To me, the Thanksgiving holiday is about being at home with loved ones. And so this show is about getting home and being home.
After Earl King sings about “Eating and Sleeping” (a succinct description of the typical Thanksgiving Day), I move on to this show’s theme with Seth Walker’s “Home Again.” I switch genre with a rock steady number by New Orleans reggae group 007 and finish the set with Clifton Chenier doing “I Am Coming Home.”
The Radiators do “The Long Hard Journey Home” and Lloyd Price asks for a another chance with “Let Me Come Home Baby.” Hoagy Carmichael’s early composition “My Home, New Orleans” gets a wonderful instrumental treatment by Al Hirt later in the show followed by Papa Grows Funk.
Before performing “Home”, Paul Sanchez introduces horn players Craig Klein and Shamarr Allen with a story of how these musicians helped him restore his home after Hurricane Katrina destroyed it. Stay with the show through to the end and you’ll hear Lena Prima’s song “Come On a My House” and Clarence Brown singing “On My Way Back Home.”
I hope the holidays find you in a place that you can call home. My best to you. Thanks for listening.
This week’s show is about the one-handed piano player you have likely heard but not heard of. Edward Frank played on scores of R&B hits created in the Cosimo Matassa cauldron in the 50’s and early 60’s. But there’s more to the story so go ahead and get this week’s show started, kicked off by BeauSoleil’s “Bon Temps Rouler.”
This show celebrates Edward Frank’s birth anniversary. He was born June 14, 1932 and died in February 1997. Despite his early R&B history, he spent his later years playing more contemporary jazz at venues such as the Palm Court Cafe and Preservation Hall. He was a talented horn arranger and keyboardist, involved with Dr. John’s “Goin’ Back to New Orleans,” the Dirty Dozen Brass Band’s”Jelly,” Snooks Eaglin’s “Soul’s Edge,” Tommy Ridgley’s “Since the Blues Began”and Chuck Carbo’s “Drawers Trouble” and “The Barber’s Blues.”
Frank was born and attended high school in New Orleans. Except for a stint at college and some time in Houston working Bobby Blue Bland, he mostly made his home in New Orleans. He also played in Europe with Lillian Boutte. His performances were made more remarkable because of a disability that rendered his left arm paralyzed. This show features Frank playing piano on songs by Lloyd Price, Bobby Charles and Shirley and Lee (backing them up on their hit, “Let the Good Times Roll.”)
But first you’ll be treated to a set that includes Carlo Ditta’s “Tell It Like It Is,” the New Orleans Jazz Vipers’ “Swing that Music” and Professor Longhair recorded live in Chicago.
Stay with the show after the Edward Frank set because Davis Rogan, another New Orleans piano player, calls into the show to talk about how he was given a valuable life lesson by Ed Frank after losing a spot in Kermit Ruffin’s band. This show also has songs by Dirty Dozen Brass Band, the Hot 8 Brass Band (doing a long cover of “Sexual Healing”), Chocolate Milk, Corey Henry, Big Sam’s Funky Nation and a new song by Gal Holiday and her Honky Tonk Revue.
Thanks for listening and consider clicking the tab on the upper right to subscribe.
This post doesn’t have a hole in it but your bucket might. This week’s show has a few stories to it, including one about the first record where you hear Louis Armstrong’s voice, a bloody New Orleans nightclub that gets renamed in song and the birthday of a first rate R&B star whose career was disrupted by the draft and served in Korea. Start the show (Earl King kicks it off) and then keep reading.
Last weekend during a Northwest sun break, the song “That Bucket Has a Hole In It” came to mind while tossing weeds in the five-gallon buckets we use to garden. Unable to shake the tune, I rolled with it and assembled a two-set program of “bucket” songs for today’s show.
The set starts with “Gut Bucket Blues” — the third song recorded by Louis Armstrong and his Hot Five but the first to be released and the first to showcase his exuberant stage presence. As Ricky Riccardi eloquently explains in his blog post, the song “contains the first ever glimpse of Louis Armstrong’s personality, in all its glory.”
