Birthdays and Brass Make for a Rockin’ Show

Three key birthdays lined up for today’s show along with two visits by premiere New Orleans brass bands. But the show starts with a rollicking bluegrass number with a sousaphone pumping out the baseline. You can listen and read on by clicking the sideways arrow below.

John Hartford most likely pulled deeply from his steamboat pilot days on the Mississippi and Tennesse rivers when he wrote the song that opens today’s show. Sadly, he was dead by the time a group of country musicians joined New Orleans musicians on the Maple Leaf stage to cover his “Miss Ferris.” In the first full set, you’ll hear another song from that project.

But the core of the show is celebrating Cyril Neville and Ed Volker’s 71st birthday and Donna Angelle’s 68th. All three were born on October 10, the date this show aired on KAOS. As the youngest of the Neville brothers, Cyril is perhaps the best known of the three birthday musicians. But this show focuses on his non-Neville performances: two solo songs and one with the Royal Southern Brotherhood.

Ed Volker (The Radiators) photo from Offbeat Magazine and by Kim Welsh

Ed Volker is the distinctive looking keyboardist and songwriter for The Radiators, a jam band that deployed a New Orleans sensibility to rock and won a legend of fans starting in 1978 going through today. And the band has the same line-up it started with. Three Radiators are songs are played on today’s show.

Donna Angelle is a multi-instrumentalist who chose to be prominent on the accordion and lead her own band. She broke the glass ceiling for women band leaders in Zydeco and was closely followed by Rosie Ledet. You’ll hear three of her songs, including “Ladies Night” and one song by Ledet.

The Dirty Dozen and Hot 8 Brass Bands are playing the area this month so you’ll hear a couple songs each by them. The Dirty Dozen Brass Band lead the new wave of brass bands in the 70’s that reinvigorated the traditional New Orleans brass band sound. I play Feet Don’t Fail Me Now” which you can probably hear live when the Dozen perform at the Mount Baker Theater in Bellingham on October 19 and Pantages Theater the next night.

The Hot 8 Brass Band has had their struggles with car accidents and shootings that have changed their line up over the years and created heart break for the remaining members and their families. But they’ll be in Portland and Seattle October 21st and 22nd respectively. I play the short version of their “Sexual Healing” cover and “Bingo Bango.”

There’s more to the show including Doreen Ketchens and Aurora Nealand on clarinet but you should just listen to the whole thing and let me know what you think. Thanks for tuning in.

Crawfish, New Tracks, and a Germaine Performance & more

Marcia Ball kicks off this week’s show with “Crawfishin'” which I play in honor of the fact that we’re now in the height of the mud bug season. But there’s more mouth-watering songs in the show so get it started and then read more of what’s on the menu.

Latest Smoking Time Jazz Club record

Smoking Time Jazz Club is proving to a prolific recording group as well as a live performance band. In the first full set, check out “Snake Hip Dance” from their barely released Contrapuntal Stomp. Tom Worrell lays down “Crawfish Fiesta” from a live performance of piano night, the WWOZ benefit that happens between the two weekends of the New Orleans Jazz & Heritage Festival. (This year, it looks like the event has moved to House of Blues).

I start the second full set with Leyla McCalla’s “Money is King” from her latest The Capitalist Blues . That set is all new music including Big Al and the Heavyweights doing “Fool for You” and Herlin Riley’s wonderful funky jazz number “Wings and Roots.”

Later in the show, you’ll hear Little Queenie, Tuts Washington, Johnny Sketch & the Dirty Notes, James Booker, and Miss Sophie Lee. I spin two more tracks from the Smithsonian Folkways not-yet-released 50 year anniversary of Jazz Fest with a big band performance by Al Belletto and a birthday spin (she turn’s 87!) of Germaine Bazzle scatting with Red Tyler’s Quintet.

At about the hour mark, you’ll hear the Hot 8 Brass Band’s sweaty dance anthem “Get Up” — the 20th anniversary version and then later to end the show I play the Diesel remix of that song — which was recently featured in a soccer highlight show “Match of the Week.”

