Mardi Gras is over but the dancing can continue with the help of over two dozen New Orleans acts ready to kick off March in style. Start the show to hear Jason Ricci and Joe Krown offer up some “Real Good Funk.”
Big Sam’s Funky Nation rocks the opening of the first full set with “Feet on the Floor” followed by Marcia Ball’s “Right Back In It” and a retro disco-like cover of “Fly Me to the Moon” by Dr. Brice Miller’s alter ego Ecirb Muller’s Twisted Dixie.
It’s not all funk cause the second full set is loaded with hot jazz by Meschiya Lake, Jacques Gauthe, Shotgun Jazz Band, Treme Brass Band, and Smoking Time Jazz Club.
The show switches gears but still stays danceable with The Iguanas and Panorama Jazz Band, Big Chief Monk Boudreaux and The Neville Brothers.
Where’s the R&B? Next set features Irma Thomas and Ernie K-Doe (Patron Saint of this Blog). Later Lloyd Price demonstrates why he is an underappreciated progenitor of ‘rock n’ roll.”
And so the show rolls and rocks and boogies with additional help from Johnny Sketch & the Dirty Notes, John Lisi & Delta Funk, Theryl “Houseman” DeClouet, The Meters, Professor Longhair, Dana Abbott and Professor Longhair.
Enjoy the show and stay tuned for next week’s farewell show. Last Gumbo YaYa!
We take a joy ride with the help of The Melatauns and dozens of other New Orleans musical acts on this week’s show.You can get it started while I fill you in on the show.
We’ve been cooped up long enough so let’s hit the road with The Melataun’s “Joy Ride” — a song that reminded me of my childhood visits to Pontchartrain Beach — an amusement park that featured a wooden roller coaster called the Zephyr. We stay on track with Kenny Neal’s “Blues Mobile,” Marva Wright’s “Further On Up the Road,” Paul Sanchez’ “Drive Right Back” and Sonny Landreth’s “U.S.S. Zydecoldsmobile.”
But “What Goes Around Comes Around” (Rebirth Brass Band) and so we dive into a little weirdness including Ecirb Muller’s Twisted Dixie rendition of “My Blue Heaven” redone as a historical ménage à trois and Bon Bon Vivant’s “The Bones.”
I set aside 16 minutes for a live performance at the now closed Saturn Bar by Michot’s Melody Makers. That set also includes Booker performing live in Manchester England.
You’ll also hear the New Orleans Suspects, Shawn Williams, Albanie Falletta, James Andrews, the Subdudes, Creole String Beans, and Papa Mali, among others. It’s a two-hour show afterall.
One more recorded show before I’m back in the studio doing live shows. Subscribe if you like and thanks for tuning in.
While we don’t have a monarchy in this country, as we recently reaffirmed, you can be “King of the Road” and wouldn’t it be nice if this new administration finally comes through with the promise of infrastructure investment. With that in mind, I start this show with James Booker’s rendition of the Roger Miller classic.
The show airs on KAOS on January 21 (and KMRE the following evening,) which is the birth anniversary of the “Human Jukebox” Snooks Eaglin. He claimed to have the ability to play 2,500 songs. You’ll hear three from his repertoire on this show in the first full set, including a JazzFest performance of Larry Williams’ “Dizzy Miss Lizzy.” While his early recordings were solo acoustic folk and blues, his later recordings were R&B with Dave Bartholomew, James Booker, and Professor Longhair. He played guitar on the first Wild Magnolias record. He died in 2009 but would be in his mid-70s if still alive.
In the second set, Ecirb Muller’s Twisted Dixie, an invention of Dr. Brice Miller, will “Fly Me (and you) to the Moon” followed by a lesser known number by Dr. John the Lower Ninth (“Them”) and Aurora Nealand and the Royal Roses energetic “Joshua Fit the Battle of Jericho.” The set closes with Dave Bartholomew’s “Bouncin’ the Boogie” from 1952 – yea, the cool music started a long time ago.
I assembled the show in between skiing in the Methow Valley this week. I mention this mainly as an excuse to add a picture from my trip to this page but also since its a 10-hour round trip drive for me to that cross-country ski mecca, Larry Garner‘s “Slower Traffic, Keep Right” seemed appropriate for the show. . .not to mention The Abitals “Just Got Paid.”
You can listen to the show by clicking the arrow in the player above. Thanks so much for visiting this page and please consider subscribing. (its free) Cheers.
Helen Gillet’s return to the Northwest gave me an excuse to talk with her on air and feature her music. But there’s lots of other fun songs to appreciate on this show.
Gillet and her magic cello will perform at Octapas Cafe, Sunday at 7:30 p.m. This will be her third visit to Olympia but her first time to perform at a public venue in town. (Helen’s website)I play three of her songs on the show, including Carolina — a song about the extinct Carolina Parakeet that was inspired by a mural painted by students from a school for the blind. She tells the story in our brief conversation which you can catch about an hour into the show.
