Your 2019 New Orleans Music Gift Guide

Each year at this time, my show features new releases for those fine listeners who still believe giving music is a divine way to celebrate the holidays. Here is the 2019 edition. The descriptions of these 2019 new releases from New Orleans are in the order you’ll hear them on the show. Song titles are in italics.

Dwayne Dopsie & the Zydeco Hellraisers Bon Ton – His accordion will make you dance; it can make you cry. His latest gets you right into the heart of the Acadiana scene with etouffee and a night out at the Zydeco. Give Me What I Want

Leyla McCalla The Capitalist -Her third release, proficient in Haitian creole, French, banjo, guitar and cello, she continues the city’s tradition of creatively blending and bending musical genres. Oh My Love

Spider Murphy’s Fatback VipersSmells Like Salvation – It’s lazy to describe him as Tom Waits with a banjo. Except the description fits. He’s good with his instrument yet smart enough to allow his band mates on trombone, piano, tuba and saxophone to shine. Slowly But Surely

Bon Bon VivantLive at the Circus – Deep lyrics and playful delivery makes this band a delight to catch live or on record. The band graced KAOS studios this summer and did this five-song set for us. You won’t be disappointed. The Bones

Bamboula 2000Cuba to Congo Square – This release continues the band’s 25-year tradition of moving bodies with rhythm from djembe, congas, talking drums, bata, atumpan, shekere, dun dun, and fontonfrom. Cuba to Congo Square

Tiffany Pollack and Eric JohansonBlues In My Blood – Powerful vocals combined with soaring, smoth guitar, throw in excellent backing and a family connection (they’re cousins) and you’ve got a CD worthy of keeping on repeat. No Expectations

Bobby RushSitting on Top of the Blues – Eighty-six years old with 26 studio albums and a recent Grammy under his belt and with this latest one nominated for another, Bobby Rush is still randy as hell. His songs are about love, crazy love (Sweet Lizzy), sexy love (Slow Motion), cute love (Pooky Poo). And the one I play, love denied – Get Out of Here (Dog Named Bo)

Ecirb Muller’s Twisted DixieWhat Had Happened Was. . . – Dr. Brice Miller, of Mahogany Brass Band fame, has created a time machine and a mythical savant to transport the hipness of Louis Armstrong and New Orleans’ early jazz days into the funkified vibe of today. – Make Me Wanna Holler

Alexey Marti Mundo – This Havana-born and New Orleans-based percussionist showcases his 15 original songs which include samba, bossa nova, ballad, and salsa — demonstrating new depths to this highly respected and in-demand musician. Salt and Pepper

Carlo DittaHungry for Love – The creative force behind Orleans Records, Ditta is keeping New Orleans traditions alive. First, by ensuring we can continue to listen to records by Little Freddie King and the Pin Stripe Brass Band and by creating music that embodies the spirit of legends like Eddie Bo and Coco Robicheaux. Pass the Hatchet.

Davell Crawford Dear Fats I Love You -It’s just Crawford’s piano (as well as his heart) performing classic Fats Domino tunes — recorded shortly after Domino’s death. Given the passing of Dave Bartholomew this year – Domino’s partner in many of these tunes — its timely to revisit these simple yet elegant songs.

Kid Eggplant And the MelataunsBig Trouble in Little Chalmette – Can you say “Party Record!” Listen to your vegetables, they’re good for you. The perfect music gift for the R&B lover looking for fresh and fun. Get High

Smoking Time Jazz Club Contrapuntal Stomp The 10th release by this very active traditional jazz band of highly competent young musicians flows sweetly through 16 tracks of swinging tunes. The Eel

Jazz Fest: The New Orleans Jazz & Heritage Festival – Released by Smithsonian Folkways in honor of the festival’s 50th year, this five CD set offers a historic sampling of the diverse music styles that have graced the many Jazz Fest stages over the years – focusing on the local artists who have made his festival so exceptional. – Earl King’s Trick Bag

To Be Continued Brass Band TBC II – No label. No Website. No liner notes or anything but a logo on their CD. But don’t let that keep you from enjoying this original New Orleans brass band. TBC II

Smoky GreenwellBlues and the Power of Peace – This is the perfect apology gift for going ballistic on your Trump-voting relative at Thanksgiving. The latest record by a veteran New Orleans blues harmonica player strikes enough of a conciliatory note without surrendering a single political point. I’m a Lover (Not a Fighter)

Galactic Already Already – With nothing to prove, Galactic continues to do the unexpected. This time with eight tightly constructed songs featuring New Orleans vocalists – some familiar (Erica Falls, David Shaw) and some lesser known (Ms. Charm Taylor, Princess Shaw and Boyfriend) Dance at My Funeral

Norbert Susemihl et alThe New Orleans Dance Hall Quartet – Recorded in the New Orleans Musician’s Union Hall during the city’s Tricentennial year, this record captures and honors music of depression era and post WWII New Orleans dance halls. I’m Alone Because of You

Benny Turner and Cash McCall – Recorded in New Orleans, Memphis and Chicago, this is a reunion of two veteran Chicago bluesman (Benny has been based in New Orleans since the 80’s) and offers talented backing and engaging vocals. Spoonful

BoneramaBonerama Plays Zeppelin – A reverent yet original adaptation of Led Zeppelin’s greats — with trombones as the lead voice and Matt Perrine’s magical sousaphone handling the bass line. Hey Hey What Can I Do

Herlin Riley – Perpetual Optimism – A percussionist with the Lincoln Center Jazz Orchestra,  Riley has assembled a rhythmically engaging mainstream jazz album with five originals and an awesome cover of “Wang Dang Doodle.” Wings and Roots.

