Allen Toussaint’s “Basic Lady.”

Reluctant to pick one genre for their music style, Mark and Craig give it three – Brass Rock and Funk.  But “Hot Like Fire” also throws in a little reggae and jazz.  At KAOS, it goes on our Funk shelf where its been getting some good play.

Greg Hicks adds the third trombone to the band with Bert Cotton on guitar and Alex Joseph “A.J.” Hall on drums. Click on the interview above to hear Craig and Mark talk about all nine songs, with samples of the songs, as well as the band’s origins and their connection with Basin Street Records.

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Plenty of music for one all-women show but still an imbalance

This week’s show features exclusively female musicians, vocalists and bandleaders. You can start the show now and finish reading while you listen.

Female-focused shows have gotten easier since my first one in 2015  but there’s still a serious imbalance particularly when looking for horn players.

original-pinettes-brass-band-elsa-hahne

The cover photo of The Original Pinettes Brass Band CD – “Finally”

The Original Pinettes Brass Band, as best as I can tell, is still the only female brass band.  And its rare to see a female musician in any of the male-dominated brass bands.

Where the balance tips the other way is in the area of vocalists.  Debbie Davis, Ingrid Lucia, Linnzi Zaorski, Charmaine Neville, Lena Prima and Meschiya Lake are featured in this latest show.   I also plays songs with the amazing musicianship (and vocals) of Aurora Nealand (clarinet and saxophone) and Helen Gillet (cello) as well as singer songwriters Kelcy Mae and Gina Forsyth.

This show I was able to add a funk song thanks to picking up Erica Falls album and zydeco with the almost all-female band Bonsoir, Catin.  I reckon these shows are getting easier to do because my library of female-generated music is getting deeper as opposed to any seismic-level gender shift. I may have a taller stack of applicable CDs now but it still pales when placed next to the pile of other NOLA music I have.

In which case, it seems appropriate to continue in the future doing special shows where I feature exclusively women.  Why not keep the thumb on the scale until it doesn’t matter anymore.  And anyway,  I didn’t do justice to a great many other female artists who did not get played today.  I’ll do another female exclusive show soon and meanwhile they all go back into my rotation for my other shows.

Here’s the playlist.  If you got ideas for me, let me know.

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NOLA musicians are on the Veteran’s Day honor roll

In preparation for today’s show (two days before Veteran’s Day), I made an attempt to identify New Orleans musicians who had served in the military so I could play them to start off my show.  Go ahead and click the podcast so you can listen while you finish reading this.

I did not find a source of information that was comprehensive so my list of New Orleans musicians who are veterans is far from comprehensive. If you know of one that I missed, please let me know. I’ll be happy to include them in a future recognition.

Herb Hardesty on Sax

Saxophonist Herb Hardesty served with the famed Tuskegee Airmen.

Herb Hardesty, long-time saxophonist for Fats Domino but also had a solo career, signed up with the U.S. Army Air Corps in 1941.  While playing with the Army band, Hardesty learned to play the saxophone (he had been playing trumpet). He served in World War II as part of the famed Tuskegee Airmen (99th Flying Squadron). I do not possess any of his solo work, so I played Domino’s When My Dreamboat Comes Home which features two fine solos by Hardesty.

Like Hardesty, guitarist Edgar Blanchard was stationed in Europe during World War II before coming back to form the Gondoliers and be the bandleader at the Dew Drop Inn. I played his Stepping High recorded in the Cosimo Matassa studio in honor of his service.

Paul Gayten led an Army Band in Biloxi for his military service before migrating to New Orleans and kicking off his musical career. Arguably his greater accomplishment was his work as an A&R man for Chess Records but my show has him singing Just One More Chance.

lloyd price korea

Lloyd Price’s music career was interrupted when drafted and sent to Korea.

Lloyd Price had  five top 10 R&B hits under his belt including the number 1 song  Lawdy Miss Clawdy when he got drafted and sent to Korea in 1954.

In an interview with Bill Forman of the Colorado Springs Independent, Price argued that the military draft policies were racist, applied disproportionately on Black Americans.  “I never was supposed to go because I was my family’s sole supporter, and it was against the law to take more than four boys from the same family.”

By the time he returned, the field had gotten more crowded with singers like Little Richard. But he bounced back with hits like Stagger Lee and Personality and later he started his own record label. On the show, I  play his 1953 song, Tell Me Pretty Baby.

It shouldn’t be a surprise that Al Hirt was a bugler in Army during World War II.  He plays Diga Diga Doo on today’s show which would have been a much cooler way to wake up soldiers than Reveille.  I also play songs by Dale Hawkins and Clarence “Gatemouth” Brown to recognize their service.  And I finish with “Working in the Coal Mine” by Lee Dorsey who spent World War II in the Navy before starting his music career in New Orleans.

Two other NOLA performers who didn’t make it in the show but have military service are Ellis Marsalis and Ernest Joseph “Tabby” Thomas.

Today’s show also features a lot of other great music and two more clips from my interview Irvin Mayfield and Kermit Ruffins including one where Ruffins demonstrates the differences in brass band beats by banging on the bar at his Mother-in-Law Lounge on Claiborne.

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