But first, you’ll hear a fun show opener by Lil’ Buck Sinegal called “Monkey in a Sack.” If you’ve never heard Sinegal perform then just playing the first song from the show should be worth your while. (have you clicked the sideway arrow above to start the show yet?)
Other audio treats include a raspy banjo-inflected “Hound Dog,” the Boswell Sisters “Put that Sun Back in the Sky,” David Egan’s “Funky Dreams,” and Louis Prima rocking it with bandleader, saxophonist and fellow New Orleanian Sam Butera. And that’s just the first full set.
Some of my other favorites in the show include Kirk Joseph, sousaphonist, performing an original “Not Yet, Son” and Ecirb Muller’s Twisted Dixie’s take on “Sunnyside of the Street.”
As usual, the show flows from R&B to Jazz to Funk to Swing as if you enjoy it all, which if you listen to my show — you pretty much have to. Thanks for tuning in and please subscribe.
This year’s top 10 selections run a range of New Orleans music with jazz, brass band, blues, R&B, Latin rhythms and African beats. And for lagniappe, you’ll meet my sons who extended their Christmas visit home to include hanging out with me in the studio when we aired this show on Boxing Day. (Just click the sideways arrow below to get started.)
Today’s show features selections from the 10 records I enjoyed playing the most this year. But the real treat for me was being in the studio with my son’s Riley and Devlin. As always, I edited this version of the program by removing KAOS announcements. So some of the freewheeling conversation is lost but I did manage to keep some of our chatter in. The show also airs in Bellingham on community radio station KMRE on Friday nights.
The show starts with “World Without Music by the To Be Continued Brass Band. Below are brief descriptions of my favorite records for this year.
To Be Continued Brass Band – TBC II – This band has a history that IS New Orleans. And they seem to be making it on their own terms. No label. No Website. No liner notes or anything but a logo on their CD. Lots of friends help out though including J’Wan Boudreaux (Cha Wa), Glen David Andrews, DJ Action Jackson and Erion Williams (Soul Rebels).
Kid Eggplant And the Melatauns – Big Trouble in Little Chalmette – Can you say “Party Record!” Listen to your vegetables, they’re good for you. I can’t believe my luck in stumbling across this record. It’s a creative mix of R&B, doo-wop, blues slide (with frog sounds), and retro 80’s rocks (“snip snip”).
Ecirb Muller’s Twisted Dixie – What Had Happened Was. . . – Dr. Brice Miller, of Mahogany Brass Band fame, has created a time machine and a mythical savant to transport the hipness of Louis Armstrong and New Orleans’ early jazz days into the funkified vibe of today. Each song is introduced with a story using the opener “What Had Happened Was. .” I’m so delighted to introduce you to one of the greatest . . .
Smoking Time Jazz Club – Contrapuntal Stomp– The band lives up to its name with 16 tracks of traditional jazz numbers that can heat up the dance floor. This journeymen band of talented musicians do more than revive; they reinvigorate. If the only thing this record did was introduce me to Earl “Snakehips” Tucker, it would still be on my top 10. (if you go to the link, be sure to catch at least half of the two-minute video of this amazing dancer.)
Jazz Fest: The New Orleans Jazz & Heritage Festival – Released by Smithsonian Folkways in honor of the festival’s 50th year, this five CD set offers a historic sampling of the diverse music styles that have graced the many Jazz Fest stages over the years – focusing on the local artists who have made his festival so exceptional. A lot of care was taken to showcase the sweep of talent that has graced the dozen or more stages of the festival during the last half century.
Leyla McCalla – The Capitalist -Her third release, proficient in Haitian creole, French, banjo, guitar and cello, she continues the city’s tradition of creatively blending and bending musical genres while continuing to creatively community her message of social and economic justice. Plus she’s got a wonderful voice.
Bonerama – Bonerama Plays Zeppelin – Zeppelin with New Orleans funk and rhythms. It’s a reverent yet original adaptation of the band’s hits except with trombones as the lead voice and Matt Perrine’s magical sousaphone handling the bass line. Be sure to catch “Heartbreaker” where Perrine defies gravity with his instrument.
Alexey Marti – Mundo – This Havana-born and New Orleans-based percussionist second release showcases his 15 original songs which include samba, bossa nova, ballad, and salsa — demonstrating new depths to this highly respected and in-demand musician. His record features musicians from New York, Spain and Cuba and flows smoothly through your ears like a morning cup of cafecito.
Bamboula 2000 – Cuba to Congo Square – For a quarter century, this band has been keeping the spirit of Congo Square alive. If you’re searching for the connection between New Orleans jazz rhythms and Africa, this latest release will help you find it it with rhythm’s from djembe, congas, talking drums, bata, atumpan, shekere, dun dun, and fontonfrom.
Smoky Greenwell – Blues and the Power of Peace – Holding down the blues end of this year’s list is journeymen New Orleans musician Smoky Greenwell. This is the perfect apology gift for going ballistic on your Trump-voting relative during the holidays. The latest record by this New Orleans blues harmonica (and saxophone) player strikes enough of a conciliatory note without surrendering a single political point. Get out and vote, baby!