Byron Asher Byron Asher’s Skrontch Music –  A five-part suite created during an artist-in-residence at Tulane, it includes excerpts of interviews of early jazz musicians on a bed of original music. We will likely hear more from this young clarinetist/composer in the future. (I hope) Elegy.

Elizabeth Joan KellyFarewell, Doomed Planet! Her second release using found sounds and MIDI is about the apocalypse we’re headed toward–a musical composition that Greta Thunberg might embrace – ethereal, haunting and mesmerizing. Harm

Jonathon Bauer Walk Don’t Run – Another New Orleans jazz emigre (Canada) drawn like a moth to the city learn and practice his passion. He paid his dues with the New Orleans Jazz Orchestra and his debut release manages to capture both a modern feel and New Orleans flair. Closer

Soul Rebels Poetry in Motion – Just got it in the studio on the day of the show. On quick listen, its clear the Rebels are taking the brass band sound forward and with lots of help from New Orleans talent such as Kermit Ruffins, Mannie Fresh, Dee-1, Trombone Shorty, Branford Marsalis, Cheeky Blakk, Tarriona “Tank” Ball and much more. Down for my City.

Doug Duffey and Badd Play the Blues – This is a solid blues album by a Louisiana Music Hall of Famer with decades of New Orleans live performances under his belt. He’s Monroe-based now but creating great music with a talented team. Drink it On Down

Bryan LeeSanctuary – The perfect gift for your Christian blues fan – This veteran guitarist, who has made New Orleans his home, cleared an item off his bucket list with this blues -gospel record. Fight for the Light

Lakou MisikHaitiaNola – New Orleans and Haiti histories intertwine dating back to the historic slave revolt on the island in 1791. This year, the revolution involves this Haitian ensemble mixing it up with the likes of the Preservation Hall Jazz Band, Trombone Shorty, Cyril Neville, Leyla McCalla (of Haitian heritage) , the Soul Rebels and more. (Sorry didn’t have a chance to play a song from this album on my show)

You can order this music online from a local record store in New Orleans – the Louisiana Music Factory or follow the links provided to buy directly from the artist. Thank you to the artists and labels such as Basin Street that send their music to KAOS. And thank you for tuning in to the show and subscribing to this blog.

A touch of Irish but I’m a bit grumpy about it

This week’s show gives a gentle nod to my Irish heritage but I don’t go overboard. Well, unless you count the two raucous sea shanties. Go ahead and get it started while I explain.

St. Alphonsus Church, now a art and cultural center, is located in the Irish Channel area of New Orleans.

As I’ve said before, New Orleans needs little reason to put on a party. But given that St. Patrick’s Day appears to be our equivalent of Irish-American heritage day, the city has a lot to party about. You’ll find the parades and block parties are centered around a neighborhood in New Orleans along the Mississippi River called the Irish Channel. And while the large influx of Irish families in the first half of the 19th century fanned out throughout the city, many did seem to settle in this Garden District neighborhood since it wasn’t very far from where they go off the boat from Ireland.

My experience with the Irish Channel was as a kid when I gigged as an altar boy for an itinerant priest who would do mass for convents and shut ins. One day, he got a prime time slot, doing mass at St. Alphonsus Church (now a cultural center) in the heart of the Irish Channel. I lived just a few miles away but it may as well been a world away in 1966. All the other neighborhood altar boys, hanging out in the altar boy locker room, sounded like Bobby Kennedy. That’s New Orleans for you.

Well, back to the show, I don’t spend too much time on the Irish theme. I don’t have a lot of music that fits frankly. And I’m not a big fan of the whole St. Patrick’s Day celebration — which you’ll get a taste of when you hear the show. Instead, I treat you to Louis Jordan’s 1949 classic “Saturday Night Fish Fry” and carry on that early R&B vibe with Chubby Newsome and Percy Mayfield

This 5-disc set will be released in May

Later, I take a dive into the brand new Smithsonian Folkways recording celebrating 50 years of the New Orleans Jazz and Heritage Festival. Yes, this year is the 50th anniversary. I play a track with Snooks Eaglin getting excited about the huge crowd he had and we rock to a live version of “Back On Dumaine” when Anders Osborne’s heart ache over the end of his marriage was fresh. I also play from the new release by Herlin Riley, singing a jazzy version of “Wang Dang Doodle.”

Lots of other great stuff in between. Give it a listen. And “Erin Go Bragh.”

Gumbo YaYa 2018 – Top 10 CDs of the Year

My list of top ten releases from New Orleans is based on my experience as the host of Sweeney’s Gumbo YaYa, a Northwest community radio show that features New Orleans and other Louisiana music. To see a larger list of releases, check out my 2018 summary. This show features two tracks from each of the top 10 releases.

Bon Bon VivantLive At The New Orleans Jazz Museum –  This original group features sweet sister harmonies, a genre-bending style and a clear affection for New Orleans history performed before the perfect live audience.  This is a group to watch and you can, very easily because they perform live in New Orleans regularly.

