All Female Ya Ya 2019

You’ll hear some damn good singing on this week’s show- most likely related to the all-female cast of the show.

Just as she did last year, Ingrid Lucia kicks off this show of women vocalists and bandleaders– this time by leading us on a “Bourbon Street Parade” from her 2010 Live from New Orleans record.

Meschiya Lake

Meschiya Lake follows with her invocation “I Believe in Music” from 2013’s Fooler’s Gold. Lynn Drury then takes us straight to the heart and heartache of New Orleans’ live music scene with “Frenchmen Street” from Sugar on the Floor. Dana Abbott anchors the first full set with “You’re Mine.” By that time, resistance is futile.

The second set will get heels a flying with Doreen Ketchens, Albanie Falletta and Marla Dixon’s Shotgun Jazz Band. The exercise will be good for you for the following set will definitely give you pause.

The set begins with a funeral march that seems to get more optimistic as it progresses until Aurora Nealand’s intones “Ashes to ashes, dust to dust.” The beat and swing builds up to a great drum solo. The song is “Flee as a Bird” — a hymn with the song credit given to Mary Dana — a song catcher who worked South Carolina church scene in the mid-19th century. Bon Bon Vivant’s poet laureate, songwriter and front lady Abigail Cosio takes it from there with “Old Forgotten Tune.” While her band can rock you, this song is just her guitar and voice singing a story of loss and how music and memories entwine. The song was inspired by a cowboy poet line she read in the library at the Will Roger’s Historic Park. This set ends with “Harm”– the first track from Elizabeth Joan Kelly’s new release Farewell, Doomed Planet! which “is about the apocalypse. And Chernobyl wolves. Pollution. And space travel. Existential dread. And whales. ”

A Lafayette-style set follows with Yvette Landry, Bonsoir Catin and Sweet Cecilia with a well-placed serving of Gal Holiday. Later you’ll hear Linnzi Zaorski’s take of the Andrew Sisters hit “Bei Mir Bist Du Schoen” — a song from a 1930’s Yiddish musical that was also oddly a hit in Nazi Germany until authorities got wind of its Jewish provenance.

Leyla McCalla, Debbie Davis, Carol Fran, Tank and the Bangas and the Original Pinettes Brass Band (New Orleans only all-female brass band) take a turn. Margie Perez, Little Queenie and Shawn Williams bat clean up.

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Bon Bon Vivant Plays KAOS Studio and Gumbo YaYa

Jeremy Kelley was assembling his saxophone when he identified the band that starts today’s show. You won’t have to guess cause I’ll just tell you but get it started now and then read on about today’s studio set with Bon Bon Vivant. (click the sideways arrow below)

Bon Bon Vivant first caught my ears with their album recorded live at the New Orleans Mint. This group offers beautiful harmonies with hip swaying rhythms, haunting lyrics and engaging melodies. This is music for the body, brain and soul. And this isn’t just music that copies the New Orleans. These cats live there.

Dirty Bourbon River Show kicks off today’s show with “”Ain’t No Place (Like New Orleans)”. This song that could have been written by the members of Bon Bon Vivant who hail from California originally but have been living and performing for at least a decade in New Orleans making great music. While the two sisters and Jeremy made the eastern migration together, they found the other California refugees in New Orleans.

I wasn’t surprised when members of the band also recognized the very talented Carolyn Broussard who opened the first full set of the show with “Sweet Inspiration” from her Revival! release. Albanie Falletta and John Fohl, both active musicians in New Orleans, finish out that set.

While Bon Bon Vivant was setting up in the adjacent studio at KAOS today, I played a set of music featuring Raymond Weber on drums. He turned 53 today He’s performed with a wide variety of groups, including Harry Connick Jr., Irma Thomas, Jon Cleary, a Jerry Garcia tribute band, and Dumpstaphunk. But HBO Treme fans might recognize him from when he played himself as the drummer for Antoine Batiste and his Soul Apostles which was featured in the second season. It’s a fast paced set.

When I learned that Jason Jurzak, the BBV’s sousaphonist, wrote songs and performed with Meschiya Lake, well it was easy to pull out her “Bad Kids Club” record and play a Jurzak original “Flim Flam Man.” Lots of fun music followed including songs by Frog and Henry, the New Orleans Swamp Donkeys, Louie Ludwig and the Shotgun Jazz Band.

