More NOLA Acts making the I-5 Circuit

More acts from Louisiana and particularly New Orleans are visiting the relatively cooler Northwest during the summer. This show showcases some of those groups so get it started and the read on.

As far as I can tell, Billy Iuso is not visiting the Northwest. He seems content rocking out clubs like Tipitina’s and Chickie Wah Wah in New Orleans. Yet, his “Trippin’ Over Dragons” opens the show. Deacon John sings an old-style swing number for you to open an R&B set before we get on to three that you should make a point to catch when they’re in the Northwest.

Bon Bon Vivant will be in the KAOS studio August 1 and performing in Olympia August 2.

Bon Bon Vivant will be in the KAOS studio during my show on August 1 and will perform at Octapas Cafe in Olympia the next evening. The band’s new song “Pinkerton” from their Live at the Circus should be sufficient temptation for you. Shamarr Allen follows with his unique take on the Gnarls Barkley number “Crazy.” Trumpeter-extraordinaire Shamarr will be in Seattle, Portland and Tacoma in mid-August. The set finishes with Rebirth Brass Band’s “Take ‘Em to the Moon.” Rebirth will be playing Seattle, Bellingham and Vancouver BC next week. (By the way more details are available on my calendar page.)

How about Marcia Ball? I play her number “Watermelon Time” to get your mouth watering for her two evenings of performances in Seattle in August. Bruce “Sunpie” Barnes takes a rare turn on the piano to highlight his gigs and appearances at the Port Townsend Acoustic Blues Festival at the end of July.

If you’ve made it through the show so far then you’re ready for some zydeco with three groups that played the Waterfront Blues Festival in Portland last week (Chubby Carrier, Lil Pookie and Feufollet). A second set kicks off with Dwayne Dopsie who will also be up in Vancouver B.C for the Vancouver Folk Fest.

Later in the show you’ll hear Sonny Landreth (playing Mt. Vernon in August) and Frog and Henry (playing all over the region in August). I provide an encore performance of Shamarr Allen and finish the show with a track off of the Bonerama does Led Zeppelin record.

Thanks for listening and please subscribe. Thank you.

Show keeps jazzing to maintain NOLA music credential

Often when people hear about my New Orleans music show they assume its a jazz show. It’s not. And I occasionally worry that I let them down with my wide mix of blues, Mardi Gras Indian, rock, swamp pop, cajun, folk, hip hop, R&B with some jazz thrown in. Today’s show is for those folks. You can listen to it while I ramble on.

The New Orleans Owls (circa 1922) played primarily in The Roosevelt Hotel

For the first hour, this show features traditional New Orleans jazz with Bunk Johnson, Preservation Hall Jazz Band (listen for the Tiger roars!), Jelly Roll Morton, Tuba Skinny, Aurora Nealand and the Royal Roses, King Oliver and a couple of obscure tracks from a Smithsonian Folkways album featuring 1920’s era dance hall bands from New Orleans. I finish with a bit of Cuban jazz by New Orleans resident Alexey Marti.

The second hour starts with a recognition of the little known Adolph Smith, a tenor with a locally popular R&B group, The Monitors. He also wrote some songs sung by The Spiders. I finish the R&B set with songs by Davell Crawford and John Mooney.

Later in the show, I venture into the Bonerama does Led Zeppelin – including the amazing cover “Heartbreaker” featuring Matt Perrine’s sousaphone performance the defies gravity. I also play from Aurora Nealand’s modern piece The Monocle.

Thanks for tuning in.

KAOS/Gumbo YaYa’s – Top Ten 2017 New Orleans CD’s

Here are my top 10 New Orleans music releases.  All of these have been played on my show on KAOS in 2017 (For more new releases played on my show this year, go to my end of year roundup.)  You can listen to the show featuring these releases while you read about them.