Riverside Jazz Collective: Stomp Off, Let’s Go – Recorded at the Ellis Marsalis Center for Music by New Orleans pros who can  be heard regularly around town, particularly at The Bombay Club. This album features gently time-worn “songs that are melodically and emotionally durable.”  

Ivan Neville and Cris JacobsNeville Jacobs – A magic combination formed from a post-Jazz Fest card game where New Orleans funk and soul meets Baltimore rock and blues.  The chemistry is so solid, I listen to this CD with the hope that there will be a second one.

Cha WaSpyboy – Waiting for the next generation to pick up the mantle for The Wild Magnolias (except with a strong brass sound ) Look no further then this second release of this millennial group that has the fire!  Grammy nominated too.  “Get On Out Of the Way” 

Michot’s Melody Makers: Blood Moon – Lost Bayou Ramblers’ co-founder Louis Michot stretches the boundaries of Cajun music to his heart and my ears content with this project. I get calls from listeners wanting to know more when I play from this CD — and for good reason.

Helen GilletHelkiase– On the surface, Gillet and her music may seem far afield of what you might expect out of New Orleans. But this French and English singing cellist has been embedded in the city for most of her professional life. Her latest project can be edgy, melodic, soothing and tense.  Check out her KAOS studio performance  and interview from this summer

Jon Batiste:  Hollywood Africans – He may be world famous as the late night show bandleader but Batiste is more importantly a world-class musician with some powerful music to share, In this very personal release, he offers up originals with a fresh look at a couple standards. His reverent timing invites the listener to slow down and listen “with all you got, . . .don’t stop.”

Gal HolidayLost & Found – After 14 years in the vanguard of the New Orleans country music scene, Gal Holiday — aka Vanessa Neuman — and her Honky-Tonk Revue know how to deliver authentic old-time Patsy Cline style country. And while her band is solid, Vanessa’s voice is the star of the show.

Jonathon LongJonathon Long –  His third release is the charm. He dropped the “Boogie” from his name and added a lot of himself in his singing and songwriting. This self-titled album produced by Samantha Fish and featuring muscular guitar work and soulful, personal lyrics represents a new addition to Southern Rock.

Jon ClearyDyna-Mite – If you’ve been waiting for Cleary’s full band follow up to his 2016 Grammy win, wait no more!  With two more songs and a wider range (including a reggae-inflected song), Dyna-Mite blows away his Grammy-worthy earlier release.

I also play a track from Ever More Nest — Kelcy Mae’s latest project which was a close contender for being part of the top 10 list.

Your 2018 New Orleans Music Buying Guide

Here’s a list of 2018 releases from New Orleans musicians for you to consider and you can listen to them with my latest show. No rational order to the list other than this is the order you’ll hear them on the show, which you can start right now. The song played is in italics.

The Big Dixie Swingers: Ranch Stressing – A fiddler and crooning banjoist backed up by trumpet, clarinet and drums perform a collection of pre-war Western Swing, Country Blues, and popular songs.  Razz Matazz Soup

Big Sam’s Funky Nation: Songs in the Key of Funk: Volume One – Trombonist Big Sam Williams brings back the funk for his latest release with his actively touring band.  Dance to the CD then dance to him when he comes through your area. “Who’s Gonna Help Brother Get Further”

Sean ArdoinKreole Rock and Soul Ardoin’s grammy nominated release of  soul, rock and pop songs, all with a distinctive creole flavor, is designed to get you to dance — instructional dance video included. “Kick Rocks”

Marcia Ball: Shine Bright  – Her dual Texas and Louisiana musicianship status is on full display in support of a seasoned voice that leaves no doubt of the veracity of her songs. “I Got to Find Somebody”

Jonathon Long: Jonathon Long –  In his third release, this Baton Rouge-based guitarist and singer has seen “the light” and put more emphasis on his songwriting and singing.  A damn good idea well executed  by producer Samantha Fish. “The Light”

Ever More Nest: The Place That You Call Home  –  Kelcy Mae’s latest project offers a deeply intimate perspective on the saying “there’s no place like home.” This Shreveport native lives and works in New Orleans and recorded this beautiful album in Nashville for a national audience. “Broken Bones”

Tin Men:  Sing with Me – Washboard Chaz anchors and lends his voice to this unique trio which showcases the fascinating songs of Alex McMurray (guitar and vocals) and the sousaphone wizardry of Matt Perrine.  “Scraper Man”

Riverside Jazz Collective: Stomp Off, Let’s Go – Recorded at the Ellis Marsalis Center for Music by New Orleans pros who can  be heard regularly around town, particularly at The Bombay Club, this album features gently time-worn “songs that are melodically and emotionally durable.”  “Ready for the River”

Sabertooth Swing: Extinct Possibilities – Another sharp traditional New Orleans jazz band that manages to make it all sound fresh and fun. “Alcohol”

Bon Bon Vivant: Live At The New Orleans Jazz Museum – Enjoyable sister harmonies, genre-bending style and a clear affection for New Orleans history performed before the perfect live audience. “The Jazz Axe Man”

Jon Cleary: Dyna-Mite – If you’ve been waiting for Cleary’s full band follow up to his 2016 Grammy win, wait no more!  – “Dyna-Mite”