Oh I left stuff out of this description so you’ll have some surprises along the way. Thanks for listening. Please subscribe and tell ALL your friends about Gumbo YaYa.

Hot 8 Brass Band release includes NOLA Banksy art

The name Banksy is world known now after one of his pieces self-shredded during its auction recently.  But the anonymous English street artist was hardly a household name when the Hot 8 Brass Band included his art on 2012 CD release “The Life and Times of  . ”  Get the show started and then read on.

banksy2
Banksy street art that appeared in New Orleans after Hurricane Katrina and feature don the 2012 Hot 8 Brass Band release

Banksy, whose art has appeared on walls throughout the world, visited New Orleans after Hurricane Katrina and his work captured the community’s affection.  Abraham Lincoln pushing a shopping cart, a little girl flying a refrigerator and a brass band marching down the street.  In today’s show, I play “Ghost Town” off the Hot 8 release.

But before you get to that song, you’ll hear Seattle-area musician, Del Rey, performing “Going Back to New Orleans,” Champion Jack Dupree with “Yella Pocahontas,” Charmaine Neville and the Iguanas.  To name a few.

Tank and the Bangas, who will be performing in Seattle and Portland in November, are on this show as well doing “Rollercoaster” Live at Gasa Gasa and Kermit Ruffins performs “If I Only Had a Brain.”

I also feature an early R&B set with Little Richard, Leo Price and Huey “Piano” Smith and the Clowns.  Thanks for tuning and please subscribe so you can be informed of when new shows are available.

banksy

With one hand, New Orleans piano player let the good times roll

This week’s show is about the one-handed piano player you have likely heard but not heard of. Edward Frank played on scores of R&B hits created in the Cosimo Matassa cauldron in the 50’s and early 60’s. But there’s more to the story so go ahead and get this week’s show started, kicked off by BeauSoleil’s “Bon Temps Rouler.”

EDWARD FRANK
Edward Frank on piano.

This show celebrates Edward Frank’s birth anniversary. He was born June 14, 1932  and died in February 1997.  Despite his early R&B history, he spent his later years playing more contemporary jazz at venues such as the Palm Court Cafe and Preservation Hall. He was a talented horn arranger and keyboardist, involved with  Dr. John’s “Goin’ Back to New Orleans,” the Dirty Dozen Brass Band’s”Jelly,” Snooks Eaglin’s “Soul’s Edge,” Tommy Ridgley’s “Since the Blues Began”and Chuck Carbo’s  “Drawers Trouble” and “The Barber’s Blues.”

Frank was born and attended high school in New Orleans. Except for a stint at college and some time in Houston working Bobby Blue Bland, he mostly made his home in New Orleans.  He also played in Europe with Lillian Boutte.  His performances were made more remarkable because of a disability that rendered his left arm paralyzed. This show features Frank playing piano on songs by Lloyd Price, Bobby Charles and Shirley and Lee (backing them up on their hit, “Let the Good Times Roll.”)

But first you’ll be treated to a set that includes Carlo Ditta’s “Tell It Like It Is,” the New Orleans Jazz Vipers’ “Swing that Music” and Professor Longhair recorded live in Chicago.

Stay with the show after the Edward Frank set because Davis Rogan, another New Orleans piano player, calls into the show to talk about how he was given a valuable life lesson by Ed Frank after losing a spot in Kermit Ruffin’s band.  This show also has songs by Dirty Dozen Brass Band, the Hot 8 Brass Band (doing a long cover of “Sexual Healing”), Chocolate Milk, Corey Henry, Big Sam’s Funky Nation and a new song by Gal Holiday and her Honky Tonk Revue.

Thanks for listening and consider clicking the tab on the upper right to subscribe.

You Can Fill Your Bucket with New Orleans Music

This post doesn’t have a hole in it but your bucket might. This week’s show has a few stories to it, including one about the first record where you hear Louis Armstrong’s voice, a bloody New Orleans nightclub that gets renamed in song and the birthday of a first rate R&B star whose career was disrupted by the draft and served in Korea.  Start the show (Earl King kicks it off) and then keep reading.