Finally, a little less than an hour in to the show, the six-piece band kicked off with “Lost Soul.” Their music is hard to describe and easy to dance to. As mentioned Jeremy Kelley plays sax (soprano and tenor), his partner, Abigail Cosio writes the songs, plays guitar and sings. Her sister, Glori Cosio, adds harmony and rhythm. Ryan Brown handles the accordion and engineers the band’s live recordings. Jason handles the base line on the sousaphone and Brad Webb is their drummer for this tour, filling in for regular drummer Ry D’Antonio who had to skip the tour so he could be a supportive new papa.

I haven’t met anyone who doesn’t like this band so stay listening through the early sets so you can catch them. Or, just play this version below which just includes the band’s five song set in the KAOS radio studio.

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More NOLA Acts making the I-5 Circuit

More acts from Louisiana and particularly New Orleans are visiting the relatively cooler Northwest during the summer. This show showcases some of those groups so get it started and the read on.

As far as I can tell, Billy Iuso is not visiting the Northwest. He seems content rocking out clubs like Tipitina’s and Chickie Wah Wah in New Orleans. Yet, his “Trippin’ Over Dragons” opens the show. Deacon John sings an old-style swing number for you to open an R&B set before we get on to three that you should make a point to catch when they’re in the Northwest.

Bon Bon Vivant will be in the KAOS studio August 1 and performing in Olympia August 2.

Bon Bon Vivant will be in the KAOS studio during my show on August 1 and will perform at Octapas Cafe in Olympia the next evening. The band’s new song “Pinkerton” from their Live at the Circus should be sufficient temptation for you. Shamarr Allen follows with his unique take on the Gnarls Barkley number “Crazy.” Trumpeter-extraordinaire Shamarr will be in Seattle, Portland and Tacoma in mid-August. The set finishes with Rebirth Brass Band’s “Take ‘Em to the Moon.” Rebirth will be playing Seattle, Bellingham and Vancouver BC next week. (By the way more details are available on my calendar page.)

How about Marcia Ball? I play her number “Watermelon Time” to get your mouth watering for her two evenings of performances in Seattle in August. Bruce “Sunpie” Barnes takes a rare turn on the piano to highlight his gigs and appearances at the Port Townsend Acoustic Blues Festival at the end of July.

If you’ve made it through the show so far then you’re ready for some zydeco with three groups that played the Waterfront Blues Festival in Portland last week (Chubby Carrier, Lil Pookie and Feufollet). A second set kicks off with Dwayne Dopsie who will also be up in Vancouver B.C for the Vancouver Folk Fest.

Later in the show you’ll hear Sonny Landreth (playing Mt. Vernon in August) and Frog and Henry (playing all over the region in August). I provide an encore performance of Shamarr Allen and finish the show with a track off of the Bonerama does Led Zeppelin record.

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Gumbo YaYa 2018 – Top 10 CDs of the Year

My list of top ten releases from New Orleans is based on my experience as the host of Sweeney’s Gumbo YaYa, a Northwest community radio show that features New Orleans and other Louisiana music. To see a larger list of releases, check out my 2018 summary. This show features two tracks from each of the top 10 releases.

Bon Bon VivantLive At The New Orleans Jazz Museum –  This original group features sweet sister harmonies, a genre-bending style and a clear affection for New Orleans history performed before the perfect live audience.  This is a group to watch and you can, very easily because they perform live in New Orleans regularly.

Riverside Jazz Collective: Stomp Off, Let’s Go – Recorded at the Ellis Marsalis Center for Music by New Orleans pros who can  be heard regularly around town, particularly at The Bombay Club. This album features gently time-worn “songs that are melodically and emotionally durable.”  

Ivan Neville and Cris JacobsNeville Jacobs – A magic combination formed from a post-Jazz Fest card game where New Orleans funk and soul meets Baltimore rock and blues.  The chemistry is so solid, I listen to this CD with the hope that there will be a second one.

Cha WaSpyboy – Waiting for the next generation to pick up the mantle for The Wild Magnolias (except with a strong brass sound ) Look no further then this second release of this millennial group that has the fire!  Grammy nominated too.  “Get On Out Of the Way” 

Michot’s Melody Makers: Blood Moon – Lost Bayou Ramblers’ co-founder Louis Michot stretches the boundaries of Cajun music to his heart and my ears content with this project. I get calls from listeners wanting to know more when I play from this CD — and for good reason.