Ivan Neville and Cris Jacobs: Neville Jacobs – New Orleans funk and soul meets Baltimore rock and blues.  I hope its not a one off. “Make Up of a Fool”

Gal Holiday: Lost & Found – Vanessa Neuman, aka Gal Holiday, lays down a tasty selection of mostly original honky tonk country tunes. “Come Home”

Ghalia & Mama’s Boys: Let the Demons Out  – Energetic vocals of Belgium-born Ghalia Vauthier, who has been mining the Mississippi River blues scene for this release — well supported by Johnny Mastro & Mama’s Boys.  “Hoodo Evil Man”

Little Freddie King: Fried Rice & Chicken – Straight, no chaser blues by a man who is still a treasured member of the Ninth Ward live music scene. “Mean Little Woman”

Old Riley & Water:  Biting Through –  Gritty, fuzzy, stripped down blues from a group I hadn’t heard of till the album turned up at KAOS — they regularly perform at House of Blues in New Orleans.  “Trouble”

Keith Stone with Red Gravy: Blues with a Taste of New Orleans – Keith Stone has clearly made it back home with this solid cast of musicians delivering exactly what the album title promises, with an extra serving of red gravy. “Blue Eyed Angel”

Eric Lindell: Revolution in Your Heart – Another great release of southern R&B. This time, Lindell plays just about every instrument. “Grandpa Jim”

Ted Hefko and the Thousandaires: Gas Station Guru – Saxophonist/bandleader Hefko takes you through a laid back set of R&B, blues and jazz that is steeped in New Orleans. “The Roofer”

Shawn Williams:   Motel Livin’ – Falling somewhere near the alt-country zone, her second album is a gripping compendium of lyrical songs that may leave you a bit unnerved but fully entertained. “Best of Me”

Helen Gillet: Helkiase– A French and English singing cellist with a strong attraction to improvisation, jazz, funk and New Orleans, Gillet’s latest project can be edgy, melodic, soothing and tense.  Check out her KAOS studio performance  and interview from this summer. “Vautour”

Cyril Neville: Endangered Species: The Essential Recordings:If you’re not a close follower of the most soulful and political of the Neville brothers, then this release serves as a nice sampler of his five releases from his Endangered Species label. “Ayiti”

Cha Wa: Spyboy – Waiting for the next generation to pick up the mantle for The Wild Magnolias (but perhaps with more brass!) Look no further then this second release of this millennial group that has the fire!  Grammy nominated too.  “Get On Out Of the Way” 

Michot’s Melody Makers: Blood Moon – Cajun music for new ears, and broad-minded old ones, crafted with respect to tradition. “La Lune est Croche”

Lena Prima:  Prima La Famiglia You don’t have to be Italian to enjoy Lena’s reconnection with her roots. They’re songs her father would sing but this time, its her voice. “Come On A My House”

Jon BatisteHollywood Africans – If you’re a fan of “The Late Show with Stephen Colbert,” you know what he looks like.  The late night show bandleader provides a much deeper glance with this release featuring solo piano and singing.  “Don’t Stop”

Louie Ludwig‘sTroll Factory” – No album this year from this politically impish New Orleans songwriter and video maker but his proletariat perspective of this new world sweat shop hits it out of the proverbial Zenit Arena.  If you like, check out his YouTube Channel.

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Digging deeper in new and old releases

This week’s show is one of me catching up on playing music I’ve been meaning to get to but hadn’t been able to work it into a set.  Here it is, with announcements edited out.

Tin Men’s “Tootie Ma is a Big Fine Thing” is another fine demonstration of how well Matt Perrine can play melody on a sousaphone. Their new album is Sing with Me and it kicks off the show.  I dive into an earlier album of Bon Bon Vivant by playing the title track from”Paint & Pageantry,” serving notice that this show will rock a bit more than usual. By the time Bill Pierce does the Sonny Landreth number “Zydecoldsmobile” we are definitely rocking.

hoodooFor some reason the 2001 release The Hoodoo Kings sitting in the KAOS blues section managed to elude my discovery until recently. This one-off album features  Eddie Bo of New Orleans along with two well-regarded Baton Rouge musicians, Raful Neal and Rockin’ Tabby Thomas. I played “Luberta” and expect to hear more from this album in future shows. Ivan Neville’s collaboration with Chris Jacobs makes its debut on my show with “Money Talks” and I also play the opening track of the Ever More Nest release “Unraveling.”

A new group called Old Riley and Water also debut on my show and I play from Lena Prima’s new release Prima La Famiglia.  There’s more in the show but if I haven’t convinced you to start playing by now, there’s no point writing any more. But if you do like, please subscribe.  See you next week.

KAOS/Gumbo YaYa’s – Top Ten 2017 New Orleans CD’s

Here are my top 10 New Orleans music releases.  All of these have been played on my show on KAOS in 2017 (For more new releases played on my show this year, go to my end of year roundup.)  You can listen to the show featuring these releases while you read about them.