Last weekend during a Northwest sun break, the song “That Bucket Has a Hole In It” came to mind while tossing weeds in the five-gallon buckets we use to garden. Unable to shake the tune, I rolled with it and assembled a two-set program of “bucket” songs for today’s show.

Louis-Armstrong-early-2
Louis Armstrong was 25 when he recorded Gut Bucket Blues

The set starts with “Gut Bucket Blues” — the third song recorded by Louis Armstrong and his Hot Five but the first to be released and the first to showcase his exuberant stage presence. As Ricky Riccardi eloquently explains in his blog post, the song “contains the first ever glimpse of Louis Armstrong’s personality, in all its glory.”

Recorded in Chicago in 1925, this Hot Five recording includes three other New Orleans expats (Kid Ory on trombone, Johnny Dodds on clarinet an Johnny St. Cyr on banjo) and the future Mrs. Armstrong (Lil Harden) on piano.  As each band member takes a solo, Armstrong yells out encouragement.  By the time he recorded Gut Bucket Blues, Armstrong was a veteran performer on stage and in the studio, having recorded with bandleaders Joe Oliver and Fletcher Henderson.  But with this Hot Five recording, Louis Armstrong steps out for the first time, demonstrating the style he would take to an international level. There’s more fun details about this song and how it was recorded so I’ll give another plug to author Riccardi’s entertaining blog: The Wonderful World of Louis Armstrong.

I round out the set with Preservation Hall Jazz Band’s “The Bucket’s Got a Hole In It” and Eddie Bo’s catchy “Check Your Bucket” which while very different from the Prez Hall’s song is certainly connected by lyrics.

littlefred
Mixed Bucket of Blood is a bonus track on this album of Little Freddie King;

The second set starts with a gory story involving an early Little Freddie King gig that went horribly wrong. As he explains in this YouTube video, he got a gig at a nightclub for the weekend. And every night, an incident occurred that resulted in someone losing a lot of blood.  At one point, he described taking cover from gunfire behind a juke box.  He memorialized the experience in his song “Mixed Bucket of Blood.”  The song is followed by Dr. John’s very different take of “Gut Bucket Blues” and the Hot 8 Brass Band’s “Bottom of the Bucket.”

Later in the show I do a long set of drinking songs that in song title form reads like this:  Liquor Pang, Drinking Days, Drunk Too Much, Still Drunk, Drink a Little Poison 4 U Die.

Finally, I close with a rousing tribute to Lloyd Price who had five hit R&B songs in the early 50’s before getting drafted into the Army and had to serve in Korea.  I tell more of this story in my Veteran’s Day post. I play one of his hits he cut after returning from the military (“Stagger Lee”) along with “Rock N’ Roll Dance”  and “Come Into My Heart.”

Thanks for listening.

KAOS/Gumbo YaYa’s – Top Ten 2017 New Orleans CD’s

Here are my top 10 New Orleans music releases.  All of these have been played on my show on KAOS in 2017 (For more new releases played on my show this year, go to my end of year roundup.)  You can listen to the show featuring these releases while you read about them.

A Beautiful World.jpgA Beautiful World – Kermit Ruffins and Irvin Mayfield hit a home run with this home town love note featuring over 50 New Orleans musicians with originals and covers that totally capture Ruffins’ style and vibe.  Mayfield, as producer and master trumpeter, does a great job of letting the relaxed, hip style of Ruffins shine through.

boneramaHot Like Fire – Mark Mullins and Craig Klein are solidly in their comfort zone with their latest Bonerama release, their first through Basin Street Records. The album’s strength is the talent of the musicians, especially Matt Perrine, who contributed three songs as well as his sousaphone expertise and Bert Cotten, whose guitar gives this brass heavy release a rocking feel.

roamin-jasmine-live-at-horaces-barLive at Horace’s – Taylor Smith may regret putting his favorite neighborhood (Central City) bar on the international map but the cozy Horace’s apparently was just the venue for him to showcase his energetic style of New Orleans R&B.  Guitar Slim, Earl King, Elmore James and Blind Lemon Jefferson all get  the Roamin’ Jasmine treatment in this set.