Helen GilletHelkiase– On the surface, Gillet and her music may seem far afield of what you might expect out of New Orleans. But this French and English singing cellist has been embedded in the city for most of her professional life. Her latest project can be edgy, melodic, soothing and tense.  Check out her KAOS studio performance  and interview from this summer

Jon Batiste:  Hollywood Africans – He may be world famous as the late night show bandleader but Batiste is more importantly a world-class musician with some powerful music to share, In this very personal release, he offers up originals with a fresh look at a couple standards. His reverent timing invites the listener to slow down and listen “with all you got, . . .don’t stop.”

Gal HolidayLost & Found – After 14 years in the vanguard of the New Orleans country music scene, Gal Holiday — aka Vanessa Neuman — and her Honky-Tonk Revue know how to deliver authentic old-time Patsy Cline style country. And while her band is solid, Vanessa’s voice is the star of the show.

Jonathon LongJonathon Long –  His third release is the charm. He dropped the “Boogie” from his name and added a lot of himself in his singing and songwriting. This self-titled album produced by Samantha Fish and featuring muscular guitar work and soulful, personal lyrics represents a new addition to Southern Rock.

Jon ClearyDyna-Mite – If you’ve been waiting for Cleary’s full band follow up to his 2016 Grammy win, wait no more!  With two more songs and a wider range (including a reggae-inflected song), Dyna-Mite blows away his Grammy-worthy earlier release.

I also play a track from Ever More Nest — Kelcy Mae’s latest project which was a close contender for being part of the top 10 list.

Your 2018 New Orleans Music Buying Guide

Here’s a list of 2018 releases from New Orleans musicians for you to consider and you can listen to them with my latest show. No rational order to the list other than this is the order you’ll hear them on the show, which you can start right now. The song played is in italics.

The Big Dixie Swingers: Ranch Stressing – A fiddler and crooning banjoist backed up by trumpet, clarinet and drums perform a collection of pre-war Western Swing, Country Blues, and popular songs.  Razz Matazz Soup

Big Sam’s Funky Nation: Songs in the Key of Funk: Volume One – Trombonist Big Sam Williams brings back the funk for his latest release with his actively touring band.  Dance to the CD then dance to him when he comes through your area. “Who’s Gonna Help Brother Get Further”

Sean ArdoinKreole Rock and Soul Ardoin’s grammy nominated release of  soul, rock and pop songs, all with a distinctive creole flavor, is designed to get you to dance — instructional dance video included. “Kick Rocks”

Marcia Ball: Shine Bright  – Her dual Texas and Louisiana musicianship status is on full display in support of a seasoned voice that leaves no doubt of the veracity of her songs. “I Got to Find Somebody”

Jonathon Long: Jonathon Long –  In his third release, this Baton Rouge-based guitarist and singer has seen “the light” and put more emphasis on his songwriting and singing.  A damn good idea well executed  by producer Samantha Fish. “The Light”

Ever More Nest: The Place That You Call Home  –  Kelcy Mae’s latest project offers a deeply intimate perspective on the saying “there’s no place like home.” This Shreveport native lives and works in New Orleans and recorded this beautiful album in Nashville for a national audience. “Broken Bones”

Tin Men:  Sing with Me – Washboard Chaz anchors and lends his voice to this unique trio which showcases the fascinating songs of Alex McMurray (guitar and vocals) and the sousaphone wizardry of Matt Perrine.  “Scraper Man”

Riverside Jazz Collective: Stomp Off, Let’s Go – Recorded at the Ellis Marsalis Center for Music by New Orleans pros who can  be heard regularly around town, particularly at The Bombay Club, this album features gently time-worn “songs that are melodically and emotionally durable.”  “Ready for the River”

Sabertooth Swing: Extinct Possibilities – Another sharp traditional New Orleans jazz band that manages to make it all sound fresh and fun. “Alcohol”

Bon Bon Vivant: Live At The New Orleans Jazz Museum – Enjoyable sister harmonies, genre-bending style and a clear affection for New Orleans history performed before the perfect live audience. “The Jazz Axe Man”

