Live shows, New records and Fire on the Bayou

As COVID cases begin to rise again, bands that thought the coast was clear are starting to announce their tour plans, or in some cases, already getting out there and performing. This week’s show features those New Orleans acts with plans to tour the Northwest as well as new records released in recent months.

My Live NOLA Shows page tracking Northwest shows has been reinvigorated with concert dates by The Dirty Dozen Brass Band, Soul Rebels, Rebirth Brass Band, Dumpstaphunk, Shamarr Allen and Davis Rogan. You’ll hear songs from all these groups.

New music by Tuba Skinny (with Maria Muldaur), Jon Batiste, Kid Eggplant and the Melatauns, Secret Six Jazz Band, Chris Acker, Ted Hefko, and Tiffany Pollack.

There’s other music in this two-hour show (featuring the KMRE edit version), including Helen Gillet, Kevin Sekhani, Josh Garrett, Debbie Davis and Josh Paxton, Egg Yolk Jubilee to cite a few.

The funky Meters jump on around the 35 minute mark to do a live version of “Fire on the Bayou” from the 2010 New Orleans Jazz and Heritage Festival. Once again, COVID has cancelled this very important event to the New Orleans economy. The news sucks but the song is good.

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Tiffany Pollack, Okra, Cajun Singles and Rock ‘n’ Roll

Tiffany Pollack & Co. hits the post-pandemic music scene with momentum from a brand new record that opens up new avenues for this singer, songwriter, band leader and occasional mortician. One song kicks off this week’s show which she calls in on about an hour later for a live KAOS radio interview. (The episode below is the KMRE version of the same show and airs in Bellingham on Fridays).

Tiffany Pollack -Currently performing regularly on Frenchmen Street in New Orleans.

Following up on the success of her blues album recorded with cousin Eric Johansen, New Orleans-based Pollack collected a dozen of her original songs, went to Memphis with her band and recorded Bayou Liberty with the assistance of producer and blues musician John Nemeth. But its far from a blues album. In the course of our conversation, we both agreed our favorite track is Mountain, a Western style number featuring pedal steel and sweet vocals. Others songs channel honky-tonks, early morning smoky (now smoke-free) nightclubs and sticky-seated dives where you go mainly for the crawfish and beer.

As a mother of three, she also shares how her kids do a good job of keeping her in her place, no matter how bright her music star shines. And yea, she talks briefly about how as a licensed funeral director she still gets called in to do services for that short-handed business.

From the 1956 film “Invasion of the Body Snatchers.”

A great find of fresh okra at the Olympia Farmer’s Market last weekend inspired a set of music featuring two versions of Mr. Okra — a song written by Sonia Tetlow and Craig Klein in honor of Arthur James Robins (Mr. Okra) who drove a colorful vegetable truck through the streets of New Orleans with sing-song amplified announcements of available produce. He died in 2018 (NPR story). To introduce that song, I play a brief clip from an earlier interview with Craig Klein about the process of writing that song with Tetlow. Later in the set, Monk Boudreaux sings a Jamaican-inflected “Mr. Okra Man” – in his own take of the street vendor. The set ends with the Tin Men’s “The Darling of the Okra Strut” which, best I can tell, really has nothing to do with the mucilaginous vegetable. (However, it did get me thinking about whether okra are interstellar aliens! Afterall we call them “pods.”)

This week’s show also includes another set of Cajun music, thanks to Olympia-area producer and musician Calvin Johnson’s secret stash of collectible 45 rpm records. This time, I throw in a live recorded song by Steve Riley and the Mamou Playboys from Bill Boelens Festivals Acadiens 1991-1997.

The show’s first full set rocks with Cowboy Mouth’s early hit “Jenny Says” and The Radiators urging us to “Never Let Your Fire Go Out.” Later Tommy Malone sings “All Dressed Up,” the Honeypots perform “Witness”, Los Hombres Calientes does a send up of “George Porter” and Davis Rogan’s gives us his original song “Fly Away.” Davis, by the way, will be performing in Olympia on August 26 in a house concert. Message me to learn more about it. Thanks for tuning in.

Tiffany Pollack & Co. at the “Legendary” HiHo Lounge pre-COVID.

Talkative horns, mutes and friendship

This week, Craig Klein joins me on the show virtually from New Orleans to talk about his new sweet record made in homage to his friend, fellow trombonist Lucien Barbarin who died of cancer early last year. In the spirit of his record Talkative Horns – A Musical Conversation with Lucien Barbarin, the show also features other songs with muted horns and trombones.

The opening track is “Lily of the Valley” from a record Leroy Jones produced in memory of the Fairview Baptist Church Marching Band — a group that both Jones and Lucien Barbarin performed in during their youth. Craig Klein, who was not part of that seminal band, did play on the record.