A Beautiful World.jpgA Beautiful World – Kermit Ruffins and Irvin Mayfield hit a home run with this home town love note featuring over 50 New Orleans musicians with originals and covers that totally capture Ruffins’ style and vibe.  Mayfield, as producer and master trumpeter, does a great job of letting the relaxed, hip style of Ruffins shine through.

boneramaHot Like Fire – Mark Mullins and Craig Klein are solidly in their comfort zone with their latest Bonerama release, their first through Basin Street Records. The album’s strength is the talent of the musicians, especially Matt Perrine, who contributed three songs as well as his sousaphone expertise and Bert Cotten, whose guitar gives this brass heavy release a rocking feel.

roamin-jasmine-live-at-horaces-barLive at Horace’s – Taylor Smith may regret putting his favorite neighborhood (Central City) bar on the international map but the cozy Horace’s apparently was just the venue for him to showcase his energetic style of New Orleans R&B.  Guitar Slim, Earl King, Elmore James and Blind Lemon Jefferson all get  the Roamin’ Jasmine treatment in this set.

SoItIsSo It Is –  This is the second release by Preservation Hall Jazz Band with all original tunes. While Preservation Hall, with its musician’s collective, is known for keeping the tradition alive, the recording/touring band is keeping the tradition alive by providing fresh music that connects New Orleans to its Afro-Cuban roots. It’s totally hip and hard to stop playing.

With-You-in-Mind-Cover-980x980With You in Mind – Stanton Moore was still grieving the unexpected death of Allen Toussaint, the central architect of New Orleans R&B and Funk in the 60’s and beyond, when he went into the studio with David Torkanowsky and James Singleton. With the help of Cyril Neville, Nicholas Payton, Trombone Shorty and Donald Harrison Jr, the trio captured Toussaint’s joy for life as well as ability to touch your heart.

hot 8 on the spotOn the Spot – The Hot 8 Brass Band does brass band music right. Given my fondness for this band and its sound, I would be hard pressed to not have them on my list.  But after 20 years, this band is not resting on its laurels.  The band covers Stevie Wonder and the classic St. James Infirmary in its usual ear-opening style but it also offers new songs that speak to this band’s amazing ability to keep on plugging against adversity.

sketchSketch –  Johnny Sketch and the Dirty Notes should be getting a helluva a lot more attention, particularly after this release. While the band can play just about any style, the members seem most entertaining with their original funk rock sound.  They have a reputation as a party band, but its members are professionals who know how to play and create unique, entertaining music.

marsalisMake America Great Again – This late 2016 release is Delfeayo Marsalis and the Uptown Jazz Orchestra’s formula for what truly makes our country great.  Yes, he starts with the Star Spangled Banner and lays down some solid swinging big band sounds through 14 tracks but there’s sharp commentary spliced in between the jazzy sounds.  This is a great release for a deejay of New Orleans music show. It has a bit everything with top-flight craftsmanship.

dirty bourbonThe Flying Musical Circus – Noah Adams is the brainchild, singer and songwriter of this frenetically entertaining group, the Dirty Bourbon River Show.  “New Orleans Big Brass Circus Rock Music” is the elevator pitch for the music but even if that doesn’t appeal to you, give this album a listen. The music is deep and its elephant free

CreaturesFront_mini.jpgCreatures  – If Sweet Crude makes it big and it certainly has the potential, you might be able to point to this album as when they figured it all out.  This is a uniquely Louisiana-band with strong roots in Arcadia, but its clearly a pop band, that sings in French and English, with the opportunity to grow a wider audience.  Get on the ground floor with Creatures.

Your 2017 New Orleans Music Buying Guide, Part 2

Mardi Gras dot background.

Here’s Part 2 of my annual roundup of 2017 releases from New Orleans  (and a couple from Lafayette) just in time for the holiday shopping season.   Part 1 here.  The recording of this show features songs from the releases discussed in this article so you can listen while you read.  Please consider subscribing (on the right)

Kermit Ruffins & Irvin Mayfield – There’s an infectious joy with a Kermit Ruffins performance and on the occasion of its 20th anniversary,  Basin Street Records created the environment for Ruffins to reach peak effervescence.  A Beautiful World is lovingly produced by Irvin Mayfield and supported by a large cast of top New Orleans talent including Cyril Neville, John Boutte, Jason Marsalis,  Dr. Michael White, Shannon Powell, Glen David Andrews and actor Wendell Pierce.  Throw in the sterling voice of Haley Reinhart and the party sounds of Rebirth Brass Band, which Ruffins co-founded, and you have an album that richly deserves its place on top of the Billboard Jazz chart. Here’s more on the album including my interview with Ruffins and Mayfield at the Mother-in-Law Lounge in New Orleans.

Trombone Shorty – Troy “Trombone Shorty” Andrews is an international touring artist with a grammy nomination and a slick third release Parking Lot Symphony since his breakout Backatown.  But his recordings still reflect his roots.  From the opening and closing funeral-like dirges to his cover of Allen Toussaint’s “Here Come the Girls” to his colloquially titled “Where It At?” Andrews leaves no doubt he’s a part of a proud family of Treme musicians. Check out his “Tripped Out Slim” for a healthy hit of brass funk.

Bonsoir_Catin_LAurore_Cover_WebBonsoir Catin – First, don’t use the Google translation to say the English version of this band’s name. I made that mistake while doing my show and was promptly corrected by a fan of the band listening from Baton Rouge (Thank you Bill Boelens) This mostly all-female group from Lafayette plays cajun music in a fresh, addictive manner.  L’aurore  is an excellent ambassador for your friend who’s been reluctant to attend a fais do-do. The opening, title track makes it clear you’re going somewhere else and by the funky La Delaissee, you two will be dancing. I GAR-ON-TEE!.