SoItIsSo It Is –  This is the second release by Preservation Hall Jazz Band with all original tunes. While Preservation Hall, with its musician’s collective, is known for keeping the tradition alive, the recording/touring band is keeping the tradition alive by providing fresh music that connects New Orleans to its Afro-Cuban roots. It’s totally hip and hard to stop playing.

With-You-in-Mind-Cover-980x980With You in Mind – Stanton Moore was still grieving the unexpected death of Allen Toussaint, the central architect of New Orleans R&B and Funk in the 60’s and beyond, when he went into the studio with David Torkanowsky and James Singleton. With the help of Cyril Neville, Nicholas Payton, Trombone Shorty and Donald Harrison Jr, the trio captured Toussaint’s joy for life as well as ability to touch your heart.

hot 8 on the spotOn the Spot – The Hot 8 Brass Band does brass band music right. Given my fondness for this band and its sound, I would be hard pressed to not have them on my list.  But after 20 years, this band is not resting on its laurels.  The band covers Stevie Wonder and the classic St. James Infirmary in its usual ear-opening style but it also offers new songs that speak to this band’s amazing ability to keep on plugging against adversity.

sketchSketch –  Johnny Sketch and the Dirty Notes should be getting a helluva a lot more attention, particularly after this release. While the band can play just about any style, the members seem most entertaining with their original funk rock sound.  They have a reputation as a party band, but its members are professionals who know how to play and create unique, entertaining music.

marsalisMake America Great Again – This late 2016 release is Delfeayo Marsalis and the Uptown Jazz Orchestra’s formula for what truly makes our country great.  Yes, he starts with the Star Spangled Banner and lays down some solid swinging big band sounds through 14 tracks but there’s sharp commentary spliced in between the jazzy sounds.  This is a great release for a deejay of New Orleans music show. It has a bit everything with top-flight craftsmanship.

dirty bourbonThe Flying Musical Circus – Noah Adams is the brainchild, singer and songwriter of this frenetically entertaining group, the Dirty Bourbon River Show.  “New Orleans Big Brass Circus Rock Music” is the elevator pitch for the music but even if that doesn’t appeal to you, give this album a listen. The music is deep and its elephant free

CreaturesFront_mini.jpgCreatures  – If Sweet Crude makes it big and it certainly has the potential, you might be able to point to this album as when they figured it all out.  This is a uniquely Louisiana-band with strong roots in Arcadia, but its clearly a pop band, that sings in French and English, with the opportunity to grow a wider audience.  Get on the ground floor with Creatures.

Your 2017 New Orleans Music Buying Guide, Part 1

Mardi Gras dot background.This is my fourth annual Buying Guide to encourage you to give the gift of music. To hear the music click on this week’s show and then read about it below. (Here’s Part 2 of the guide).

Links to all the bands are provided so you can purchase from the source. There’s no pecking order to my presentation (I’ll present my top 10 at the end of the month).  Also, while there is a Part 2 coming, this list is far from comprehensive. Let me know if I’ve left something out you like.

boneramaBonerama -Trombone Shorty was 12-years-old when two trombonists from Harry Connick Jr.’s band decided to move to the front of the stage and create the brass-funk-rock group, Bonerama. With their seventh release, Hot Like Fire, Craig Klein and Mark Mullins joined by a third trombonist, a sousaphone, guitar and drums, are clearly in their element jamming on original tunes as well as a Radiohead cover and Allen Toussaint’s Basic Lady.  Learn more about this cool band, check out my interview with Klein and Mullins.

Stanton Moore  – One of the best drummers in the business, Moore pulled together an all-star cast (Trombone Shorty, Nicholas Payton, Maceo Parker, Donald Harrison Jr. and Cyril Neville to name a few) in paying homage to Allen Toussaint with With You In Mind. Whether you like Toussaint or not (what?!), you’re going to dig this album from “Here Come the Girls” with Trombone Shorty  to Toussaint’s autobiographical “Southern Nights” with Wendell Pierce reading, not singing, the lyrics.