Recorded in Chicago in 1925, this Hot Five recording includes three other New Orleans expats (Kid Ory on trombone, Johnny Dodds on clarinet an Johnny St. Cyr on banjo) and the future Mrs. Armstrong (Lil Harden) on piano. As each band member takes a solo, Armstrong yells out encouragement. By the time he recorded Gut Bucket Blues, Armstrong was a veteran performer on stage and in the studio, having recorded with bandleaders Joe Oliver and Fletcher Henderson. But with this Hot Five recording, Louis Armstrong steps out for the first time, demonstrating the style he would take to an international level. There’s more fun details about this song and how it was recorded so I’ll give another plug to author Riccardi’s entertaining blog: The Wonderful World of Louis Armstrong.
I round out the set with Preservation Hall Jazz Band’s “The Bucket’s Got a Hole In It” and Eddie Bo’s catchy “Check Your Bucket” which while very different from the Prez Hall’s song is certainly connected by lyrics.
The second set starts with a gory story involving an early Little Freddie King gig that went horribly wrong. As he explains in this YouTube video, he got a gig at a nightclub for the weekend. And every night, an incident occurred that resulted in someone losing a lot of blood. At one point, he described taking cover from gunfire behind a juke box. He memorialized the experience in his song “Mixed Bucket of Blood.” The song is followed by Dr. John’s very different take of “Gut Bucket Blues” and the Hot 8 Brass Band’s “Bottom of the Bucket.”
Later in the show I do a long set of drinking songs that in song title form reads like this: Liquor Pang, Drinking Days, Drunk Too Much, Still Drunk, Drink a Little Poison 4 U Die.
Finally, I close with a rousing tribute to Lloyd Price who had five hit R&B songs in the early 50’s before getting drafted into the Army and had to serve in Korea. I tell more of this story in my Veteran’s Day post. I play one of his hits he cut after returning from the military (“Stagger Lee”) along with “Rock N’ Roll Dance” and “Come Into My Heart.”
In preparation for today’s show (two days before Veteran’s Day), I made an attempt to identify New Orleans musicians who had served in the military so I could play them to start off my show. Go ahead and click the podcast so you can listen while you finish reading this.
I did not find a source of information that was comprehensive so my list of New Orleans musicians who are veterans is far from comprehensive. If you know of one that I missed, please let me know. I’ll be happy to include them in a future recognition.
Herb Hardesty, long-time saxophonist for Fats Domino but also had a solo career, signed up with the U.S. Army Air Corps in 1941. While playing with the Army band, Hardesty learned to play the saxophone (he had been playing trumpet). He served in World War II as part of the famed Tuskegee Airmen (99th Flying Squadron). I do not possess any of his solo work, so I played Domino’s When My Dreamboat Comes Home which features two fine solos by Hardesty.
Like Hardesty, guitarist Edgar Blanchard was stationed in Europe during World War II before coming back to form the Gondoliers and be the bandleader at the Dew Drop Inn. I played his Stepping High recorded in the Cosimo Matassa studio in honor of his service.
Paul Gayten led an Army Band in Biloxi for his military service before migrating to New Orleans and kicking off his musical career. Arguably his greater accomplishment was his work as an A&R man for Chess Records but my show has him singing Just One More Chance.
Lloyd Price had five top 10 R&B hits under his belt including the number 1 song Lawdy Miss Clawdy when he got drafted and sent to Korea in 1954.
In an interview with Bill Forman of the Colorado Springs Independent, Price argued that the military draft policies were racist, applied disproportionately on Black Americans. “I never was supposed to go because I was my family’s sole supporter, and it was against the law to take more than four boys from the same family.”
By the time he returned, the field had gotten more crowded with singers like Little Richard. But he bounced back with hits like Stagger Lee and Personality and later he started his own record label. On the show, I play his 1953 song, Tell Me Pretty Baby.
It shouldn’t be a surprise that Al Hirt was a bugler in Army during World War II. He plays Diga Diga Doo on today’s show which would have been a much cooler way to wake up soldiers than Reveille. I also play songs by Dale Hawkins and Clarence “Gatemouth” Brown to recognize their service. And I finish with “Working in the Coal Mine” by Lee Dorsey who spent World War II in the Navy before starting his music career in New Orleans.
Two other NOLA performers who didn’t make it in the show but have military service are Ellis Marsalis and Ernest Joseph “Tabby” Thomas.
Today’s show also features a lot of other great music and two more clips from my interview Irvin Mayfield and Kermit Ruffins including one where Ruffins demonstrates the differences in brass band beats by banging on the bar at his Mother-in-Law Lounge on Claiborne.