Craig Klein

On the show, which you can start up with the player above, Craig talks about his friendship with Lucien, the Barbarin family and the origins of the record that they were to produce together. Craig is a ubiquitous site in the New Orleans music scene. Aside from performing on countless albums and touring with Harry Connick, Jr., he’s a founding member of Bonerama, the New Orleans Nightcrawlers (which just won a grammy) and the Storyville Stompers and performs at Preservation Hall and with the New Orleans Jazz Vipers. After the loss of his friend, Craig landed on a concept of a musical conversation using short solos and mutes to simulate communication — performing with trumpeter Kevin Louis who performed regularly with Lucien at Preservation Hall.

The result is a playful, interplay of long cornet and trombone that sounds very much like a musical conversation held together by Steve Detroy’s casually swinging piano. Molly Reeves on guitar, Michell Player on bass and Gerry Barbarin Anderson (Lucien’s nephew) on drums round out the record’s sound. Stick around for his description of recording “Swing Low Sweet Chariot.”

Craig was generous with his time so I’ll include more of his conversation in next week’s show and play a few more from his record which is available on Bandcamp. Also included in today’s show is Lucien Barbarin and the Palm Court Swingsters doing “Just a Little While to Stay Here” where Lucien uses a mute on his trombone.

I also include some other fine trombone performances by Trombone Shorty, Kid Ory, Corey Henry, Big Sam Williams and Russell Ramirez.

Gal Holiday

Later in the show Vanessa Niemann gets on virtually with an introduction to a song she wrote about her grandfather “In My Dreams Again.” You’ll hear two other tracks by Vanessa who performs under the name Gal Holiday.

Thank you for listening to the show. You can subscribe to this blog and get alerts when new shows arrive. By the way, this week’s show is the KMRE version. There’s really no difference between the KAOS and KMRE recordings aside from station identifications.

Another Gift Guide Browse through 2020 NOLA Music

The 2020 crop of new releases out of New Orleans is worth a deeper dive for this week’s show, particularly since I’ve added a couple of new ones and included a short interview with members of Bon Bon Vivant.

As with last week, the bands and records are listed in the order played during the show which you can listen to while reading this by using the player below. Also each listing includes the name of the song played and links to their music (buy buy buy!)

Debbie Davis & Josh Paxton – Interesting Times – Their second release together featuring Davis’ velvet voice backed by Paxton’s scene-stealing piano. Provocative song choices for interesting times. “Swing Brother Swing”

The New Orleans Swinging GypsiesHot Boudin –  Literally a toe-tapping example of how talented New Orleans musicians can put a fresh spin on a classic style. “First Flight”

New Orleans NightcrawlersAtmosphere  – Their “Live at the Old Point Bar” sold me on New Orleans music. Now with their first record in 11 years, this loose funky brass band scores a Grammy nomination with tight, creative arrangements. “Big Bottom”

New Orleans JohnnysOutta Ya Mind – In the tradition of the New Orleans Suspects and the Radiators, the Johnnys invigorate New Orleans rock with saxophone swing and lyrics embedded in the city. “Good People”.

Roland Guerin– Grass Roots – Artful studio release (came out in 2019) by this bass player who has worked with Allen Toussaint, Dr. John, Ellis Marsalis and George Benson. “Stick to the Basics”

Colin LakeForces of Nature – This Seattle native lives in New Orleans and continues to define his sound with this new record, fondly reminiscent of Eric Lindell while still being original. “Just Begun”

Bon Bon Vivant – Dancing in Darkness – Abigail Cosio and partner Jeremy Kelley create community this year with fellow musicians and fans and emerge from the Year of COVID better than ever. You’ll hear them briefly discuss their release and livestreaming after “Ship is Sinking.” Also hear “Hell or High Water” and “Die Young.” Also, I made a mistake on the day their Facebook livestream happens. You can see them live almost every SUNDAY at 5 p.m. (Left Coast Time) on Facebook, including from my own Facebook page.

Charlie Halloran and the Tropicales – Shake the Rum – This hip trombonist/bandleader wears Calypso well. And you’ll learn to check the mirror next time you eat a whole mango. “Mango Vert”

Shake ’em Up Jazz BandThe Boy in the Boat – Swinging jazz by excellent musicians with vocals that make this record shine. As evidence, the harmonizing on “Nuts to You”

The Abitals Hot Box – Four good musicians and drinking buddies generating new music or Y’at savants plotting a new swamp pop invasion? A unique gift choice for the accordion fan on your list. “Leave Me Alone.”

