If you’re struggling with remembering what day it is, you might appreciate today’s opening song “Any Time is Saturday Night” by Meschiya Lake and the Little Big Horns. You can make it Saturday night right now by clicking the arrow arrow in the box below
Mary, a listener and uber fan of New Orleans, hops on the show to talk about why she loves the city and designs a set of music for us that includes Trombone Shorty, King James and the Special Men and Carsie Blanton.
King James reappears to open the next set by sitting in with Haitian group Lakou Mizik for their New Orleans studio record – Haitian NOLA. The set then provides a couple of Zydeco numbers and finishes with Sweet Crude – a unique Louisiana bilingual band that has a unique pop sound.
Later in the show you’ll hear from the New Orleans Jazz Vipers, Aurora Nealand, John Mooney, Guitar Shorty and his mentor Guitar Slim, a new song from Bon Bon Vivant and a couple of brass band numbers.
Thanks for tuning in. The show airs every week on KAOS Olympia and KMRE Bellingham and you can listen to this show on this site any time you like, cause Any Time is Saturday Night. Cheers.
“Little” Richard Penniman was only 22 when he recorded “Tutti Frutti” in September 1955 but he was already on his third record label, having a hard time finding the right support for his energetic and flamboyant performance style. He died last week at 87. You’ll hear his music and a bit about how New Orleans let his freak flag fly in this week’s show. Get it started and then read on.
Little Richard began his professional career in his teens when he performed with a travelling show. However, he would struggle with the tension between his religious leanings and his sexual orientation through most of his professional career. But when Specialty Records bought out his contract and sent him to New Orleans, he found an accepting work environment that allowed him to be more true to himself. The J&M Studio run by Cosimo Matassa had become a bit of a hit factory, largely as a result of the residency of Fats Domino. With the help of bandleader Robert “Bumps” Blackwell, a native of Seattle, Little Richard found the musical backing that could match his frenetic style.
When Tutti Frutti took off, it was quickly followed by “Long Tall Sally” which went to number one on the R&B chart. You’ll hear that song along with two others from that era. I’ll also play another set featuring music Little Richard made popular, including a demo tape of Good Golly Miss Molly. All the songs I play were recorded in New Orleans.
But as with most of my shows, I don’t stick to one genre for long. After the Little Richard sets, we make a sharp turn into the soulful songwriting and singing of Andrew Duhon with a greeting by him sequestered in his New Orleans home. Duhon has toured the Northwest including Olympia and when you hear his three-song set, you’ll hope he comes back real soon.
The second half of the show features funk, blues, Latin, Cajun, swing and jazz. So just sit back and soak it up. What else do you need to do?
If you have a story of New Orleans or would like to share with me your love for the city and its music, let me know. I’d like to get your voice on my show. You’ll hear an example of what I’m talking about near the end of the first hour of the show. Contact me through my Facebook page and we’ll work it out.
On today’s musical journey of New Orleans, we celebrate the birth anniversaries of two Jazz pioneers and we visit the House of Dance and Feathers to hear the voice of the museum curator and recent COVID-19 victim Ronald Lewis talk about his passion for preserving his community’s culture. We’ll also hear from Helen Gillet and Shawn Williams whose music evoke a passion in very different ways. Go ahead and start the show and I’ll tell you about the ghost . . .eventually.
After Danny Barker gets the show rolling with “Rose of Picardy,” I kick up a set featuring two songs with Sidney Bechet and James “Zutty” Singleton — early jazz pioneers who followed the Great Migration out of New Orleans to larger venues. Singleton would participate in Louis Armstrong’s Hot Five recordings and Bechet, would find his comfort zone in Europe where he would innovate with clarinet and saxophone. They were born near the end of the 19th Century but their music lives on.
Helen Gillet joins the show around the 15 minute mark. One of her last performances before a real audience was in Olympia at Octapas Cafe. She will introduce a song from her latest Helkiase followed by two from her Bangkok Silver record. She references two organizations that are working hard to support the community during the COVID closures in New Orleans – Letters from the Porch and Krewe of Red Beans . She’s doing shows on Mondays starting at 5 p.m. Olympia time on her Facebook page.
At about the 40-minute mark, Shawn Williams comes on to talk about serenading her neighborhood and expressing her hope to be able to tour the Northwest soon. I’m hoping it happens and you will too when you hear her sing two songs from her Motel Livin’ record.