A Beautiful World.jpgA Beautiful World – Kermit Ruffins and Irvin Mayfield hit a home run with this home town love note featuring over 50 New Orleans musicians with originals and covers that totally capture Ruffins’ style and vibe.  Mayfield, as producer and master trumpeter, does a great job of letting the relaxed, hip style of Ruffins shine through.

boneramaHot Like Fire – Mark Mullins and Craig Klein are solidly in their comfort zone with their latest Bonerama release, their first through Basin Street Records. The album’s strength is the talent of the musicians, especially Matt Perrine, who contributed three songs as well as his sousaphone expertise and Bert Cotten, whose guitar gives this brass heavy release a rocking feel.

roamin-jasmine-live-at-horaces-barLive at Horace’s – Taylor Smith may regret putting his favorite neighborhood (Central City) bar on the international map but the cozy Horace’s apparently was just the venue for him to showcase his energetic style of New Orleans R&B.  Guitar Slim, Earl King, Elmore James and Blind Lemon Jefferson all get  the Roamin’ Jasmine treatment in this set.

SoItIsSo It Is –  This is the second release by Preservation Hall Jazz Band with all original tunes. While Preservation Hall, with its musician’s collective, is known for keeping the tradition alive, the recording/touring band is keeping the tradition alive by providing fresh music that connects New Orleans to its Afro-Cuban roots. It’s totally hip and hard to stop playing.

With-You-in-Mind-Cover-980x980With You in Mind – Stanton Moore was still grieving the unexpected death of Allen Toussaint, the central architect of New Orleans R&B and Funk in the 60’s and beyond, when he went into the studio with David Torkanowsky and James Singleton. With the help of Cyril Neville, Nicholas Payton, Trombone Shorty and Donald Harrison Jr, the trio captured Toussaint’s joy for life as well as ability to touch your heart.

hot 8 on the spotOn the Spot – The Hot 8 Brass Band does brass band music right. Given my fondness for this band and its sound, I would be hard pressed to not have them on my list.  But after 20 years, this band is not resting on its laurels.  The band covers Stevie Wonder and the classic St. James Infirmary in its usual ear-opening style but it also offers new songs that speak to this band’s amazing ability to keep on plugging against adversity.

sketchSketch –  Johnny Sketch and the Dirty Notes should be getting a helluva a lot more attention, particularly after this release. While the band can play just about any style, the members seem most entertaining with their original funk rock sound.  They have a reputation as a party band, but its members are professionals who know how to play and create unique, entertaining music.

marsalisMake America Great Again – This late 2016 release is Delfeayo Marsalis and the Uptown Jazz Orchestra’s formula for what truly makes our country great.  Yes, he starts with the Star Spangled Banner and lays down some solid swinging big band sounds through 14 tracks but there’s sharp commentary spliced in between the jazzy sounds.  This is a great release for a deejay of New Orleans music show. It has a bit everything with top-flight craftsmanship.

dirty bourbonThe Flying Musical Circus – Noah Adams is the brainchild, singer and songwriter of this frenetically entertaining group, the Dirty Bourbon River Show.  “New Orleans Big Brass Circus Rock Music” is the elevator pitch for the music but even if that doesn’t appeal to you, give this album a listen. The music is deep and its elephant free

CreaturesFront_mini.jpgCreatures  – If Sweet Crude makes it big and it certainly has the potential, you might be able to point to this album as when they figured it all out.  This is a uniquely Louisiana-band with strong roots in Arcadia, but its clearly a pop band, that sings in French and English, with the opportunity to grow a wider audience.  Get on the ground floor with Creatures.

Your 2017 New Orleans Music Buying Guide, Part 1

Mardi Gras dot background.This is my fourth annual Buying Guide to encourage you to give the gift of music. To hear the music click on this week’s show and then read about it below. (Here’s Part 2 of the guide).

Links to all the bands are provided so you can purchase from the source. There’s no pecking order to my presentation (I’ll present my top 10 at the end of the month).  Also, while there is a Part 2 coming, this list is far from comprehensive. Let me know if I’ve left something out you like.

boneramaBonerama -Trombone Shorty was 12-years-old when two trombonists from Harry Connick Jr.’s band decided to move to the front of the stage and create the brass-funk-rock group, Bonerama. With their seventh release, Hot Like Fire, Craig Klein and Mark Mullins joined by a third trombonist, a sousaphone, guitar and drums, are clearly in their element jamming on original tunes as well as a Radiohead cover and Allen Toussaint’s Basic Lady.  Learn more about this cool band, check out my interview with Klein and Mullins.

Stanton Moore  – One of the best drummers in the business, Moore pulled together an all-star cast (Trombone Shorty, Nicholas Payton, Maceo Parker, Donald Harrison Jr. and Cyril Neville to name a few) in paying homage to Allen Toussaint with With You In Mind. Whether you like Toussaint or not (what?!), you’re going to dig this album from “Here Come the Girls” with Trombone Shorty  to Toussaint’s autobiographical “Southern Nights” with Wendell Pierce reading, not singing, the lyrics.