Tuba Skinny – Quarantine Album: Unreleased B-Sides – You know the band is talented when the rejects of three previous albums is this good. Available for download only on its bandcamp page. “Spoonful”

Glen David Andrews – Live from my Living Room  -His trombone has been part of Lil Rascals, New Birth and Treme Brass Bands. Now literally from his living room to yours. “Treme Hideaway”

Smoking Time Jazz Club Mean Tones and High Notes – Jaw-dropping performances don’t get in the way of great song choices. This is an exceptional record worthy of gifting to any music fan of New Orleans jazz. The Breeze”

The Write BrothersInto the Sky  – Second release by this collective of songwriters that were originally conceived as a New Orleans version of The Highwaymen. This one barely got made given the health decline and death of Spencer Bohren. Here is the story of the record’s making. “Do It”

Putumayo Presents New Orleans Mambo -Putumayo’s nod to the “Spanish Tinge” of New Orleans music featuring the well-known (Dr. John and The Neville Brothers) and the should be well known (Los Po-Boy-Citos and Otro). “Jive Samba”

John “Papa” GrosCentral City – Former funkmaster sharpens his vocals and gets playful in a very New Orleans way. “Yeah Yeah Yeah”

Paul SanchezI’m a song, I’m a story, I’m a ghost  – Talented songwriter with a heart rendering voice and songs to match. “Mary Don’t Two Step”

Michot’s Melody Makers: Cosmic Cajuns from Saturn: Live from the Saturn Bar, New Orleans Lost Bayou Rambler Louis Michot’s journey into new Cajun music frontiers continues with December 2019 performance at the Saturn. “T’as vole mon traineau”

Colin LakeForces of Nature – I missed him in last week’s swing through these new releases. So he gets a well-deserved second listen. This time “Alajuela”

Lena Prima The Lena Prima Big Band, Live in Concert – As early records attest, Lena can write good songs. She also can front a big band and honor her father’s legacy in an entertaining live Las Vegas show. “Just a Gigolo (I Ain’t Got Nobody)”

New Orleans Jazz VipersIs There a Chance for Me  – If you can’t swing on Frenchmen Street, why not swing at home with the toast of Frenchmen Street. “Somebody Stole My Gal'”

Kid Eggplant and the Trad MelataunsKid Eggplant and the Trad Melatauns Traditional style, but original songs with contemporary themes – “Falto Besos”

The Write BrothersInto the Sky – Spencer Bohren fans will want this posthumously released record in their collection. He was only able to sing lead on this one song but his influence, including his son as producer, is felt throughout. “Every Highway”

Alex McMurray: Lucky One and also Road Songs – His guitar work lovingly wraps around Spencer Bohren’s voice in the previous song. Now you hear one from his solo project. On these two records, McMurray sings contemporary, universal stories such as “Dear Old Daddy” from Lucky One.

Charlie and the Tropicales – Celebrate the winter holiday in the tropics! Seven unique seasonal songs from Halloran’s calypso project (originally released in 2019). “Latitude 29”

Bobby Rush Rawer than Raw – Grammy Winner Bobby Rush demonstrates once again how to create amazingly simple yet deeply moving blues. “Don’t Start Me Talking”

Sierra Green & the Soul MachineSierra Green & the Soul Machine – Offbeat Magazine named her Emerging Artist of the Year. Then it all shut down. Damn COVID! “Wrong Wrong Wrong”

Cowboy Mouth: Open Wide (EP) – New Orleans rocking band continues a 30-year streak. “Kiss the Baby”

Dr. Michel WhiteLive -The live format allows this accomplished clarinetist to stretch out on Canal Street Blues, Summertime and others. “I Love You Too Much to Ever Leave You”

A Trumpeter, Trombonist, Guitarist and Keyboardist Walk into . . .

Encore performance of this early spring 2020 show featuring messages from NOLA musicians. Airs again on KAOS and KMRE this week.

This week’s Gumbo YaYa features the voices and music of Marla Dixon, Craig Klein, Billy Iuso and John “Papa” Gros plus a birthday anniversary and more. Go ahead and play the show which starts with a live Wild Magnolia performance in recognition of the 2020 JazzFest that didn’t happen.

Each week, I’ve been including recorded messages from New Orleans musicians and playing a set of their music as a way for me and listeners of the show to learn a bit more about them. What comes out clear from this week’s set of artists is how passionate they are about their profession and the music they make.

Shake ‘Em Up Jazz Band – Marla Dixon is second from right

After the Wild Magnolia song, we hear from Marla Dixon (at about 8 and half minutes in) who sings and plays trumpet for the Shotgun Jazz Band and the all-female Shake ‘Em Up Jazz Band which has played festivals in Europe. You’ll hear her perform with both those bands, including a live performance at the Dew Drop Dance & Social Hall (not to be confused with the old Central City Dew Drop Inn) plus a lagniappe spin of her request, Captain John Handy’s “Panama.” I unfortunately got mixed up and did not play her request “Streets of the City” so I will get to that one in my next show. Dixon is fully embedded in New Orleans and its music scene but Northwest listeners attuned to Canadian speak will recognize her origins when she pronounces “out” as in “out-choruses.”