Shotgun Jazz Band –  Steppin on the Gas is not just another New Orleans hot jazz release.  Imagine attending one of the three live performances this band does on a weekly basis on Frenchmen Street, except get rid of all the chatting diners and drinkers and add clarinetist Tom Fischer and trumpeter Ben Polcer to the already strong Shotgun Jazz Band line up featuring Charlie Halloran on trombone and Marla Dixon on vocals.  You will be transported to another time, say 100 years ago, to Tom Anderson’s saloon at the corner of Basin and Iberville.

Twerk Thomson  –  Mr. Thomson is clearly into time travel.  With Twerk Thomson Plays Unpopular Songs, the bass player for Shotgun Jazz Band literally takes you back to the infancy of music recording, assembling a talented band and using one microphone to feed into a Presto K8 lathe, cut directly to acetate discs at 78 rpm. He edited for sound and fortunately made it available on more new-fangled formats like CD and MP3. The total vintage jazz effect is perfect for the vinyl lover who doesn’t own a turntable.

roamin-jasmine-live-at-horaces-barTaylor Smith & The Roamin’ Jasmine – With his third release, Live at Horace’s, Taylor Smith continues his mission of being a New Orleans guardian of the R&B groove.  Singing from behind his upright bass in the cozy neighborhood bar walking distance from his Central City home, Taylor and his five Roamin’ Jasmine deliver 13 tight songs. The band fearlessly tackle Blind Lemon’s “Hangman’s Blues,” Maybelle’s “That’s a Pretty Good Love,” Blind Boy Fuller’s “Step It Up and Go,” Little Bob’s “I Got Loaded” and Earl King’s almost forgotten “Feeling My Way Around.”  Here is more, including an interview with Taylor Smith

Lost Bayou Ramblers –  Brothers Andre and Louis Michot formed this band in 1999, having learned their craft from their father and uncles in the family band, Les Frères Michot. They are more than capable of playing traditional cajun music sung in French/French Cajun. Yet while Kalenda is uncompromising in its presentation, it also pushes the boundaries with a jazz like, edgy pacing, particularly with the title track which taps into a folklore that dates back to before Congo Square.

Paula and the Pontiacs,  Looking for some swinging blues with sax, harmonica and a voice that fills the roadhouse but is connecting directly to you, consider Paula Rangel’s Seventeen– a sort of best hits from her previous releases. She handles all the above, including stongwriting but also gets great support from a rotating cast of familiar names including Jeffrey “Jelly Bean” Alexandar and Johnny Vidacovich on drums, John Mooney on slide guitar (Cadillac Love) and Cranston Clements on guitar.

Delfeayo Marsalis –  His exceptionally-timed 2016 release Make America Great Again with the Uptown Jazz Orchestra arrived too late for last year’s buying guide, so I’ll give it a two thumbs up now. And for something a bit different, Kalamazoo presents the trombonist member of the Marsalis musical dynasty performing with his father in a relaxed live setting. Starting with the New Orleans Rhythm King’s “Tin Roof Blues” to the oft-played standard “Do You Know What It Means to Miss New Orleans,” you’ll recognize many of the songs but you won’t have heard them played this way.  There is love in this music.

Preservation Hall Jazz Band – Any thought that Preservation Hall Jazz Band is a relic of New Orleans past, need only listen to So It Is. Following a trend from its last album. That’s It, the band continues to record original songs that break new ground. The opening track could have played on the TV show Mad Men while other tracks use Cuban rhythms, strong keyboards and liberal doses of brass band chaos. This is the new Preservation Hall Jazz Band – – long live them.

benny turnerBenny Turner – He might have 60 years of performing under his belt, but no moss is growing under this veteran bluesman who early in his career performed with his brother Freddie King and then did a 20-year stint in New Orleans as Marva Wright’s bandleader. His second tribute to his beloved brother, My Brother’s Songs, benefits from his guitar and voice and some choice performances by New Orleans musicians, including Jason Mingledorff, Joe Krown, June Yamigishi and Jeffery “Jellybean” Alexander.  An excellent choice for the blues fan on your list.

Dirty Bourbon River Show –  The band’s latest release, Flying Musical Circus, exemplifies its website billing of  “New Orleans Big Brass Circus Rock Music.” With its Eastern European flair and horns, the “show” reminds me of some of the better bands that frequent HonkFest. The difference is the original songwriting and Noah Adams’ voice which prowls through his songs much like he prowls on stage during the band’s energetic performances. The music engages you to clap and sing, particularly with the (unfortunately radio unfriendly) song  “All My Friends are Dead.” Here’s my interview with the band’s saxophonist Matt Thomas along with a couple of the band’s songs recorded during my show.

Revival!  – Carolyn Broussard is the best reason to pick up Now is the Time – the title pulled from the lyrics of Allen Toussaint’s “Yes We Can Can” covered on the album. She gets excellent support from her fellow band members with their bluesy soul vibe, but every time I hear her singing in “Sweet Inspiration” and the Temptation’s “I Can’t Get Next to You,” I kick myself for missing the band’s Thursday evening gig at Cafe Negril the last time I was in New Orleans.