Jon Cleary: Dyna-Mite – If you’ve been waiting for Cleary’s full band follow up to his 2016 Grammy win, wait no more!  – “Dyna-Mite”

Ivan Neville and Cris Jacobs: Neville Jacobs – New Orleans funk and soul meets Baltimore rock and blues.  I hope its not a one off. “Make Up of a Fool”

Gal Holiday: Lost & Found – Vanessa Neuman, aka Gal Holiday, lays down a tasty selection of mostly original honky tonk country tunes. “Come Home”

Ghalia & Mama’s Boys: Let the Demons Out  – Energetic vocals of Belgium-born Ghalia Vauthier, who has been mining the Mississippi River blues scene for this release — well supported by Johnny Mastro & Mama’s Boys.  “Hoodo Evil Man”

Little Freddie King: Fried Rice & Chicken – Straight, no chaser blues by a man who is still a treasured member of the Ninth Ward live music scene. “Mean Little Woman”

Old Riley & Water:  Biting Through –  Gritty, fuzzy, stripped down blues from a group I hadn’t heard of till the album turned up at KAOS — they regularly perform at House of Blues in New Orleans.  “Trouble”

Keith Stone with Red Gravy: Blues with a Taste of New Orleans – Keith Stone has clearly made it back home with this solid cast of musicians delivering exactly what the album title promises, with an extra serving of red gravy. “Blue Eyed Angel”

Eric Lindell: Revolution in Your Heart – Another great release of southern R&B. This time, Lindell plays just about every instrument. “Grandpa Jim”

Ted Hefko and the Thousandaires: Gas Station Guru – Saxophonist/bandleader Hefko takes you through a laid back set of R&B, blues and jazz that is steeped in New Orleans. “The Roofer”

Shawn Williams:   Motel Livin’ – Falling somewhere near the alt-country zone, her second album is a gripping compendium of lyrical songs that may leave you a bit unnerved but fully entertained. “Best of Me”

Helen Gillet: Helkiase– A French and English singing cellist with a strong attraction to improvisation, jazz, funk and New Orleans, Gillet’s latest project can be edgy, melodic, soothing and tense.  Check out her KAOS studio performance  and interview from this summer. “Vautour”

Cyril Neville: Endangered Species: The Essential Recordings:If you’re not a close follower of the most soulful and political of the Neville brothers, then this release serves as a nice sampler of his five releases from his Endangered Species label. “Ayiti”

Cha Wa: Spyboy – Waiting for the next generation to pick up the mantle for The Wild Magnolias (but perhaps with more brass!) Look no further then this second release of this millennial group that has the fire!  Grammy nominated too.  “Get On Out Of the Way” 

Michot’s Melody Makers: Blood Moon – Cajun music for new ears, and broad-minded old ones, crafted with respect to tradition. “La Lune est Croche”

Lena Prima:  Prima La Famiglia You don’t have to be Italian to enjoy Lena’s reconnection with her roots. They’re songs her father would sing but this time, its her voice. “Come On A My House”

Jon BatisteHollywood Africans – If you’re a fan of “The Late Show with Stephen Colbert,” you know what he looks like.  The late night show bandleader provides a much deeper glance with this release featuring solo piano and singing.  “Don’t Stop”

Louie Ludwig‘sTroll Factory” – No album this year from this politically impish New Orleans songwriter and video maker but his proletariat perspective of this new world sweat shop hits it out of the proverbial Zenit Arena.  If you like, check out his YouTube Channel.

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Digging deeper in new and old releases

This week’s show is one of me catching up on playing music I’ve been meaning to get to but hadn’t been able to work it into a set.  Here it is, with announcements edited out.

Tin Men’s “Tootie Ma is a Big Fine Thing” is another fine demonstration of how well Matt Perrine can play melody on a sousaphone. Their new album is Sing with Me and it kicks off the show.  I dive into an earlier album of Bon Bon Vivant by playing the title track from”Paint & Pageantry,” serving notice that this show will rock a bit more than usual. By the time Bill Pierce does the Sonny Landreth number “Zydecoldsmobile” we are definitely rocking.

hoodooFor some reason the 2001 release The Hoodoo Kings sitting in the KAOS blues section managed to elude my discovery until recently. This one-off album features  Eddie Bo of New Orleans along with two well-regarded Baton Rouge musicians, Raful Neal and Rockin’ Tabby Thomas. I played “Luberta” and expect to hear more from this album in future shows. Ivan Neville’s collaboration with Chris Jacobs makes its debut on my show with “Money Talks” and I also play the opening track of the Ever More Nest release “Unraveling.”