Craig Klein is very much a native of the city. A former member of Harry Connick Jr.’s big band, he formed Bonerama with Mark Mullins over 20 years ago but is also on a long list of other recordings and involved in a string of New Orleans bands. He will tell you a bit about it (starting around the 26 minute mark), as well as fill you in on the New Orleans Nightcrawlers’ latest release Atmosphere and the New Orleans Jazz Vipers new record, Is There a Chance for Me. You’ll hear tracks from both plus the title track from Bonerama’s Hot Like Fire.

Billy Iuso on guitar performing with Bonerama flanked by trombonists Mark Mullins (left) and Craig Klein.

Billy Iuso caught my attention at the 2015 Freret Street Festival — an event I attended for two reasons. First, to check out my old elementary school — the former Our Lady of Lourdes on the corner of Freret and Napoleon — and to see Bonerama live for the first time. As luck would have it, we got to the Bonerama stage early and caught Iuso’s show. His songs have a way of pulling me in and holding me. You’ll hear his greeting at about the 52 minute mark followed by tracks from four of his records, including one under the name of Brides of Jesus.

John “Papa” Gros was the bandleader of the funk group Papa Grows Funk which held down the Monday slot at the Maple Leaf for a decade. When the band broke up, funk fans all over the world were heartbroken. And the story of the band was retold in a highly entertaining documentary called “Do U Want It.” Now, Gros is doing his own thing but years of helping others with their gigs and recordings pays off with quality support in his latest record – Central City. Starting at the 73 minute mark, Gros talks about his line up and the origins of one of its tracks “Old Joe’s Turkey” – a song you’ll hear along with another track from that new release. I also spin one from his previous solo effort Rivers on Fire and I couldn’t resist including one from his funkier days, “Pass It!”

Near the end of the show, I celebrate the birthday anniversary of Bobby Marchan, recognize the passing of Big Al Carson and close with the Funky Meters performing live at a previous JazzFest.

Please consider subscribing to this blog (upper right hand side of page) since it not only clues you into when my shows are available but provides this great little endorphin boost when I see it come through. Cheers.

The smile beneath the mask, the festivals that we’ll miss

Six weeks into our Shelter in Place and this week’s show looks at the smiles behind our masks, the festivals we are missing and the ways we are coping. You can start it now as I share with you more details.

This show includes four more messages from New Orleans musicians – Tiffany Pollack, Charlie Halloran, Louie Ludwig and Noah Young. But the show starts with Shotgun Jazz Band’s “Smile” in recognition of the pleasant expressions that our cloth masks cover.

This weekend would be the start of the New Orleans Jazz and Heritage Festival. Also this weekend, in Olympia, we would normally hold our Spring Arts Walk and Procession of the Species. I don’t wish to diminish the significant economic aspects of community celebrations, but for me, Arts Walk, the Procession and other such events serve as a mirror where we can collectively see ourselves. There’s no way to virtually replicate that but I can try.

The first full set features three songs from New Orleans Jazz Fest Past — Flow Tribe performing in 2012, gospel rocker Raymond Myles in 1994 and a very special performance by The Radiator at the first Jazz Fest after Hurricane Katrina — another catastrophe where recovery was made more difficult by a less than competent federal emergency response.

Tiffany Pollack signs on at the 23 minute mark to introduce herself (formally an embalmer!) She and her cousin Eric Johanson knocked it out of the park with last year’s Blues in My Blood record. You’ll hear a couple tracks from that one and her jazz single “Comes Love.” Check out her shows on her Facebook page and YouTube channel every Monday and Friday starting at 6 p.m. Left Coast time or 8 p.m. New Orleans time.

Like all of us, I’m getting tired of drinking at home. I miss that wonderful randomness of going to a bar or club, seeing what I see and hearing what I hear. It’s kind of back to that community mirror thing where I feel a sense of belonging. Doc Souchon starts the next set with a drinking song, followed by Dwayne Dopsie‘s “Harry’s Creole Bar.” Taylor Smith, from a previous radio interview, talks about his neighborhood bar Horace’s where he and his band the Roamin’ Jasmine recorded their last record from which you’ll hear “I Can’t Believe You’re in Love with Me.” I finish with a less than savory bar ballad by Little Freddie King, “Mixed Bucket of Blood.”