Ken Swartz  and the Palace of Sin –  Smile Away the Blues was a pleasant surprise, arriving at my KAOS inbox for processing into the blues collection. He packs 16 songs into Smile Away the Blues most with an easy, acoustic feel balanced with upbeat harmonica and toe-tapping rhythm.  His unpretentious vocals is well-suited to his Americana-style, particularly in songs like “Payday.”

Darcy Malone and the Tangle – Following up on last year’s release, Darcy Malone and her band released four new tracks on the EP Make Me Over.  Perhaps the indie rock/pop sound is something you don’t associate with New Orleans, yet Darcy Malone and Christopher Boye are very much from the city. As with their last release, the band features a delightful amount of saxophone. If you’re looking for a break from jazz but you want to stay in New Orleans, Darcy Malone and the Tangle will take care of you.

 

Your 2017 New Orleans Music Buying Guide, Part 1

Mardi Gras dot background.This is my fourth annual Buying Guide to encourage you to give the gift of music. To hear the music click on this week’s show and then read about it below. (Here’s Part 2 of the guide).

Links to all the bands are provided so you can purchase from the source. There’s no pecking order to my presentation (I’ll present my top 10 at the end of the month).  Also, while there is a Part 2 coming, this list is far from comprehensive. Let me know if I’ve left something out you like.

boneramaBonerama -Trombone Shorty was 12-years-old when two trombonists from Harry Connick Jr.’s band decided to move to the front of the stage and create the brass-funk-rock group, Bonerama. With their seventh release, Hot Like Fire, Craig Klein and Mark Mullins joined by a third trombonist, a sousaphone, guitar and drums, are clearly in their element jamming on original tunes as well as a Radiohead cover and Allen Toussaint’s Basic Lady.  Learn more about this cool band, check out my interview with Klein and Mullins.

Stanton Moore  – One of the best drummers in the business, Moore pulled together an all-star cast (Trombone Shorty, Nicholas Payton, Maceo Parker, Donald Harrison Jr. and Cyril Neville to name a few) in paying homage to Allen Toussaint with With You In Mind. Whether you like Toussaint or not (what?!), you’re going to dig this album from “Here Come the Girls” with Trombone Shorty  to Toussaint’s autobiographical “Southern Nights” with Wendell Pierce reading, not singing, the lyrics.

The Deslondes   – The band’s second release, Hurry Home, solidifies the Deslondes reputation as the premiere example of the New Orleans Americana scene. Despite its title, the album takes its time, meandering 13 songs with lyrics that linger in your mind and entice you to sing along.  Why not? Four of the five band members sing as well.

hot 8 on the spot.jpgHot 8 Brass Band – A good brass band can get even the most stiff-limbed old man moving his hips. But what makes this venerable New Orleans brass band special is its great solos, unexpected twists and those sneaky covers you don’t recognize at first.  From the band that has survived to see it all and gave the world the brass version of “Sexual Healing” comes On The Spot — essential to any brass band fan collection.

Tuba Skinny – With its eighth release Tupelo Pine, Tuba Skinny has moved from the streets into institutional status in New Orleans. This band has a deep repertoire of Prohibition and Depression era tunes performed with entertaining and reverent orchestration.  If you’re looking for something special for a traditional jazz fan, you can’t go wrong with this band that has won its audience one street performance at a time. See Pops Coffee for a far more detailed review.

Smoking Time Jazz Club –  Another street-hardened traditional jazz band  that takes you back to another era, Smoking Time has a sultry quality fueled by the band’s mission statement embedded in its name The band started  2017 with a new release Ain’t We Fortunate and finishes the year with Take Your Time and Fly —  they’re both excellent but the second one is strengthened by Sarah Peterson’s vocals.

erica-falls-home-grownErica Falls – With HomeGrown, Erica Falls has demonstrated that hard work, grit and talent can pay off. At least it does for the listener.  While this is her first full release, Fall has paid her dues singing with Allen Toussaint and Galactic and providing backing vocals in the studio for Irma Thomas, Dr. John, Marva Wright, and Bobby Charles — not to mention adding some sweet vocals to two tracks on Rebirth Brass Band’s last release.  But HomeGrown is all hers — eight of the songs are her own composition. She’s soulful, funky, sweet. . .yea, I’m in love.

Naughty Professor   – While Identity does not have a title track, its first two songs go right to the heart of the issue. The rhythmic “Mirror,” choruses with “Give people what they want”  while the second track advises to “be what you want, do what you feel.” And that’s exactly how this jazz-funk sextet has rolled ever since emerging from the New Orlean’s Loyola jazz program in 2010. The band skillfully flows through soul, R&B and hip hop. But underlying it all is a strong jazz sensibility that keeps its fresh and unique. Now that’s an identity.

New Orleans Jazz Vipers  – If you’ve visited Frenchmen Street, chances are you’ve had the opportunity to see the Vipers live. The swing jazz band has been a fixture there long before tourist knew to direct their cab to Frenchmen. “Live & Viperizin” captures the band at its most enigmatic with danceable numbers designed to draw you into the nightclub, except now you can get that live feeling at home.

