There is an element of excitement when listening to a street performer–it creates an unplanned moment that forces me to choose between carrying on with whatever I was doing or allow for the aural equivalent of “stop and smell the roses.”
The moment can be magical or quite painful depending on the quality of busker. The beauty of a street performance is you can vote with your feet but if your feet don’t move, you should definitely vote with your wallet.
On Monday’s show, I’ll feature musicians who have played on the streets of New Orleans.

But before I go there, let me say that I’ve had many wonderful moments, listening to musicians on sidewalks and parks in Seattle and Olympia. A favorite street event is HonkFest West which has featured one of Olympia’s finest purveyors of street magic, Artesian Rumble Arkestra.
But it’s hard to compete with a 300-year-old city that gave birth to Jazz. New Orleans has a rich tradition of buskers which attracts musicians from all over the world. The city even seems to have its own apprenticeship program.
The wandering Alynda Lee Segarra had not played an instrument until she found a discarded washboard in New Orleans and settled into a routine of playing with street performers. She found her niche, learned banjo and guitar, started singing and wrote her own songs. Now with four major release albums, the singer/songwriter of Hurray for the Riff Raff is playing in venues all over the world.

Tuba Skinny, a band that plays rag time and traditional jazz, is touring Australia right now but when home, the band often plays on Royal Street.
Meschiya Lake also played with various street bands including Loose Marbles but moved to the night clubs when she formed The Little Big Horns Jazz Band. You can usually catch her amazing act live at Chickie Wah Wah on Canal Street on Wednesday nights.
The most widely known street performers of New Orleans are the brass bands. With a long tradition of parades, second lines and musical funeral processions, the city has developed a very strong community of brass musicians and bands. Treme Brass Band and the Rebirth Brass Bands tour the world but can still be found on occasion playing on the streets of New Orleans. The street provides a great place for budding musicians to learn their craft and over time achieve success as evidenced by the Baby Boyz Brass Band and TBC Brass Band.

One of my favorite street music moments occurred when I was walking along Royal Street in April 2006. The guitarist sounded a little like Robert Cray and the harmonica player had a deep bass voice and looked distinctive in his thick grey beard, farmer overalls, straw hat and sunglasses with one lens punched out. I listened for several songs and talked with them between songs. I bought their CD and had them sign it—a practice I still do with street performers I enjoy. Stoney B, the guitarist, has since moved to San Diego where he and his band play regularly at festivals and night clubs. Grandpa Elliott, the harmonica player, became famous as a regular with the Playing For Change band and recordings.
It’s easy to find street musicians while in New Orleans. But you don’t have to visit NOLA, to hear them. I’ll be featuring several sets of music from NOLA street performers, Monday, October 6, starting at 10 a.m. on KAOS, 89.3 FM. We stream.
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