The very active (when not Sheltered in Place) trombonist and bandleader Charlie Halloran joins us next at the 55 minute mark where he shares with us what he has been up to under the COVID restrictions. He introduces his latest record from his calypso group (Charlie Halloran and the Tropicales) from which you’ll hear two tracks. I also spin one from Charlie Halloran and the Quality 6.

New release by Sierra Green

The next set features tracks from new releases by Cowboy Mouth, Sierra Green & the Soul Machine and the New Orleans Nightcrawlers. Later, Noah Young joins the show to introduce his latest record by the band Slugger and you’ll hear “Take a Breath” featuring Ray Wimbly and Mykia Jovan. I also spin”Starkist” from Slugger’s previous release. The set is finished by a track from the new Jason Marsalis Live — just released by Basin Street Records.

Louie Ludwig first got my attention with his record I Got Nothin to Say. Later when most folks were still figuring out what had gone down during the 2016 election, he released the song and video “Troll Factory.” Now, Ludwig has turned his attentions more fully to film making and was working on a documentary about the New Orleans music recording history. However, as he explains in his comments on the show, the project has turned into a weekly video report focusing on the COVID-19 effects in New Orleans. His latest one is about the loss of the festival season.

There’s a bit more in the show but its nice to have some surprises. Please support these musicians and the others I’ve featured in previous shows. You can support me (emotionally) by subscribing to this free blog (go back to the top and look to the right).

Gumbo YaYa’s Top 10 New Orleans Records of 2019

This year’s top 10 selections run a range of New Orleans music with jazz, brass band, blues, R&B, Latin rhythms and African beats. And for lagniappe, you’ll meet my sons who extended their Christmas visit home to include hanging out with me in the studio when we aired this show on Boxing Day. (Just click the sideways arrow below to get started.)

Me with Riley and Devlin in the KAOS air studio.

Today’s show features selections from the 10 records I enjoyed playing the most this year. But the real treat for me was being in the studio with my son’s Riley and Devlin. As always, I edited this version of the program by removing KAOS announcements. So some of the freewheeling conversation is lost but I did manage to keep some of our chatter in. The show also airs in Bellingham on community radio station KMRE on Friday nights.

The show starts with “World Without Music by the To Be Continued Brass Band. Below are brief descriptions of my favorite records for this year.

To Be Continued Brass Band – TBC II – This band has a history that IS New Orleans. And they seem to be making it on their own terms. No label. No Website. No liner notes or anything but a logo on their CD. Lots of friends help out though including J’Wan Boudreaux (Cha Wa), Glen David Andrews, DJ Action Jackson and Erion Williams (Soul Rebels).

Kid Eggplant And the Melatauns – Big Trouble in Little Chalmette – Can you say “Party Record!” Listen to your vegetables, they’re good for you. I can’t believe my luck in stumbling across this record. It’s a creative mix of R&B, doo-wop, blues slide (with frog sounds), and retro 80’s rocks (“snip snip”).

Ecirb Muller’s Twisted Dixie – What Had Happened Was. . . – Dr. Brice Miller, of Mahogany Brass Band fame, has created a time machine and a mythical savant to transport the hipness of Louis Armstrong and New Orleans’ early jazz days into the funkified vibe of today. Each song is introduced with a story using the opener “What Had Happened Was. .” I’m so delighted to introduce you to one of the greatest . . .

Smoking Time Jazz Club – Contrapuntal Stomp – The band lives up to its name with 16 tracks of traditional jazz numbers that can heat up the dance floor. This journeymen band of talented musicians do more than revive; they reinvigorate. If the only thing this record did was introduce me to Earl “Snakehips” Tucker, it would still be on my top 10. (if you go to the link, be sure to catch at least half of the two-minute video of this amazing dancer.)

Jazz Fest: The New Orleans Jazz & Heritage Festival – Released by Smithsonian Folkways in honor of the festival’s 50th year, this five CD set offers a historic sampling of the diverse music styles that have graced the many Jazz Fest stages over the years – focusing on the local artists who have made his festival so exceptional. A lot of care was taken to showcase the sweep of talent that has graced the dozen or more stages of the festival during the last half century.

Leyla McCalla – The Capitalist -Her third release, proficient in Haitian creole, French, banjo, guitar and cello, she continues the city’s tradition of creatively blending and bending musical genres while continuing to creatively community her message of social and economic justice. Plus she’s got a wonderful voice.

Craig Klein sings and performs with Bonerama.

Bonerama – Bonerama Plays Zeppelin – Zeppelin with New Orleans funk and rhythms. It’s a reverent yet original adaptation of the band’s hits except with trombones as the lead voice and Matt Perrine’s magical sousaphone handling the bass line.  Be sure to catch “Heartbreaker” where Perrine defies gravity with his instrument.