I wasn’t happy with my recording of Ronald Lewis when I had the pleasure of meeting him in his lower Ninth Ward backyard museum, House of Dance and Feathers, a few years back. The hammering of nearby construction made me reluctant to use it. But with the short voice clip I share (for the first time) you’ll identify the enthusiasm in this special man’s voice. He was one of the Nine Lives by Dan Baum — a wonderful book that introduces you to some of the many facets of the New Orleans social diamond. The fact it was made into a musical by many New Orleans musicians is an indication of how spot on it was. Sadly, Lewis died in March, possibly from complications of COVID-19. I play two songs by Shamarr Allen, Lewis’ uber-talented nephew, that depict the role of his uncle as curator of his neighborhood’s unique culture. If you want to skip to that, it all starts around the 57 minute mark. As lagniappe, here’s a video of Mr. Allen performing in his uncle’s museum for the NPR Tiny Desk contest. It’s a winner particularly when Shamarr shows us his footwork near the end.
Now about that ghost, its been weird shopping at the Olympia Food Coop. I love that store (I’m an Eastside customer) and I love my regular shopping routine. But, like every other grocery, its different now. We put on gloves and masks and we move haltingly through the aisles sometimes making eye contact and recognizing (maybe) the driver of the next shopping cart. When I heard this opening lyric “I saw your ghost at the grocery,” I had to include the Hurray for the Riff Raff’s song “Is That You?” I’ll say no more except that the last hour is basically two long sets of great New Orleans music including a new window-pane rattling number by Cowboy Mouth.
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Shamarr Allen wants to keep you in shape for when Second Lines return. This means today’s show kicks off with”Quarantine and Chill” and Allen’s exhortation that “just because you’re stuck in the house, don’t mean you can’t . . .show me that footwork!”
Get my show started and I’ll fill you in on the rest of the program’s line up.
Four more fine New Orleans artists help me out with calling the music this week, starting with Debbie Davis, former member of the Pfister Sisters. Davis has just released her second record with pianist Josh Paxton t– Interesting Times. She introduces us to her new album (about 5 minutes into the show) with “Other Than Everything, Everything’s Great” and “Will It Go Round in Circles.” She sings two more times in the set — David Bowie’s “The Man Who Sold the World” from her latest record and Lou Reed’s “After Hours” from an earlier project — Debbie Davis and the Mesmerizers.
Lena Prima comes on (at about 38 minutes into the show) to talk about how she’s been doing during the quarantine. As you can see from the picture, she’s been busy making masks. In her set, you’ll hear songs from three of her albums — the title track “Since the Storm”written by her husband who leads her band, “Jump for Joy” from her album of original songs Starting Something and a live recording of a classic pulled from her father’s songbook, “Scuba Diver.”
You will meet Sierra Green at about the 50 minute mark. Sierra Green & the Soul Machine recently received Offbeat Magazine‘s Best Emerging Artist award. You’ll hear two tracks from her self-titled debut record and, just for fun, I finish that set with Glen David Andrews powering through a Galactic number (You Don’t Know). If you were waiting to dance, wait no more!
Davis Rogan was scheduled to perform at Octapas in Olympia next month but obviously those plans are no longer. Like just about every professional musician with a mortgage, Davis has been learning how to get his music and his tip jar out on the Internet. You can catch his live performances on his Facebook page Sundays at 10 a.m. and Wednesdays at 4 p.m. (Left Coast Times). Rogan joins the show about 65 minutes in and introduces his latest single “Mardi Gras Chicken” followed by “No Blues” and “Fly Away.”
I throw in a set of Zydeco and Cajun along with a long string of brass band music kicked off by Chuck Carbo’s “Hurt Coming On.” But before I do that, I make a pitch for supporting community radio. My show airs on Thursdays on KAOS and Fridays on KMRE. Listener support is essential to these stations continued survival.
As for me, I just want to smile and you can make me smile by subscribing to this blog. I’ll be back next week.
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This week’s Gumbo YaYa features the voices and music of Marla Dixon, Craig Klein, Billy Iuso and John “Papa” Gros plus a birthday anniversary and more. Go ahead and play the show which starts with a live Wild Magnolia performance in recognition of the 2020 JazzFest that didn’t happen.
Each week, I’ve been including recorded messages from New Orleans musicians and playing a set of their music as a way for me and listeners of the show to learn a bit more about them. What comes out clear from this week’s set of artists is how passionate they are about their profession and the music they make.