The Deslondes   – The band’s second release, Hurry Home, solidifies the Deslondes reputation as the premiere example of the New Orleans Americana scene. Despite its title, the album takes its time, meandering 13 songs with lyrics that linger in your mind and entice you to sing along.  Why not? Four of the five band members sing as well.

hot 8 on the spot.jpgHot 8 Brass Band – A good brass band can get even the most stiff-limbed old man moving his hips. But what makes this venerable New Orleans brass band special is its great solos, unexpected twists and those sneaky covers you don’t recognize at first.  From the band that has survived to see it all and gave the world the brass version of “Sexual Healing” comes On The Spot — essential to any brass band fan collection.

Tuba Skinny – With its eighth release Tupelo Pine, Tuba Skinny has moved from the streets into institutional status in New Orleans. This band has a deep repertoire of Prohibition and Depression era tunes performed with entertaining and reverent orchestration.  If you’re looking for something special for a traditional jazz fan, you can’t go wrong with this band that has won its audience one street performance at a time. See Pops Coffee for a far more detailed review.

Smoking Time Jazz Club –  Another street-hardened traditional jazz band  that takes you back to another era, Smoking Time has a sultry quality fueled by the band’s mission statement embedded in its name The band started  2017 with a new release Ain’t We Fortunate and finishes the year with Take Your Time and Fly —  they’re both excellent but the second one is strengthened by Sarah Peterson’s vocals.

erica-falls-home-grownErica Falls – With HomeGrown, Erica Falls has demonstrated that hard work, grit and talent can pay off. At least it does for the listener.  While this is her first full release, Fall has paid her dues singing with Allen Toussaint and Galactic and providing backing vocals in the studio for Irma Thomas, Dr. John, Marva Wright, and Bobby Charles — not to mention adding some sweet vocals to two tracks on Rebirth Brass Band’s last release.  But HomeGrown is all hers — eight of the songs are her own composition. She’s soulful, funky, sweet. . .yea, I’m in love.

Naughty Professor   – While Identity does not have a title track, its first two songs go right to the heart of the issue. The rhythmic “Mirror,” choruses with “Give people what they want”  while the second track advises to “be what you want, do what you feel.” And that’s exactly how this jazz-funk sextet has rolled ever since emerging from the New Orlean’s Loyola jazz program in 2010. The band skillfully flows through soul, R&B and hip hop. But underlying it all is a strong jazz sensibility that keeps its fresh and unique. Now that’s an identity.

New Orleans Jazz Vipers  – If you’ve visited Frenchmen Street, chances are you’ve had the opportunity to see the Vipers live. The swing jazz band has been a fixture there long before tourist knew to direct their cab to Frenchmen. “Live & Viperizin” captures the band at its most enigmatic with danceable numbers designed to draw you into the nightclub, except now you can get that live feeling at home.

Jon Cleary – With Live at Chickie Wah Wah, this master piano player follows up his grammy-award winning album featuring his funk group Monster Gentleman with an intimate solo performance recorded live at one of his favorite hometown venues.  It’s just Cleary, his voice and his piano playing some of his favorites, including two from GoGo Juice, as well as some tasty R&B and soul numbers made famous by Smiley Lewis, Jessie Hill and Jessie Belvin.  The only way you can beat this release is if you really catch him live at Chickie Wah Wah.

Sonny Landreth – This electric slide guitar master delivers a much-anticipated live acoustic set performed in his hometown Lafayette and for lagniappe, a second live set with his electric guitar.  If you are fan of this tireless touring professional (he’s in Deming for the Mt. Baker Blues Festival in August 2018), you’ve heard these songs before but not like this. If not, Live at Lafayette is a great way to become a new fan.

debbie-davie-josh-paxton-vices-and-virtuesDebbie Davis and Josh Paxton – There is a magic that derives from the alchemy of a pianist and vocalist who have performed regularly, particularly if they use their familiarity to push each other.  Davis is a lifelong singer who, in addition to her own projects, performs with The Pfister Sisters.  Josh Paxton, who is part of Johnny Sketch and the Dirty Notes, is clearly capable of tearing up the keyboards on inspired solos but lovingly wraps his performance around Davis’ voice.  Vices and Virtues puts you in the room with these two creative professionals.