A new group called Old Riley and Water also debut on my show and I play from Lena Prima’s new release Prima La Famiglia.  There’s more in the show but if I haven’t convinced you to start playing by now, there’s no point writing any more. But if you do like, please subscribe.  See you next week.

Audio slideshow of latest trip to New Orleans

I miss the days when my Dad would pull out the slide projector and set up the screen and we’d look at the slides of our last vacation.  Well, get my show started and you’ll hear an audio slideshow of my trip to New Orleans last week.

Since this show was part of the KAOS pledge drive, I have the honor of Anch Bergeson, host of Sundrenched, and Vertis Love, host of Old Ship of Zion (KAOS shows) as company.  I kept our discussion of New Orleans but edited out the pledge requests. However, if you want to support our community radio station, its easy to do.

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Vincent Broussard of Rebirth Brass Band powers his saxophone at the Maple Leaf Bar.

For West Coast visitors, there’s a nice alignment for catching Rebirth Brass Band at the Maple Leaf Bar on Tuesday nights.  Usually, flights are cheaper on Tuesday and the two-hour time change helps in terms of staying up late enough to see this venerable band that usually doesn’t start performing until after 10:30 p.m.  This show recognizes how I started last week’s trip with Rebirth’s “Who’s Rockin’, Who’s Rollin”

My next set portrays our ride on the Natchez boat down the Mississippi, an easy and fun tourist activity and I feature two bands we saw later in the day at clubs on Frenchmen Street (Bon Bon Vivant and Tin Men).

I do a set featuring coffee because my wife, Kim, still raves about the cup of coffee she had at Morning Call located at City Park. Most tourists get their cafe au lait at Cafe du Monde in the French Quarter. Morning Call used to be there but now they have a wonderful place at City Park. I finish the set with a Corey Henry song because we ended the day at Vaughan’s in the Bywater for his weekly late Thursday night performance.

Lena Prima, Louis’ daughter, is a wonderful performer with an excellent band and  a crowd-pleasing songbook.  She holds court in the Carousel Room of the Monteleone Hotel every Friday night.  I play “Scuba Diver” off her live album which pretty accurately captures the music but to catch the antics, you’ll have to wait for my narrative after that set.

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Helen Gillet at the Courtyard Brewery

I caught up with Helen Gillet at the Courtyard Brewery’s fourth anniversary party and she gave me her latest release and I play “You Found Me.”  Charles Sheffield “It’s Your Voodoo Working” and Clarence “Gatemouth” Brown’s “Swamp Ghost” symbolize the Krewe of Boo parade we caught.

 

It took some deciphering but we figured out how to catch up with the Men of Luck’s Second Line parade on Sunday.  Cyril Neville’s “Running with the Second Line.” capture that feeling.

 

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Men of Luck Social Aid and Pleasure Club parade hits St. Charles Street

 

Piano, Scat and Blues for this week’s show

champion jackChampion Jack Dupree scats through this week’s opening number with “Skit Skat”  from his 1991 Rounder release, Forever and Ever.  While he lived over 30 years in Europe, Dupree learned his piano in New Orleans. Later in the show, Jon Cleary sings ” Hit, Git, Quit, Split.” For right now, I hope you just “hit” the  show’s start button and forget the rest of his advice.

Dr. Michael White (clarinet) and Matt Perrine (sousaphone) add the New Orleans feel to Portland-based blues guitarist Mary Flower’s hilarious rendition of “Main Street Blues” to start the first full set.  She’s followed by a Boswell Sister cover energetically performed live at the New Orleans Mint by Bon Bon Vivant (“Shout Sister, Shout).

From his latest release Dyna-Mite, Cleary kicks off the second full set which is anchored by Glen David Andrews performing the “Brothers Johnson Jam” at Three Muses.  In later sets, John Lisi, Mem Shannon and Bonerama liven things up, along with Dash Rip Rock, Buddy Flett, and the Dirty River Bourbon Band.   I hope you keep listening. Here’s the full playlist.