After the Wild Magnolia song, we hear from Marla Dixon (at about 8 and half minutes in) who sings and plays trumpet for the Shotgun Jazz Band and the all-female Shake ‘Em Up Jazz Band which has played festivals in Europe. You’ll hear her perform with both those bands, including a live performance at the Dew Drop Dance & Social Hall (not to be confused with the old Central City Dew Drop Inn) plus a lagniappe spin of her request, Captain John Handy’s “Panama.” I unfortunately got mixed up and did not play her request “Streets of the City” so I will get to that one in my next show. Dixon is fully embedded in New Orleans and its music scene but Northwest listeners attuned to Canadian speak will recognize her origins when she pronounces “out” as in “out-choruses.”
Craig Klein is very much a native of the city. A former member of Harry Connick Jr.’s big band, he formed Bonerama with Mark Mullins over 20 years ago but is also on a long list of other recordings and involved in a string of New Orleans bands. He will tell you a bit about it (starting around the 26 minute mark), as well as fill you in on the New Orleans Nightcrawlers’ latest release Atmosphere and the New Orleans Jazz Vipers new record, Is There a Chance for Me. You’ll hear tracks from both plus the title track from Bonerama’s Hot Like Fire.
Billy Iuso caught my attention at the 2015 Freret Street Festival — an event I attended for two reasons. First, to check out my old elementary school — the former Our Lady of Lourdes on the corner of Freret and Napoleon — and to see Bonerama live for the first time. As luck would have it, we got to the Bonerama stage early and caught Iuso’s show. His songs have a way of pulling me in and holding me. You’ll hear his greeting at about the 52 minute mark followed by tracks from four of his records, including one under the name of Brides of Jesus.
John “Papa” Gros was the bandleader of the funk group Papa Grows Funk which held down the Monday slot at the Maple Leaf for a decade. When the band broke up, funk fans all over the world were heartbroken. And the story of the band was retold in a highly entertaining documentary called “Do U Want It.” Now, Gros is doing his own thing but years of helping others with their gigs and recordings pays off with quality support in his latest record – Central City. Starting at the 73 minute mark, Gros talks about his line up and the origins of one of its tracks “Old Joe’s Turkey” – a song you’ll hear along with another track from that new release. I also spin one from his previous solo effort Rivers on Fire and I couldn’t resist including one from his funkier days, “Pass It!”
Near the end of the show, I celebrate the birthday anniversary of Bobby Marchan, recognize the passing of Big Al Carson and close with the Funky Meters performing live at a previous JazzFest.
Please consider subscribing to this blog (upper right hand side of page) since it not only clues you into when my shows are available but provides this great little endorphin boost when I see it come through. Cheers.
Six weeks into our Shelter in Place and this week’s show looks at the smiles behind our masks, the festivals we are missing and the ways we are coping. You can start it now as I share with you more details.
This show includes four more messages from New Orleans musicians – Tiffany Pollack, Charlie Halloran, Louie Ludwig and Noah Young. But the show starts with Shotgun Jazz Band’s “Smile” in recognition of the pleasant expressions that our cloth masks cover.
This weekend would be the start of the New Orleans Jazz and Heritage Festival. Also this weekend, in Olympia, we would normally hold our Spring Arts Walk and Procession of the Species. I don’t wish to diminish the significant economic aspects of community celebrations, but for me, Arts Walk, the Procession and other such events serve as a mirror where we can collectively see ourselves. There’s no way to virtually replicate that but I can try.
The first full set features three songs from New Orleans Jazz Fest Past — Flow Tribe performing in 2012, gospel rocker Raymond Myles in 1994 and a very special performance by The Radiator at the first Jazz Fest after Hurricane Katrina — another catastrophe where recovery was made more difficult by a less than competent federal emergency response.
Tiffany Pollack signs on at the 23 minute mark to introduce herself (formally an embalmer!) She and her cousin Eric Johanson knocked it out of the park with last year’s Blues in My Blood record. You’ll hear a couple tracks from that one and her jazz single “Comes Love.” Check out her shows on her Facebook page and YouTube channel every Monday and Friday starting at 6 p.m. Left Coast time or 8 p.m. New Orleans time.
Like all of us, I’m getting tired of drinking at home. I miss that wonderful randomness of going to a bar or club, seeing what I see and hearing what I hear. It’s kind of back to that community mirror thing where I feel a sense of belonging. Doc Souchon starts the next set with a drinking song, followed by Dwayne Dopsie‘s “Harry’s Creole Bar.” Taylor Smith, from a previous radio interview, talks about his neighborhood bar Horace’s where he and his band the Roamin’ Jasmine recorded their last record from which you’ll hear “I Can’t Believe You’re in Love with Me.” I finish with a less than savory bar ballad by Little Freddie King, “Mixed Bucket of Blood.”