The Deslondes   – The band’s second release, Hurry Home, solidifies the Deslondes reputation as the premiere example of the New Orleans Americana scene. Despite its title, the album takes its time, meandering 13 songs with lyrics that linger in your mind and entice you to sing along.  Why not? Four of the five band members sing as well.

hot 8 on the spot.jpgHot 8 Brass Band – A good brass band can get even the most stiff-limbed old man moving his hips. But what makes this venerable New Orleans brass band special is its great solos, unexpected twists and those sneaky covers you don’t recognize at first.  From the band that has survived to see it all and gave the world the brass version of “Sexual Healing” comes On The Spot — essential to any brass band fan collection.

Tuba Skinny – With its eighth release Tupelo Pine, Tuba Skinny has moved from the streets into institutional status in New Orleans. This band has a deep repertoire of Prohibition and Depression era tunes performed with entertaining and reverent orchestration.  If you’re looking for something special for a traditional jazz fan, you can’t go wrong with this band that has won its audience one street performance at a time. See Pops Coffee for a far more detailed review.

Smoking Time Jazz Club –  Another street-hardened traditional jazz band  that takes you back to another era, Smoking Time has a sultry quality fueled by the band’s mission statement embedded in its name The band started  2017 with a new release Ain’t We Fortunate and finishes the year with Take Your Time and Fly —  they’re both excellent but the second one is strengthened by Sarah Peterson’s vocals.

erica-falls-home-grownErica Falls – With HomeGrown, Erica Falls has demonstrated that hard work, grit and talent can pay off. At least it does for the listener.  While this is her first full release, Fall has paid her dues singing with Allen Toussaint and Galactic and providing backing vocals in the studio for Irma Thomas, Dr. John, Marva Wright, and Bobby Charles — not to mention adding some sweet vocals to two tracks on Rebirth Brass Band’s last release.  But HomeGrown is all hers — eight of the songs are her own composition. She’s soulful, funky, sweet. . .yea, I’m in love.

Naughty Professor   – While Identity does not have a title track, its first two songs go right to the heart of the issue. The rhythmic “Mirror,” choruses with “Give people what they want”  while the second track advises to “be what you want, do what you feel.” And that’s exactly how this jazz-funk sextet has rolled ever since emerging from the New Orlean’s Loyola jazz program in 2010. The band skillfully flows through soul, R&B and hip hop. But underlying it all is a strong jazz sensibility that keeps its fresh and unique. Now that’s an identity.

New Orleans Jazz Vipers  – If you’ve visited Frenchmen Street, chances are you’ve had the opportunity to see the Vipers live. The swing jazz band has been a fixture there long before tourist knew to direct their cab to Frenchmen. “Live & Viperizin” captures the band at its most enigmatic with danceable numbers designed to draw you into the nightclub, except now you can get that live feeling at home.

Jon Cleary – With Live at Chickie Wah Wah, this master piano player follows up his grammy-award winning album featuring his funk group Monster Gentleman with an intimate solo performance recorded live at one of his favorite hometown venues.  It’s just Cleary, his voice and his piano playing some of his favorites, including two from GoGo Juice, as well as some tasty R&B and soul numbers made famous by Smiley Lewis, Jessie Hill and Jessie Belvin.  The only way you can beat this release is if you really catch him live at Chickie Wah Wah.

Sonny Landreth – This electric slide guitar master delivers a much-anticipated live acoustic set performed in his hometown Lafayette and for lagniappe, a second live set with his electric guitar.  If you are fan of this tireless touring professional (he’s in Deming for the Mt. Baker Blues Festival in August 2018), you’ve heard these songs before but not like this. If not, Live at Lafayette is a great way to become a new fan.

debbie-davie-josh-paxton-vices-and-virtuesDebbie Davis and Josh Paxton – There is a magic that derives from the alchemy of a pianist and vocalist who have performed regularly, particularly if they use their familiarity to push each other.  Davis is a lifelong singer who, in addition to her own projects, performs with The Pfister Sisters.  Josh Paxton, who is part of Johnny Sketch and the Dirty Notes, is clearly capable of tearing up the keyboards on inspired solos but lovingly wraps his performance around Davis’ voice.  Vices and Virtues puts you in the room with these two creative professionals.