Johnny Sketch and the Dirty Notes – The band’s website describes it best: “their irreverent funk is cut with rock riffs, a Gypsy/Klezmer flare, a Latin tinge courtesy of a hard hitting horn section, and a sense of humor.” Yea, you right.  And Sketch is the band’s best release yet.  I’m still pissed I can’t play “Fine Time” on the radio but I’ve definitely been playing the dozen other tracks that deliver soul, funk, reggae, and a power violin rock thing (“The Dragon”) that has garnered listener phone calls to the studio.

John Mooney –  John Mooney is a hard act to catch. He has no website and his Facebook and wikipedia pages don’t list his latest CD,  Truth of the Matter. But don’t let that stop you. Mooney’s voice and guitar playing are top flight but its the arrangements and the support he gets that should elevate this release to your shopping list. Ten songs with eight originals.  Most are backed up by a rotating cast of star power keyboardists (Jon Cleary, John Gros and C.R. Gruver) usually on a Hammond B-3.  And his use of male background singers on “Deal with Love” and “Push & Shove” enhance an already strong soul feeling to Mooney’s music.

Egg Yolk Jubilee – To celebrate 20 years of performing, Egg Yolk Jubilee has compiled a retrospective of a dozen previously released songs and three new ones in Crux of the Yolk.  Yes, they are frenetic, irreverent, loud and pretty damn funny, but they also rock. The band provided the brass on Jello Biafra’s New Orleans Raunch All-Stars  release a few years back.  If you have a Frank Zappa fan on your shopping list, particularly if they like horns, literally blow them away with Egg Yolk Jubilee.

Sweet Crude   –  Like many indie acts from New Orleans, Sweet Crude’s music may not make its hometown roots obvious.  Well, except that they sing a lot of their songs in French.  “We are joining a small but fervent group of young Louisianians engaged in keeping the language relevant via art,” announces the band’s website. Soaring vocals (Mon Esprit in particular) and world rhythms place the band’s first full release, Creatures, above the large stack of alternative rock releases we get in the station.

Stay tuned for Part 2 and catch my show on Thursday.

Hurricane Katrina scattered New Orleans music across the U.S.

An upside to Hurricane Katrina and the subsequent flood was the infusion of New Orleans culture throughout our country.  With the city almost completely evacuated, its people, music, cooking, way of talk and style scattered across the U.S. like seeds from a dandelion blowball.

Texas received the largest number of evacuees. Austin, which like New Orleans is a regional music mecca, swelled from the addition of Cyril Neville, the Iguanas, the Radiators and other musicians — some who came to call themselves “Texiles” while playing music and waiting to return to their hometown. The resultant mix was described by Cyril Neville as having the “gumbo spill into the chili.”

Here’s more on how some of New Orleans finest musicians fared:

  • Fats Domino, the city’s greatest rocker, is a lifelong resident of the Lower Ninth

    Fats Domino was not only a major force in Rock n' Roll, he help inspire sk.
    Fats Domino and his family were rescued by Coast Guard from his lower Ninth Ward home.

    Ward. He stayed in his home through the hurricane and was rescued by a Coast Guard helicopter. But he lost all his gold records and memorabilia.

