A COVID Hatchet Not So Deep in our Heads

If the line “There is a hatchet not so deep in my head” from Dr. John’s “Holdin’ Pattern” speaks to you, then this is your show. The persistence of COVID-19 feels like a holding pattern which is a problem for all those whose livelihoods depend on our ability to gather –such as brass band musicians. I’ll tell you about the show and more once you get it started. (click sideways arrow in box below and it will play while you continue to read.)

The uptick in COVID-19 infections and its impact on our health care system has slowed down the possibility of having live shows and congregating. I’m not an advocate of rushing this process but I do worry what impact it will have on our culture — particularly the unique New Orleans brass band culture.

The New Orleans Brass Band Musicians Relief Fund is currently crowdsourcing funding through GoFundMe and seeking larger donations to provide emergency cash grants to musicians. The relief fund was started by the Save Our Brass Culture Foundation, a nonprofit advocating for the city’s brass band musicians, with Seth Bailin, a saxophonist who plays with New Orleans brass bands, and Joanna Farley, who used to work in disaster response.

From the Save Our Brass Culture Foundation website

You’ll hear me make a plug for this foundation in the second hour as I play a long set of brass band music that includes the following: Lazy Boyz Brass Band with “Come and Dance,” The Hot 8 Brass Band with “War Time,” The To Be Continued Brass Band with “Numba2 (We Dem Folks)” edited for radio, The Original Pinettes Brass Band with “We Got Music,” The Soul Rebels with Trombone Shorty with “Sabor Latino,” Treme Brass Band with “Tuba Fats,” Rebirth Brass Band with “Dilemma,” and the Forgotten Souls Brass Band with “The Second Half.” It’s about 45 minutes of brass music.

Before that you’ll hear a set of blues and some jazz and I finish with three very unique songs by Elizabeth Joan Kelly, Helen Gillet and Aurora Nealand operating under the name The Monocle.

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Today’s show finishes with a Second Line

This week’s show has no organizing principle (other than the show’s underlying commitment to New Orleans and Lafayette music). However late in the show, I do about 30 minutes of brass bands that will get you buck jumping or at least shaking some body part. Get it started by clicking the sideways triangle below and I’ll tell you more.

George Lewis with Preservation Hall kicks off the show with “The Sweet By and By.” But the next set is a mix of stuff including the Tin Men doing “Jesus Always Gets His Man.” Mem Shannon singing his song “Dirty Dishes” and Frog and Henry performing the classic “Song of a Wanderer.”

A didgeridoo opens the next set with “Bayou Billabong” followed by Little Queenie and Shamarr Allen. Sets that follow include Eric Lindell, Oliver Morgan, Dana Abbott and Aurora Nealand. A four-song set of music from Lafayette includes Sonny Landreth, Pine Leaf Boys, Tab Benoit and Roddie Romero.

Dancing in the cemetery as part of the Second Line

Somewhere around 80 minute mark, Rebirth kicks in with “Roll With It” followed by the Original Pin Stripe Brass Band, the Forgotten Souls Brass Band and an entertaining Taylor Swift cover by Shamarr Allen.

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