Alexey Marti – Mundo – This Havana-born and New Orleans-based percussionist second release showcases his 15 original songs which include samba, bossa nova, ballad, and salsa — demonstrating new depths to this highly respected and in-demand musician. His record features musicians from New York, Spain and Cuba and flows smoothly through your ears like a morning cup of cafecito.

Bamboula 2000 – Cuba to Congo Square – For a quarter century, this band has been keeping the spirit of Congo Square alive. If you’re searching for the connection between New Orleans jazz rhythms and Africa, this latest release will help you find it it with rhythm’s from djembe, congas, talking drums, bata, atumpan, shekere, dun dun, and fontonfrom. 

Smoky Greenwell – Blues and the Power of Peace – Holding down the blues end of this year’s list is journeymen New Orleans musician Smoky Greenwell. This is the perfect apology gift for going ballistic on your Trump-voting relative during the holidays. The latest record by this New Orleans blues harmonica (and saxophone) player strikes enough of a conciliatory note without surrendering a single political point. Get out and vote, baby!

Your 2019 New Orleans Music Gift Guide

Each year at this time, my show features new releases for those fine listeners who still believe giving music is a divine way to celebrate the holidays. Here is the 2019 edition. The descriptions of these 2019 new releases from New Orleans are in the order you’ll hear them on the show. Song titles are in italics.

Dwayne Dopsie & the Zydeco Hellraisers Bon Ton – His accordion will make you dance; it can make you cry. His latest gets you right into the heart of the Acadiana scene with etouffee and a night out at the Zydeco. Give Me What I Want

Leyla McCalla The Capitalist -Her third release, proficient in Haitian creole, French, banjo, guitar and cello, she continues the city’s tradition of creatively blending and bending musical genres. Oh My Love

Spider Murphy’s Fatback VipersSmells Like Salvation – It’s lazy to describe him as Tom Waits with a banjo. Except the description fits. He’s good with his instrument yet smart enough to allow his band mates on trombone, piano, tuba and saxophone to shine. Slowly But Surely

Bon Bon VivantLive at the Circus – Deep lyrics and playful delivery makes this band a delight to catch live or on record. The band graced KAOS studios this summer and did this five-song set for us. You won’t be disappointed. The Bones

Bamboula 2000Cuba to Congo Square – This release continues the band’s 25-year tradition of moving bodies with rhythm from djembe, congas, talking drums, bata, atumpan, shekere, dun dun, and fontonfrom. Cuba to Congo Square

Tiffany Pollack and Eric JohansonBlues In My Blood – Powerful vocals combined with soaring, smoth guitar, throw in excellent backing and a family connection (they’re cousins) and you’ve got a CD worthy of keeping on repeat. No Expectations

Bobby RushSitting on Top of the Blues – Eighty-six years old with 26 studio albums and a recent Grammy under his belt and with this latest one nominated for another, Bobby Rush is still randy as hell. His songs are about love, crazy love (Sweet Lizzy), sexy love (Slow Motion), cute love (Pooky Poo). And the one I play, love denied – Get Out of Here (Dog Named Bo)

Ecirb Muller’s Twisted DixieWhat Had Happened Was. . . – Dr. Brice Miller, of Mahogany Brass Band fame, has created a time machine and a mythical savant to transport the hipness of Louis Armstrong and New Orleans’ early jazz days into the funkified vibe of today. – Make Me Wanna Holler

Alexey Marti Mundo – This Havana-born and New Orleans-based percussionist showcases his 15 original songs which include samba, bossa nova, ballad, and salsa — demonstrating new depths to this highly respected and in-demand musician. Salt and Pepper

Carlo DittaHungry for Love – The creative force behind Orleans Records, Ditta is keeping New Orleans traditions alive. First, by ensuring we can continue to listen to records by Little Freddie King and the Pin Stripe Brass Band and by creating music that embodies the spirit of legends like Eddie Bo and Coco Robicheaux. Pass the Hatchet.

Davell Crawford Dear Fats I Love You -It’s just Crawford’s piano (as well as his heart) performing classic Fats Domino tunes — recorded shortly after Domino’s death. Given the passing of Dave Bartholomew this year – Domino’s partner in many of these tunes — its timely to revisit these simple yet elegant songs.