Johnny Sketch and the Dirty Notes – The band’s website describes it best: “their irreverent funk is cut with rock riffs, a Gypsy/Klezmer flare, a Latin tinge courtesy of a hard hitting horn section, and a sense of humor.” Yea, you right.  And Sketch is the band’s best release yet.  I’m still pissed I can’t play “Fine Time” on the radio but I’ve definitely been playing the dozen other tracks that deliver soul, funk, reggae, and a power violin rock thing (“The Dragon”) that has garnered listener phone calls to the studio.

John Mooney –  John Mooney is a hard act to catch. He has no website and his Facebook and wikipedia pages don’t list his latest CD,  Truth of the Matter. But don’t let that stop you. Mooney’s voice and guitar playing are top flight but its the arrangements and the support he gets that should elevate this release to your shopping list. Ten songs with eight originals.  Most are backed up by a rotating cast of star power keyboardists (Jon Cleary, John Gros and C.R. Gruver) usually on a Hammond B-3.  And his use of male background singers on “Deal with Love” and “Push & Shove” enhance an already strong soul feeling to Mooney’s music.

Egg Yolk Jubilee – To celebrate 20 years of performing, Egg Yolk Jubilee has compiled a retrospective of a dozen previously released songs and three new ones in Crux of the Yolk.  Yes, they are frenetic, irreverent, loud and pretty damn funny, but they also rock. The band provided the brass on Jello Biafra’s New Orleans Raunch All-Stars  release a few years back.  If you have a Frank Zappa fan on your shopping list, particularly if they like horns, literally blow them away with Egg Yolk Jubilee.

Sweet Crude   –  Like many indie acts from New Orleans, Sweet Crude’s music may not make its hometown roots obvious.  Well, except that they sing a lot of their songs in French.  “We are joining a small but fervent group of young Louisianians engaged in keeping the language relevant via art,” announces the band’s website. Soaring vocals (Mon Esprit in particular) and world rhythms place the band’s first full release, Creatures, above the large stack of alternative rock releases we get in the station.

Stay tuned for Part 2 and catch my show on Thursday.

Bonerama’s latest release is Hot Like Fire

Craig Klein and Mark Mullins might joke they formed Bonerama as a way to give trombonists greater job security but there’s no hiding the enthusiasm they have for their instrument serving as the band’s main voice.  Bonerama’s latest release (it’s seventh in almost 20 years) is aptly named “Hot Like Fire.”

bonerama.jpg
Bonerama has released its seven album in its 20 year history. Its first with Basin Street Records

I caught up with the two after a band practice at Craig’s house in the Lower Garden District late last month.  The album features seven original tunes by Craig, Mark and Matt Perrine, who plays bass and sousaphone.  The songs range from catchy numbers like “Happy” and “Hot Like Fire” to the complex “High Horse.” The album’s two covers include Radiohead’s “Paranoid Android” and Allen Toussaint’s “Basic Lady.”

Reluctant to pick one genre for their music style, Mark and Craig give it three – Brass Rock and Funk.  But “Hot Like Fire” also throws in a little reggae and jazz.  At KAOS, it goes on our Funk shelf where its been getting some good play.

Greg Hicks adds the third trombone to the band with Bert Cotton on guitar and Alex Joseph “A.J.” Hall on drums. Click on the interview above to hear Craig and Mark talk about all nine songs, with samples of the songs, as well as the band’s origins and their connection with Basin Street Records.

Recent NOLA trip inspired latest show

One of the great aspects of doing a show on New Orleans music is the impetus it provides me to get my butt down there regularly.  My latest trip was an epic one. Go ahead and get yesterday’s show started while I tell you a bit more.

new-releases.jpg
Me and Visa have a long-term relationship after my trip to the Louisiana Music Factory. The good news is I’ll be digging deep into these and other releases in weeks to come on Sweeney’s Gumbo YaYa

I stayed the first week with members of Olympia’s Artestian Rumble Arkestra not far from the nightclubs on Frenchmen Street.  I also used the opportunity to see some high school buddies who didn’t need much encouragement to drive in from their homes in Florida and Georgia to spend some time with me in New Orleans.