The very active (when not Sheltered in Place) trombonist and bandleader Charlie Halloran joins us next at the 55 minute mark where he shares with us what he has been up to under the COVID restrictions. He introduces his latest record from his calypso group (Charlie Halloran and the Tropicales) from which you’ll hear two tracks. I also spin one from Charlie Halloran and the Quality 6.
The next set features tracks from new releases by Cowboy Mouth, Sierra Green & the Soul Machine and the New Orleans Nightcrawlers. Later, Noah Young joins the show to introduce his latest record by the band Slugger and you’ll hear “Take a Breath” featuring Ray Wimbly and Mykia Jovan. I also spin”Starkist” from Slugger’s previous release. The set is finished by a track from the new Jason Marsalis Live — just released by Basin Street Records.
Louie Ludwig first got my attention with his record I Got Nothin to Say. Later when most folks were still figuring out what had gone down during the 2016 election, he released the song and video “Troll Factory.” Now, Ludwig has turned his attentions more fully to film making and was working on a documentary about the New Orleans music recording history. However, as he explains in his comments on the show, the project has turned into a weekly video report focusing on the COVID-19 effects in New Orleans. His latest one is about the loss of the festival season.
There’s a bit more in the show but its nice to have some surprises. Please support these musicians and the others I’ve featured in previous shows. You can support me (emotionally) by subscribing to this free blog (go back to the top and look to the right).
Six more musicians join me for the second original Shelter in Place Gumbo YaYa show. I find listening to their voices, recorded from their homes, reassuring to me and, I hope, its that way for you too. Please start this show which begins with a very appropriate song by Allen Toussaint “We’re All Connected.”
Today’s co-hosts include Sonny Landreth, Lynn Drury, Mark Mullins (of Bonerama), Mike Doussan, Paul Sanchez and Jeremy Davenport. They were kind enough to take time to record these message and send them to a faraway radio station. But before we get to them, I spin a warm up set of COVID inspired songs including Larry Garner’s “Virus Blues” (really about computer viruses), Kristin Diable’s “Black Plague and Dynamite” and Chubby Carrier’s “Touch Me, Touch Me Baby.”
Paul Sanchez is the first voice recording you’ll hear at about the 17 minute mark. In my introduction to this talented songwriter, I mention his role in converting the Hurricane Katrina-inspired book Nine Lives into a musical. You can see this work online (Part 1 and Part 2). He introduces a song from his new record and I play two other tracks from of his other records. I also play as I did last week when I featured Alex McMurray, a song from the Write Brothers since Paul is also a member of that project.
Mike Doussan enters the show at about the 33 minute mark introducing a new (not-yet-released) song “Sunset for Lily.” It’s worth getting to this point in the show just to hear that beautiful guitar work.The set carries on with a couple more of my favorites of his. Mike’s been active in doing live shows from his home through his Facebook page.
Like Mike, Mark Mullins is a native of New Orleans. When he sent his voice recording, he apologized for its length. But I find it charming, particularly when he makes fun of his band’s name, Bonerama. Mark, along with Craig Klein, was performing in Harry Connick Jr.’s band when the two got the idea of forming aband that would feature trombones as the lead voice. That was over 20 years ago. Last year, they released an album of Led Zeppelin covers and a single featuring Michael McDonald who enters the Rock & Roll Hall of Fame this year as one of The Doobie Brothers. Mark introduces (at about the 50 minute mark) the song featuring McDonald which is a tribute to Allen Toussaint. I finish the set with “Happy” and “Look Out Lonely.” (You’ll also hear Craig Klein’s voice on the legal id after “Happy.”
Lynn Drury writes and sings heartfelt songs that made me fall in love with her music almost instantly. I’m so delighted she agreed to send her voice into the show. After the 68 minute mark, she introduces “Cold Feet” from her latest release Rise of the Fall. I feature two others songs from her Come to My House record and finish the set with a song she wrote and sang for another project called The Honeypots.