  • Irma Thomas – The Soul Queen of New Orleans weathered the storm and the aftermath in Austin Texas. She rebuilt her East New Orleans home and she won a grammy for her post Katrina recorded album.
  • Dave BartholomewThe home and studio of the man behind many of New Orleans R&B hits of the 1950’s suffered considerable flood damage but he and his family (His son Don B. is a successful hip-hop producer) have bounced back with now three generations of Bartholomew’s making music.
  • The Radiators – Once described as New Orleans’ longest running and most successful rock band are no longer an act officially–though you can occasionally catch them on special events and Jazzfest. Hurricane Katrina landed on guitarist Dave Malone’s birthday. He and his wife struggled to rebuild their home and ended up living outside of New Orleans.
  • Al Johnson – The man who made it possible to be  “Carnival Time” any time of the year, lost his  long-time house on Tennessee Street in the Lower Ninth Ward  He now lives in the Musicians Village  where he penned Lower Ninth Ward Blues
  • The Iguanas – The members of this latin-tinged roots rock band were on tour at the

    The Iguanas made a temporary home in Austin while waiting to return to New Orleans. Joe Cabral (left) and Rene' Coman performing at French Quarter Festival this year.
    The Iguanas made a temporary home in Austin while waiting to return to New Orleans. Joe Cabral (left) and Rene’ Coman performing at French Quarter Festival this year.

    time and separated to find evacuated family members. They regathered in Austin and became part of the flexible ensemble of New Orleans musicians known as Texiles. The band has had three CD releases since Katrina.

  • The Hot 8 Brass Band – This innovative group could be called the Adversity Brass Band.  Before Katrina, three of its band members had died — two from shootings.  After Katrina, a fourth member was shot to death while driving in his car with his family. Another member lost the use of his legs in an accident. The band scattered across the country after Katrina and could easily have disbanded permanently. But it regrouped, recorded a grammy-nominated album and still perform today.
  • Dr. Michael G. White – The University professor and clarinetist lost his home in Gentilly, including many valuable jazz documents. But he’s back in town and working as hard as ever.
  • Henry Butler – Fortunately the talented piano virtuoso was convinced to evacuate his Gentilly home, which was devastated by flood waters. Blind since birth, he can’t tell you what the damage looked like but he can describe the feel of his piano keys as they fell apart in his hands. Last year, he and Steve Bernstein released “Viper Drag” to rave reviews and he regularly performs. 
  • Kermit Ruffins – “What good is a million dollars if you’re not in New Orleans.” The widely recognized ambassador to New Orleans evacuated to Houston with a large extended family and pets. He returned to New Orleans after the storm and continued his routine up until last year. Ironically, his wife got a job in Houston and he now splits his time between New Orleans and Houston.
  • Donald Harrison Jr.- This lifelong New Orleans resident, Big Chief and heralded jazz saxophonist has a fear of hurricanes borne from his youthful experience escaping from Hurricane Betsy’s flood. But he stuck it out in the city cause his mother-in-law wouldn’t leave. They slept on the ballroom floor of the Hyatt Regency during the storm and aftermath, escaping to Baton Route four days later. 
  • John Boutte' nervously watched events unfold from Brazil, finally talking one of his sisters and mother to evacuate before Katrina hit.
    John Boutte’ nervously watched events unfold from Brazil, finally talking one of his sisters and mother to evacuate before Katrina hit.

    Shamar Allen – This young trumpet player’s home was right next to a levee that broke. He now owns a home in the Musician’s Village. He contributed some key songs to the musical Nine Lives that focuses on New Orleanians who survived Hurricane Betsy and Katrina.

  • John Boutte was in Brazil at the time and watched almost helplessly the hurricane reports from afar. Fortunately, he finally convinced one of his sisters and mother to evacuate but his other two sisters were stranded on an interstate highway bridge for five days.
  • Terence Blanchard – Much of this jazz trumpeter’s story was told in the Spike Lee movie “When the Levees Broke.” In the documentary, you can see him and his mother enter her flood-wrecked near Lake Ponchatrain. Blanchard wrote the score for the documentary and won a grammy for subsequent album he released.

Last week and this week, I’m honoring the survivors of Hurricane Katrina who dealt with intense horror, long hot days, and many months and in some cases years of uncertainty about their future. And yet, they returned to New Orleans, their home and rebuilt. Last week’s Katrina show here  and this week’s show.