But there were many other great highlights, one of which is featured in yesterday’s show – an interview with trumpters Kermit Ruffins and Irvin Mayfield about their latest release, A Beautiful World.   They were generous with their time and stories and the whole experience was enhanced by our location — the Mother-in-Law lounge which for many years was the home and business of patron saint of my show and blog, Ernie K-Doe.

I’ll have more to share in the weeks to come including interviews with Bonerama band leaders Mark Mullins and Craig Klein, co-founder of Roots of Music and Rebirth Drummer Derrick Tabb and co-founder of the Black Men of Labor Fred Johnson with Treme Brass Band leader Benny Jones.

New Orleans festival season offers more than JazzFest

The New Orleans festival season is fast approaching. While the New Orleans Jazz and Heritage Festival is the crown jewel of the season, there are reasons for the music tourist to consider visiting the city at any time during the long festival season other than JazzFest. Here’s a few.

The Crowds.  New Orleans is a tourist town year round but it can be overwhelming during Mardi Gras and JazzFest. During those peak times, restaurants and nightclubs are a harder to get into and lodging is more expensive. Go before or after JazzFest and the city feels more relaxed and accessible.

jazz-in-the-park
Glen David Andrews performing at Jazz in the Park (Louis Armstrong Park) in 2013.

Free Outdoor Concerts – New Orleans offers some wonderful outdoor concerts showcasing local musicians in a festival atmosphere. There are two exceptional, easy to get to concert series that run through the spring. This year, “Wednesday at the Square” features Marcia Ball, Amanda Shaw, Tab Benoit, Flow Tribe, Honey Island Swamp Band, Kermit Ruffins, Anders Osborne and Soul Rebels. This downtown show held in Lafayette Square usually features an opening act, runs from 5 to 8 p.m. and is surrounded by ways to purchase food and booze. On Thursday evenings, Louis Armstrong Park comes alive with Jazz in the Park. This event attracts more locals with chairs and picnic baskets but you’ll still find sustenance and drink in this park just across historic Rampart Street from the French Quarter.

freret-street-festival-3
Local dance group performing at Freret Street Festival

Neighhorhood Festivals –  Only in a New Orleans neighborhood festival would you find youth dance groups and more established artists like Bonerama, Mississippi Rail Company, Tank and the Bangas, and New Breed Brass Band. That was just a sampling of the three stages last year that defined the boundaries of the Freret Street Festival, one of the early season neighborhood festivals in New Orleans. Neighborhood festivals run throughout the year, except for JazzFest. Check the festival schedule and sample a few online such as the Bayou Boogaloo –- definitely on my bucket list for a future visit. You’ll find most New Orleanians are incredibly social—almost to a fault. Go to a neighborhood event or establishment and if you are reasonably gregarious, you will meet locals who will happily share their opinions on bands, restaurants and the best route to take to your next event.

IMG_1454French Quarter Festival – This four-day event attracts more audience than the more well-known seven-day JazzFest. The difference is that the stages are scattered about the French Quarter and they are free, making it easy for the casual daily tourist to get sucked into the music. Whereas JazzFest adds a healthy dose of world and national music acts to their line up of local performers, French Quarter Festival is almost exclusively local musicians. Held two weeks before JazzFest, it’s the first major festival of the season. If you’re already staying in or around downtown, you won’t need to taxi or bus to the fairgrounds as you would with JazzFest. Last year French Quarter Festival headlined with Allen Toussaint, who later joined in a delightful conversation with Deacon John about Cosimo Matassa at the festival’s interview stage. I can’t tell you how fortunate I felt to be in the audience for both of those events.

freret-street-festival-2Lagniappe. Regardless of when you go, relax. You won’t be able to do it all. Things will get in your way, like torrential rain storms. Last year, I had set my mind on catching Irma Thomas at the big stage by the river at French Quarter Festival but when I saw a mass of dark clouds headed my way, I reluctantly ducked into the House of Blues courtyard. What a break. Not only did I stay dry but I became acquainted with the talent of Sarah McCoy and Colin Lake –two performers who were able to keep playing despite a very heavy rain. The Irma Thomas show was cancelled. Slow down, take care of yourself and enjoy the moment because you’re in New Orleans, baby!

P.S. JazzFest is a hoot and you should do it, particularly if you haven’t and have always wanted to. Here’s my five things you should know about JazzFest.

