This week’s show is crammed with stories and recognitions, starting with the opening track by Louis Armstrong – “Irish Black Bottom” and carrying on with Clarence “Frogman” Henry’s 84th birthday, and grammy wins by the New Orleans Nightcrawlers and Bobby Rush. Go ahead and get it started and then read on.
I’m not sure what possessed Louis Armstrong to do Percy Venable’s “Irish Black Bottom.” Some have surmised that it was part of his act at the time he recorded it in November 1927 with his Hot Five. Certainly the song’s novelty fits with the sense of humor many associate with Satchmo. It helps to know that Black Bottom refers to a dance craze of that era — which was likely begun as a result of a Jelly Roll Morton song recorded a bit earlier called “Black Bottom Stomp.” Black Bottom refers to a neighborhood in Detroit which was occupied predominantly by African Americans but was named for its fertile dark soil.
The song opens the show and I follow through with a token set of Irish-like songs in honor of a day in which some celebrate Irish Heritage. Marc Gunn, Gina Forsyth, the Zydepunks and the Valparaiso Men’s Chorus represent in that set. I then keep the folk vibe going for one more set with the Tom Paines, Luke Winslow-King and Theresa Andersson, among others.
But then I repeat a short clip from my interview with the New Orleans Nightcrawlers who just won a grammy for their album Atmosphere. In the clip, Matt Perrine talks about how the band mediates between honoring the rich New Orleans music culture and incorporating new elements of interest to the nine members of this band. I follow that up with a couple of songs by Bobby Rush who also just won a grammy — his second in three years. He’s 87 years old.
Speaking of octogenarians, Clarence “Frogman” Henry, who was there when it all happened during the New Orleans R&B boom, turns 84 on Friday. I celebrate his birthday with three songs (the limit according to federal streaming rules).
But wait! There’s more. Allen Toussaint sings “Brickyard Blues” a song that was recorded by five different artists when he wrote it in 1974. But Allen recognizes Scottish soul singer Frankie Miller as his inspiration. Here’s the Miller version of Brickyard Blues.
And finally, near the end of this week’s two-hour show, I talk briefly about the Leroy Jones documentary “A Man and His Trumpet” streaming on Netflix. I play two songs by this exceptionally talented and dedicated trumpet player and band leader — perhaps the first member to be recruited by Danny Barker for the famous Fairview Baptist Marching Band. If you love New Orleans music, you should catch this documentary with great stories delivered by Jones as well as Terence Blanchard, Harry Connick Jr., Greg Stafford and Herlin Riley. As promised on the show, his goofy trailer.
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