Kid Eggplant And the MelataunsBig Trouble in Little Chalmette – Can you say “Party Record!” Listen to your vegetables, they’re good for you. The perfect music gift for the R&B lover looking for fresh and fun. Get High

Smoking Time Jazz Club Contrapuntal Stomp The 10th release by this very active traditional jazz band of highly competent young musicians flows sweetly through 16 tracks of swinging tunes. The Eel

Jazz Fest: The New Orleans Jazz & Heritage Festival – Released by Smithsonian Folkways in honor of the festival’s 50th year, this five CD set offers a historic sampling of the diverse music styles that have graced the many Jazz Fest stages over the years – focusing on the local artists who have made his festival so exceptional. – Earl King’s Trick Bag

To Be Continued Brass Band TBC II – No label. No Website. No liner notes or anything but a logo on their CD. But don’t let that keep you from enjoying this original New Orleans brass band. TBC II

Smoky GreenwellBlues and the Power of Peace – This is the perfect apology gift for going ballistic on your Trump-voting relative at Thanksgiving. The latest record by a veteran New Orleans blues harmonica player strikes enough of a conciliatory note without surrendering a single political point. I’m a Lover (Not a Fighter)

Galactic Already Already – With nothing to prove, Galactic continues to do the unexpected. This time with eight tightly constructed songs featuring New Orleans vocalists – some familiar (Erica Falls, David Shaw) and some lesser known (Ms. Charm Taylor, Princess Shaw and Boyfriend) Dance at My Funeral

Norbert Susemihl et alThe New Orleans Dance Hall Quartet – Recorded in the New Orleans Musician’s Union Hall during the city’s Tricentennial year, this record captures and honors music of depression era and post WWII New Orleans dance halls. I’m Alone Because of You

Benny Turner and Cash McCall – Recorded in New Orleans, Memphis and Chicago, this is a reunion of two veteran Chicago bluesman (Benny has been based in New Orleans since the 80’s) and offers talented backing and engaging vocals. Spoonful

BoneramaBonerama Plays Zeppelin – A reverent yet original adaptation of Led Zeppelin’s greats — with trombones as the lead voice and Matt Perrine’s magical sousaphone handling the bass line. Hey Hey What Can I Do

Herlin Riley – Perpetual Optimism – A percussionist with the Lincoln Center Jazz Orchestra,  Riley has assembled a rhythmically engaging mainstream jazz album with five originals and an awesome cover of “Wang Dang Doodle.” Wings and Roots.

Byron Asher Byron Asher’s Skrontch Music –  A five-part suite created during an artist-in-residence at Tulane, it includes excerpts of interviews of early jazz musicians on a bed of original music. We will likely hear more from this young clarinetist/composer in the future. (I hope) Elegy.

Elizabeth Joan KellyFarewell, Doomed Planet! Her second release using found sounds and MIDI is about the apocalypse we’re headed toward–a musical composition that Greta Thunberg might embrace – ethereal, haunting and mesmerizing. Harm

Jonathon Bauer Walk Don’t Run – Another New Orleans jazz emigre (Canada) drawn like a moth to the city learn and practice his passion. He paid his dues with the New Orleans Jazz Orchestra and his debut release manages to capture both a modern feel and New Orleans flair. Closer

Soul Rebels Poetry in Motion – Just got it in the studio on the day of the show. On quick listen, its clear the Rebels are taking the brass band sound forward and with lots of help from New Orleans talent such as Kermit Ruffins, Mannie Fresh, Dee-1, Trombone Shorty, Branford Marsalis, Cheeky Blakk, Tarriona “Tank” Ball and much more. Down for my City.

Doug Duffey and Badd Play the Blues – This is a solid blues album by a Louisiana Music Hall of Famer with decades of New Orleans live performances under his belt. He’s Monroe-based now but creating great music with a talented team. Drink it On Down

Bryan LeeSanctuary – The perfect gift for your Christian blues fan – This veteran guitarist, who has made New Orleans his home, cleared an item off his bucket list with this blues -gospel record. Fight for the Light

Lakou MisikHaitiaNola – New Orleans and Haiti histories intertwine dating back to the historic slave revolt on the island in 1791. This year, the revolution involves this Haitian ensemble mixing it up with the likes of the Preservation Hall Jazz Band, Trombone Shorty, Cyril Neville, Leyla McCalla (of Haitian heritage) , the Soul Rebels and more. (Sorry didn’t have a chance to play a song from this album on my show)

You can order this music online from a local record store in New Orleans – the Louisiana Music Factory or follow the links provided to buy directly from the artist. Thank you to the artists and labels such as Basin Street that send their music to KAOS. And thank you for tuning in to the show and subscribing to this blog.

A touch of Irish but I’m a bit grumpy about it

This week’s show gives a gentle nod to my Irish heritage but I don’t go overboard. Well, unless you count the two raucous sea shanties. Go ahead and get it started while I explain.

St. Alphonsus Church, now a art and cultural center, is located in the Irish Channel area of New Orleans.

As I’ve said before, New Orleans needs little reason to put on a party. But given that St. Patrick’s Day appears to be our equivalent of Irish-American heritage day, the city has a lot to party about. You’ll find the parades and block parties are centered around a neighborhood in New Orleans along the Mississippi River called the Irish Channel. And while the large influx of Irish families in the first half of the 19th century fanned out throughout the city, many did seem to settle in this Garden District neighborhood since it wasn’t very far from where they go off the boat from Ireland.