Easy to catch a lot of NOLA music in a short period of time

Catching as much music as possible in New Orleans ain’t hard. But some stamina comes in handy at times.

We arrived on Friday night and hustled down to see late night show of the Soul Rebels at d.b.a.  I’ve yet to catch them at their home bar, Les Bon Temp Roule but its always fun to hear and feel this talented brass band.

Saturday, we took the “Freret Jet” (#15 bus) to the annual Freret Street Festival, getting there in time to catch the swinging last half of the Mississippi Rail Company set. This New Orleans  R&B group is on my list to pick up when I get to the Louisiana Music Factory.

Mark Mullins (left) and Craig Klein are two of the "bones" of Bonerama. Billy Iuso, fronting his own band earlier, added some licks to a Bonerama number.
Mark Mullins (left) and Craig Klein are two of the “bones” of Bonerama. Billy Iuso, fronting his own band earlier, added some licks to a Bonerama number.

One of the advantages of visiting New Orleans is to learn about musicians that don’t get airplay outside of the area. Billy Iuso and the Restless Natives is one of those blues groups that sneaks up on you, starting off without much fanfare but blowing you away by the final beat.

The headliner for the festival was Bonerama — three trombones backed up by guitar, bass and drums. This group, which has played the Winthrop Blues Festival, was in excellent form.

We finished the day back at Frenchmen Street with The Maison’s evening closer Austin soul group The NightOwls.  They put on an energetic show that was almost overshadowed by some of the Spring Break-like antics of the crowd.

On Sunday evening, we braved Northwest-style rains and winds to sit in Bacchanal’s open courtyard to see The Roamin’ Jasmine.  Now, I’ve aired the Jasmine many times on the show but as usual its a delight to see the band in action, particularly with Taylor Smith, bassist and bandleader, singing.

Yesterday, we rented bikes and pedaled uptown to Carrollton, up Jeff Davis Parkway to City Park and back down Esplanade, stopping at Three Muses where Bart Ramsey, who fronts a Gypsy Jazz band called Zazou City, played a solo piano and sang for the early evening audience. I will definitely be playing some of his music when I get back on the  show in two Monday’s from now.

King James & the Special Men at BJ's Lounge
King James & the Special Men at BJ’s Lounge

I can’t close without mentioning my evening at BJ’s Lounge where King James and The Special Men held court for their regular Monday session.  This was bluesy, boogie woogie rock n’ roll fronted by Jimmy Horn,  who lived briefly in Seattle before stumbling into New Orleans in the 90’s. A disciple of Ernie  and Antoinette K-Doe, Horn seems to possess some of that same confident but endearing swagger. There is no stage at BJ’s.  No barrier between audience and musician and the give and take was, to be understated, uniquely entertaining. As his piano player banged out Fats Domino-like triplets on Blue Monday, I marveled at how I was probably no more than two miles from the Ninth Ward neighborhood bar that Antoine “Fats’ Domino was first discovered by Imperial Records while banging out the beat that became part of rock n’ roll history. A special treat was Jason Mingledorff sitting in with his saxophone.

Kim and I are chilling today but we’ll be catching a lot more beats in the days to come. Keep up with my posts by subscribing (upper right hand side of page.)

Freret Street event marks the start of NOLA festival season

If Mardi Gras marks the start of the Lent season, you could argue that the Freret Street Festival marks the end of it.  But Easter tends to wander about on the calendar so some years that just doesn’t work.

Freret Street Festival is usually the first weekend in April. This New Orleans neighborhood event heralds the start of the festival season.

What’s more clear is that the annual Freret Street event heralds the beginning of the New Orleans festival season. Later in the month, New Orleans will kick into festival high gear with the French Quarter Festival and the New Orleans Jazz and Heritage Festival–two events that together attract over a 1 million attendees. You won’t see that mass of humanity on Freret Street this Saturday (April 4), but this is not your usual neighborhood party.  According to organizers, eight blocks of the street will be blocked to car traffic, from Napoleon to Jefferson.  Three music stages will feature Mississippi Rail Company, Tank and the Bangas, New Breed Brass Band and Bonerama (to name a few).

Bonerama will close out the Freret Street Festival.
Bonerama will close out the Freret Street Festival.

