I’m Back Live, and Alive, in the KAOS Studio

Fourteen months after the KAOS studio closed to volunteers and most staff, I’m back at the control board slinging New Orleans music, honoring the life of Lloyd Price, exploring the new Jon Batiste record and digging deeper into the 2009 Midnite Disturbers’ performance at JazzFest. The recording of the show is available right now by clicking the arrow below. (But note that this is the version I edited for Bellingham so I say “KMRE” instead of “KAOS” on station IDs.)

For 60 weeks, I’ve prepared and recorded a Gumbo YaYa show in my upstairs spare bedroom — the one where my youngest son grew up in and which still has cats peering at me from the wallpaper. It’s a little creepy but so is going into a studio inside a building on a college campus that is almost like a ghost town. The first show was a little rough but I got it done and the music is good.

Back in the studio after all 14 months

Lloyd Price died last week at the age of 88. While he was long past his big hits (“Lawdy Miss Clawdy,” “Personality,” “Stagger Lee,” “I’m Gonna Get Married”), the Rock n Roll Hall of Famer was an entrepreneur involved in music, publication, construction and food processing. He also was a writer with an autobiography and a collection of essays “Sumdumhonky” which I’m reading now.

Lloyd Price was drafted and sent to Korea just as his singing career was taking off.

Price zoomed onto the music scene with “Lawdy Miss Clawdy” recorded in 1952 with Fats Domino banging out the song’s distinctive song opening triplets. The song became one of the biggest selling R&B records of 1952, crossing over to white audiences. He was drafted in 1954 and served in Korea so was taken out of commission at a time when Little Richard came screaming into the scene.

Upon his return to the music scene, he recorded a folk song Stagger Lee that went to the top of both the R&B and Pop charts. He followed that up with two other hits “Personality” and “I’m Gonna Get Married.”

Other highlights of the show include tracks from new records by Monk Boudreaux, Jon Batiste, and Secret Six Jazz Band. I also feature another track from the 2009 JazzFest performance by the Midnite Disturbers featuring some awesome trumpet work by Shamarr Allen and Trombone Shorty. Bumps Blackwell does a decent job of staging his new song (at the time) in a demo for Specialty Records. When Little Richard showed up to Cosimo Matassa’s studio he cut another hit with “Good Golly Miss Golly.” You’ll hear back to back tracks by Guitar Shorty and Guitar Slim – both songs recorded in New Orleans.

I throw in some Hot 8 Brass Band, Cowboy Mouth, Charlie Halloran and the Tropicales, Big Sam’s Funky Nation and much more. But the true joy of the show, at least for me, was to be able to do the backsell of the songs right after they were played for everyone. Check it out!

Gumbo YaYa 2018 – Top 10 CDs of the Year

My list of top ten releases from New Orleans is based on my experience as the host of Sweeney’s Gumbo YaYa, a Northwest community radio show that features New Orleans and other Louisiana music. To see a larger list of releases, check out my 2018 summary. This show features two tracks from each of the top 10 releases.

Bon Bon VivantLive At The New Orleans Jazz Museum –  This original group features sweet sister harmonies, a genre-bending style and a clear affection for New Orleans history performed before the perfect live audience.  This is a group to watch and you can, very easily because they perform live in New Orleans regularly.

Riverside Jazz Collective: Stomp Off, Let’s Go – Recorded at the Ellis Marsalis Center for Music by New Orleans pros who can  be heard regularly around town, particularly at The Bombay Club. This album features gently time-worn “songs that are melodically and emotionally durable.”  

Ivan Neville and Cris JacobsNeville Jacobs – A magic combination formed from a post-Jazz Fest card game where New Orleans funk and soul meets Baltimore rock and blues.  The chemistry is so solid, I listen to this CD with the hope that there will be a second one.

Cha WaSpyboy – Waiting for the next generation to pick up the mantle for The Wild Magnolias (except with a strong brass sound ) Look no further then this second release of this millennial group that has the fire!  Grammy nominated too.  “Get On Out Of the Way” 

Michot’s Melody Makers: Blood Moon – Lost Bayou Ramblers’ co-founder Louis Michot stretches the boundaries of Cajun music to his heart and my ears content with this project. I get calls from listeners wanting to know more when I play from this CD — and for good reason.

Helen GilletHelkiase– On the surface, Gillet and her music may seem far afield of what you might expect out of New Orleans. But this French and English singing cellist has been embedded in the city for most of her professional life. Her latest project can be edgy, melodic, soothing and tense.  Check out her KAOS studio performance  and interview from this summer

Jon Batiste:  Hollywood Africans – He may be world famous as the late night show bandleader but Batiste is more importantly a world-class musician with some powerful music to share, In this very personal release, he offers up originals with a fresh look at a couple standards. His reverent timing invites the listener to slow down and listen “with all you got, . . .don’t stop.”

Gal HolidayLost & Found – After 14 years in the vanguard of the New Orleans country music scene, Gal Holiday — aka Vanessa Neuman — and her Honky-Tonk Revue know how to deliver authentic old-time Patsy Cline style country. And while her band is solid, Vanessa’s voice is the star of the show.

Jonathon LongJonathon Long –  His third release is the charm. He dropped the “Boogie” from his name and added a lot of himself in his singing and songwriting. This self-titled album produced by Samantha Fish and featuring muscular guitar work and soulful, personal lyrics represents a new addition to Southern Rock.

Jon ClearyDyna-Mite – If you’ve been waiting for Cleary’s full band follow up to his 2016 Grammy win, wait no more!  With two more songs and a wider range (including a reggae-inflected song), Dyna-Mite blows away his Grammy-worthy earlier release.

I also play a track from Ever More Nest — Kelcy Mae’s latest project which was a close contender for being part of the top 10 list.