Master slide guitarist Sonny Landreth takes over fat about the 84 minute mark. He’s a regular visitor to the Northwest and every well else. This musician works hard. A veteran of Zydeco pioneer Clifton Chenier’s Red Hot Band, Landreth is one of the reasons I extend the range of my music show to include music from Lafayette. He introduces a song of his latest record, Blacktop Run, followed by two other rocking numbers from his extensive library.
Jeremy Davenport sings and plays trumpet and in the set he introduces (after 98 minutes), you’ll hear him play the part of Mr. St. Louis (his home town) in a duet with Mr. New Orleans (aka Kermit Ruffins). Davenport is now a New Orleans resident and releasing music with Basin Street Records.
The show finishes with two body jiggling brass band numbers by The Original Pinettes Brass Band and the Hot 8 Brass Band. Thank you for tuning in. Please consider subscribing to this blog so you can hear about new shows right away.
The first original Gumbo YaYa show since the state’s shelter-in-place order ended my live broadcasts is aided greatly by the kindness of New Orleans musicians who sent me audio clips recorded from their shelter. You’ll hear their voices and their music when you click the sideways arrow below. If you keep reading, you’ll learn a bit more about these talented artists.
Dr. John’s “Locked Down” starts the show and I follow that up with a set dedicated to everyone who is having to get out there and work to ensure essential services. Preservation Hall Jazz Band does a lively version of “St. James Infirmary” followed by the original “Rockin’ Pneumonia and the Boogie Woogie Flu” with Huey “Piano” Smith & The Clowns. But please stay with the show at least to the 20 minute mark when you’ll get to meet Antoine Diel.
Born in Manila, Philippines but raised in California, Antoine Diel is a fixture in the New Orleans club scene with regular gigs (at least until recently) at the Spotted Cat, the Carousel Room at Hotel Monteleone and Buffa’s. He checks into the show after I play his beautiful rendition of “Dahil Sa Iyo” which he sings both in Tagalog and English (“Because of You”). You’ll then hear two cuts off his record On the Corner of Hope and New Orleans. Here’s his website where you can find more of his music and say hi to him.
Abigail Cosio of Bon Bon Vivant comes on next (about 35 minutes in). Her band plays infectious music (perhaps not the best description in a pandemic) that she writes. You’ll want to catch her regular Facebook feeds where she and fellow band member and partner Jeremy Kelley do live shows (with other remotely placed musicians) in very creative ways. You can support the band by buying their music but they are also directing tips to the Krewe of Red Beans project Feed the Frontline NOLA which according to the website is working to “feed hospital workers across New Orleans, employ out-of-work musicians/artists, and support locally-owned restaurants during the COVID-19 crisis.”
Alex McMurray is the bard of New Orleans, detailing its deep crevices and taking us to places that tourist rarely frequent. He kicks off his set (after about 50 minutes into the show) with a journey to Hank’s Supermarket on St. Claude Avenue — not too far away from the Saturn and the Carnaval Lounge where he has on a semi-frequent basis assembled a mix of musicians to perform sea shanties under the moniker of the Valparaiso Men’s Chorus. He also has records featuring Rock Steady, vintage American folk music, and original songs by him and other well-regarded New Orleans songwriters (Write Brothers). But his most prolific and still active project is Tin Men featuring one of the best sousaphone players performing anywhere, Matt Perine, and Washboard Chaz Leary. I play one of their songs in Alex’s set. Here’s his website.
Robert Snow aka Kid Eggplant – I couldn’t believe my luck when I bought one of his records last year from Louisiana Music Factory on impulse just because I liked the cover. And it turned out to be great and one of my favorites of the year. How often does that happen? (Never seems to work with wine) Robert is a native of New Orleans and hearing him talk takes me back to my days in the 60’s as a kid in New Orleans. Yes, he goes by the name of Kid Eggplant and his band is the Melatauns usually with with an adjective like “swinging” or “mighty.” While he’s adept at podcasts and live Facebook shows, for some reason he doesn’t have a website. Make it a shelter in place project, Robert! Look for these key words on your favorite streaming service “Kid Eggplant,” “Melatauns” and “Abitals” and of course you can order his music from your local independent record shop.
I have two of Kelcy Mae‘s solo albums (she has three) and I play them regularly on my show. But you’ll hear Kelcy introduce (about an hour and 20 minutes in) her latest project, Ever More Nest, on this show. She also has her own website where I learned she was born on St. Patrick’s Day in Shreveport, Louisiana. She came to New Orleans to attend university and has pretty much stayed, creating music like you’ll hear during her set.