Jon Cleary – With Live at Chickie Wah Wah, this master piano player follows up his grammy-award winning album featuring his funk group Monster Gentleman with an intimate solo performance recorded live at one of his favorite hometown venues.  It’s just Cleary, his voice and his piano playing some of his favorites, including two from GoGo Juice, as well as some tasty R&B and soul numbers made famous by Smiley Lewis, Jessie Hill and Jessie Belvin.  The only way you can beat this release is if you really catch him live at Chickie Wah Wah.

Sonny Landreth – This electric slide guitar master delivers a much-anticipated live acoustic set performed in his hometown Lafayette and for lagniappe, a second live set with his electric guitar.  If you are fan of this tireless touring professional (he’s in Deming for the Mt. Baker Blues Festival in August 2018), you’ve heard these songs before but not like this. If not, Live at Lafayette is a great way to become a new fan.

debbie-davie-josh-paxton-vices-and-virtuesDebbie Davis and Josh Paxton – There is a magic that derives from the alchemy of a pianist and vocalist who have performed regularly, particularly if they use their familiarity to push each other.  Davis is a lifelong singer who, in addition to her own projects, performs with The Pfister Sisters.  Josh Paxton, who is part of Johnny Sketch and the Dirty Notes, is clearly capable of tearing up the keyboards on inspired solos but lovingly wraps his performance around Davis’ voice.  Vices and Virtues puts you in the room with these two creative professionals.

Johnny Sketch and the Dirty Notes – The band’s website describes it best: “their irreverent funk is cut with rock riffs, a Gypsy/Klezmer flare, a Latin tinge courtesy of a hard hitting horn section, and a sense of humor.” Yea, you right.  And Sketch is the band’s best release yet.  I’m still pissed I can’t play “Fine Time” on the radio but I’ve definitely been playing the dozen other tracks that deliver soul, funk, reggae, and a power violin rock thing (“The Dragon”) that has garnered listener phone calls to the studio.

John Mooney –  John Mooney is a hard act to catch. He has no website and his Facebook and wikipedia pages don’t list his latest CD,  Truth of the Matter. But don’t let that stop you. Mooney’s voice and guitar playing are top flight but its the arrangements and the support he gets that should elevate this release to your shopping list. Ten songs with eight originals.  Most are backed up by a rotating cast of star power keyboardists (Jon Cleary, John Gros and C.R. Gruver) usually on a Hammond B-3.  And his use of male background singers on “Deal with Love” and “Push & Shove” enhance an already strong soul feeling to Mooney’s music.

Egg Yolk Jubilee – To celebrate 20 years of performing, Egg Yolk Jubilee has compiled a retrospective of a dozen previously released songs and three new ones in Crux of the Yolk.  Yes, they are frenetic, irreverent, loud and pretty damn funny, but they also rock. The band provided the brass on Jello Biafra’s New Orleans Raunch All-Stars  release a few years back.  If you have a Frank Zappa fan on your shopping list, particularly if they like horns, literally blow them away with Egg Yolk Jubilee.

Sweet Crude   –  Like many indie acts from New Orleans, Sweet Crude’s music may not make its hometown roots obvious.  Well, except that they sing a lot of their songs in French.  “We are joining a small but fervent group of young Louisianians engaged in keeping the language relevant via art,” announces the band’s website. Soaring vocals (Mon Esprit in particular) and world rhythms place the band’s first full release, Creatures, above the large stack of alternative rock releases we get in the station.

Stay tuned for Part 2 and catch my show on Thursday.

Bonerama’s latest release is Hot Like Fire

Craig Klein and Mark Mullins might joke they formed Bonerama as a way to give trombonists greater job security but there’s no hiding the enthusiasm they have for their instrument serving as the band’s main voice.  Bonerama’s latest release (it’s seventh in almost 20 years) is aptly named “Hot Like Fire.”

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Bonerama has released its seven album in its 20 year history. Its first with Basin Street Records

I caught up with the two after a band practice at Craig’s house in the Lower Garden District late last month.  The album features seven original tunes by Craig, Mark and Matt Perrine, who plays bass and sousaphone.  The songs range from catchy numbers like “Happy” and “Hot Like Fire” to the complex “High Horse.” The album’s two covers include Radiohead’s “Paranoid Android” and Allen Toussaint’s “Basic Lady.”

Reluctant to pick one genre for their music style, Mark and Craig give it three – Brass Rock and Funk.  But “Hot Like Fire” also throws in a little reggae and jazz.  At KAOS, it goes on our Funk shelf where its been getting some good play.

Greg Hicks adds the third trombone to the band with Bert Cotton on guitar and Alex Joseph “A.J.” Hall on drums. Click on the interview above to hear Craig and Mark talk about all nine songs, with samples of the songs, as well as the band’s origins and their connection with Basin Street Records.

Kermit Ruffins & Irvin Mayfield team up for A Beautiful World

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Today’s show features the new Basin Street release by Kermit Ruffins and Irvin Mayfield.  Just the tonic you were looking for after the late summer rains.  Ruffins and Mayfield have a lot in common. Same town, same label, same instrument.  But there styles are very different.  Lot of help though including Cyril Neville and some cameos by native NOLA actor Wendell Pierce.  Other new releases featured as well including the Stanton Moore send up of Allen Toussaint.