I’m making it a point to be at this year’s event, even though the festival is 2,600 miles from my house. The corner of Napoleon and Freret is where I went to kindergarten and elementary school when the school there was called Our Lady of Lourdes. Yep, I wore the Catholic student khaki uniform.  (I’m also in town for the French Quarter festival. More on that soon.)

In those days (we’re talking 60’s) my home was a lot closer. I could buy a soft-serve ice cream cone across the street from the school (now a parking lot and site of a monthly art, food and flea market) and then, having spent my bus fare on that treat, walk past an odd assortment of businesses and store fronts to my house on Nashville Avenue. After Katrina, the district was revitalized. New clubs moved in like the acoustically excellent Gasa Gasa and the Freret Street Publiq House. Restaurants like High Hat Cafe, Freret Street PoBoys and Sarita’s Grill headed up a vanguard of excellent eating.

If the technology works for me this weekend, I’ll have a report from Freret Street that will air on my show this Monday. Ruby Ru, KAOS station manager and NOLA music lover, will host the show.

Tuba players key to NOLA music and the next Gumbo YaYa

I doubt the Census Bureau can tell us where we might find the highest concentration of tuba players, but if it could, I’d guess that New Orleans would be near the top.

Just think of all those Second Lines with sousaphone players blasting the beat out over the heads of dancers.

David Moseley, sousaphonist for Olympia's Artesian Rumble Arkestra and KAOS Deejay, will host Sweeney's Gumbo YaYa Monday.
David Moseley, sousaphonist for Olympia’s Artesian Rumble Arkestra and KAOS Deejay, will host Sweeney’s Gumbo YaYa Monday.

A quick trivia detour: The sousaphone is the wrap around version of the tuba, making it easier to carry and project sound forward. From what I’ve read, the sousaphone, named after military-band extraordinaire John Philip Sousa was a modified version of  a tuba-like instrument, called a helicon, designed to be played while riding a horse. Tally Ho!

The sousaphone/tuba is on my mind today because the next Sweeney’s Gumbo YaYa will be guest hosted by David Moseley. In addition to being the host of KAOS’s world music show Xenophilia, David is the sousaphone player for Olympia’s own Artesian Rumble Arkestra.

In honor of David filling in for me while I screw off on the beach, here are five notable tuba/sousaphone players from New Orleans.

Anthony
Anthony “Tuba Fats” Lacen is revered in New Orleans.

Anthony “Tuba Fats” Lacen –  Mr. Lacen was part of Danny Barker’s Fairview Baptist Church band and became a bandleader and mentor to many. Famous for playing the streets, he also toured the world.  Over a decade after his passing in 2004, Tuba Fats is still fondly remembered in New Orleans with a special day of recognition (Tuba Fats Tuesday after JazzFest) and a square named in his honor in the Treme.

Kirk Joseph – Another alumnus of Barker’s band of youthful brass players, Mr. Joseph was one of the founders of the Dirty Dozen Brass Band which reinvigorated the New Orleans brass band sound.  He continues to play today mixing tradition with the contemporary and maintaining his credentials as the hip godfather of brass music.

Phil Frazier, founding member and anchor of Rebirth Brass Band.
Phil Frazier, founding member and anchor of Rebirth Brass Band.

Phil Frazier – Founding member of my favorite brass band, Mr. Frazier, along with his brother Keith, have been keeping the beat for Rebirth Brass Band since 1983. Influenced by the two previously mentioned tuba players, Phil has charted his own territory with Rebirth, laying down funky bass lines for the band that scored a grammy in 2012 with its album “Rebirth of New Orleans.”

Ben Jaffe – As the Creative Director of Preservation Hall, Mr. Jaffe perhaps isn’t always thought of as a tuba player. But that’s what he often plays for the Preservation Hall Jazz Band. While his blood directly links him to the small French Quarter venue his parents started in the 1961, his talent has kept this venerable institution and its band from being a museum piece. Ben co-produced the 2013 album “That’s It!” which was the band’s first release to feature completely original music, including Jaffe’s tuba-booming title track.

Matt Perrine – It’s hard to avoid Mr. Perrine if you watch any number of New Orleans acts such as Bonerama and the New Orleans Nightcrawlers. But to catch his latest work, check out “Linger Til Dawn” featuring awesome vocals by his wife Debbie Davis and some tasty interpretations of classics like “Sunny Afternoon” and “Dream a Little Dream of Me.”