The last musician to co-host the show is a Jack Sledge, a New York native now in New Orleans and he introduces his latest release. Here’s his website.
I finish the show with a set of music by Ellis Marsalis, Jr. who died last week from what appears to be complications of COVID-19. Marsalis was not just a great musician and composer. He was a teacher (Harry Connick Jr. and Donald Harrison to name two students) . He was a mentor and father (Wynton, Delfeayo, Branford and Jason). He was a major force in the New Orleans community, creating affordable housing through the Musician’s Village.
I’m going to try to coax a few more New Orleans musicians to send radio drops for the next show. Sonny Landreth already has. So consider subscribing and stay healthy and we’ll talk again soon.
Next week, I’ll have a new show with my voice recorded in the echoey abandoned bedroom of my grown youngest son. But first one more repeat show – this one featuring All Jazz. Since the show was recorded last September, there will be no reference to yesterday’s loss to complications of COVID-19 of New Orleans jazz great — Ellis Marsalis. I will provide a tribute to him next week on my first original show in a month. Here’s this week’s show.
Al Hirt was a presence growing up in Uptown New Orleans in the 60’s. He was the godfather of one of the neighbor’s kids that I would play with and my parents regularly visited Hirt’s club on Bourbon Street. He starts off the show with “Jazz Me Blues.” But I mix it up in the next set with Kid Ory, the Smoking Time Jazz Club and Ingrid Lucia.
Dr. Michael White anchors the second set with his “West African Strut” supported by songs by Linnzi Zaorski and the Preservation Hall Jazz Band.
I get to play my vinyl autographed version of a Willie Humphrey’s album with Sarah Quintana and Lena Prima rounding out the next set. The show rolls on bouncing between traditional New Orleans jazz, some contemporary jazz, a bit of swing and a couple brass band numbers, including “Get a Life” by the Original Pinettes.
Debbie Davis and Josh Paxton, who are coming out with a new release, close this recorded show with “Caravan.” However, on the live KAOS and KMRE broadcasts, two lagniappe songs fill out the show to make up for the loss of public service announcements.
I hope you enjoy the show. Next show I hope to feature the voices of some of the musicians I play for you speaking to how they’re doing and how you can learn more about them. If you subscribe, you’ll get an email announcing future shows. Thanks much.
With more public spaces being closed in our state (Washington), the one safe public space is our airwaves. Unfortunately, access to the air studio is still restricted to paid employees so this week is another ENCORE PERFORMANCE!
You can click the arrow in the box above and the music will play while you read the rest of this. This is a repeat of my first show of 2020 which was a celebration of Troy Andrews’ 34th birthday — a millennial musician, singer, songwriter and children’s book author who has been able to amass a considerable play list that represents the past, present and, I hope, the future of New Orleans music.
Today it’s all about Trombone Shorty on Sweeney’s Gumbo YaYa. His act includes the name “Orleans Avenue Band” which refers to a street in the Treme neighborhood of New Orleans where he grew up. And while he tours the world, his act always embodies a healthy dose of his hometown.
According to the Trombone Shorty website, Andrews got his nickname when he picked up his instrument at four. His older brother, noted trumpeter James Andrews, gave him the tag. “My parents pushed me toward trombone because they didn’t need another trumpet player.”
The moment was memorialized in a legendary 1990 photo (with a great story to go with it) from the New Orleans Jazz & Heritage Festival. Bo Diddley was performing on stage when the crowd deposited before him a four-year-old boy barely hanging on to a trombone. When Trombone Shorty blew his horn on that stage with Diddley’s mouth agape, it was tantamount to King Arthur pulling a sword out of a stone in terms of creating a New Orleans music legend.
On today’s show, you’ll only hear three songs directly attributed to Troy Andrews — which is the limit that federal law places on me when I stream a show. However, every song you’ll hear until the last one is a song in which he performs. This means the show includes Dr. John, Galactic, Preservation Hall Jazz Band, Allen Toussaint, Lenny Kravitz, Mindi Abair, Rebirth Brass Band, Los Hombres Calientes, The Soul Rebels, Hot 8 Brass Band, Stanton Moore, Lakou Mizik and the To Be Continued Brass Band. As well as his own band Orleans Avenue.
Andrews has not forgotten his community now that he’s an international star. He founded the Trombone Shorty Foundation which provides professional support to budding musicians in New Orleans and he’s the author of two children’s books that details stories from his childhood. The self-titled first book tells the story of how he got his nickname and received a Caldecott Honor Book award.
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