My experience with the Irish Channel was as a kid when I gigged as an altar boy for an itinerant priest who would do mass for convents and shut ins. One day, he got a prime time slot, doing mass at St. Alphonsus Church (now a cultural center) in the heart of the Irish Channel. I lived just a few miles away but it may as well been a world away in 1966. All the other neighborhood altar boys, hanging out in the altar boy locker room, sounded like Bobby Kennedy. That’s New Orleans for you.

Well, back to the show, I don’t spend too much time on the Irish theme. I don’t have a lot of music that fits frankly. And I’m not a big fan of the whole St. Patrick’s Day celebration — which you’ll get a taste of when you hear the show. Instead, I treat you to Louis Jordan’s 1949 classic “Saturday Night Fish Fry” and carry on that early R&B vibe with Chubby Newsome and Percy Mayfield

This 5-disc set will be released in May

Later, I take a dive into the brand new Smithsonian Folkways recording celebrating 50 years of the New Orleans Jazz and Heritage Festival. Yes, this year is the 50th anniversary. I play a track with Snooks Eaglin getting excited about the huge crowd he had and we rock to a live version of “Back On Dumaine” when Anders Osborne’s heart ache over the end of his marriage was fresh. I also play from the new release by Herlin Riley, singing a jazzy version of “Wang Dang Doodle.”

Lots of other great stuff in between. Give it a listen. And “Erin Go Bragh.”

Gumbo YaYa 2018 – Top 10 CDs of the Year

My list of top ten releases from New Orleans is based on my experience as the host of Sweeney’s Gumbo YaYa, a Northwest community radio show that features New Orleans and other Louisiana music. To see a larger list of releases, check out my 2018 summary. This show features two tracks from each of the top 10 releases.

Bon Bon VivantLive At The New Orleans Jazz Museum –  This original group features sweet sister harmonies, a genre-bending style and a clear affection for New Orleans history performed before the perfect live audience.  This is a group to watch and you can, very easily because they perform live in New Orleans regularly.

Riverside Jazz Collective: Stomp Off, Let’s Go – Recorded at the Ellis Marsalis Center for Music by New Orleans pros who can  be heard regularly around town, particularly at The Bombay Club. This album features gently time-worn “songs that are melodically and emotionally durable.”  

Ivan Neville and Cris JacobsNeville Jacobs – A magic combination formed from a post-Jazz Fest card game where New Orleans funk and soul meets Baltimore rock and blues.  The chemistry is so solid, I listen to this CD with the hope that there will be a second one.

Cha WaSpyboy – Waiting for the next generation to pick up the mantle for The Wild Magnolias (except with a strong brass sound ) Look no further then this second release of this millennial group that has the fire!  Grammy nominated too.  “Get On Out Of the Way” 

Michot’s Melody Makers: Blood Moon – Lost Bayou Ramblers’ co-founder Louis Michot stretches the boundaries of Cajun music to his heart and my ears content with this project. I get calls from listeners wanting to know more when I play from this CD — and for good reason.

Helen GilletHelkiase– On the surface, Gillet and her music may seem far afield of what you might expect out of New Orleans. But this French and English singing cellist has been embedded in the city for most of her professional life. Her latest project can be edgy, melodic, soothing and tense.  Check out her KAOS studio performance  and interview from this summer

Jon Batiste:  Hollywood Africans – He may be world famous as the late night show bandleader but Batiste is more importantly a world-class musician with some powerful music to share, In this very personal release, he offers up originals with a fresh look at a couple standards. His reverent timing invites the listener to slow down and listen “with all you got, . . .don’t stop.”

Gal HolidayLost & Found – After 14 years in the vanguard of the New Orleans country music scene, Gal Holiday — aka Vanessa Neuman — and her Honky-Tonk Revue know how to deliver authentic old-time Patsy Cline style country. And while her band is solid, Vanessa’s voice is the star of the show.

Jonathon LongJonathon Long –  His third release is the charm. He dropped the “Boogie” from his name and added a lot of himself in his singing and songwriting. This self-titled album produced by Samantha Fish and featuring muscular guitar work and soulful, personal lyrics represents a new addition to Southern Rock.

Jon ClearyDyna-Mite – If you’ve been waiting for Cleary’s full band follow up to his 2016 Grammy win, wait no more!  With two more songs and a wider range (including a reggae-inflected song), Dyna-Mite blows away his Grammy-worthy earlier release.

I also play a track from Ever More Nest — Kelcy Mae’s latest project which was a close contender for being part of the top 10 list.