I’m serving up several helpings of chicken, catfish and sweet potatoes along with some fried neck bones, cream beans and frim fram sauce. Tuck your napkin in, start the player below and lets eat! (Show re-aired on Nov. 25 & 26 2021 on KAOS and KMRE)
Ghalia & Mama Boys start us off early with “4 a.m. Chicken.” Robert Ward brings on the second entree (Potato Soup) which is a good thing because the New Orleans Jazz Vipers then dish up “All Meat and No Potatoes.”
And that’s how it goes for two hours with double servings of Tin Men (“Avocado Woo Woo” and “Hard Candy”), Cyril Neville (“Cream them Beans” and “New Orleans Cookin”), Lee Dorsey (“Candy Yams” and “Shortnin’ Bread”) and Los Po-Boy Citos (“Sweet Tater Pie” and “Fried Neck Bones and Home Fries.”)
Are you getting enough to eat?
How about Professor Longhair’s “Red Beans,” Kermit Ruffins’ “Chicken and Dumplings,” Dave Bartholomew’s “Shrimp and Gumbo” or the Radiators “Papaya.”
For dessert, Mem Shannon and his tasty guitar work leads us through “Sweet Potato” as in “She’s my sweet potato and I’m her chocolate pie.” Okay, so he might not be really be singing about food but its mighty fulfilling.
The concept for today’s show originates from our need at KAOS to periodically record the composer when we put up our play list on Spinitron. This got me thinking a bit more about how musicians are compensated for the airing of their music. Start the show and then read on.
As I understand it, the broadcast of music over a terrestrial radio station generates income for the composer but not for the performer. However, the streaming of the song on the Internet possibly generates revenue for both the performer and composer. I write “possibly” because there are a lot of “if’s” which I don’t have the brain bandwidth to understand. Also, the amount of money per spin is a small fraction of a penny.
The relevant piece of information here is that because BMI does a spot check on what we play, requiring us to list the composer, I decided to do a show that featured exclusively NOLA musicians playing their own compositions. I added an additional requirement that the musician be active — or at least still alive.
So here is what you’ll hear: Paula (Rangell) and the Pontiacs performing her original song . The prolific Alex Murray performing one of his originals. Flow Tribe doing their unique “Oh Yea.” Tin Men performing an original by band member Washboard Chaz Leary. Meschiya Lake performing a song by her sousaphone player Jason Jurzek. And on it goes. We cover jazz, blues, rock, and stuff in between.
The one exception to my self-imposed active musician rule is Leigh Harris’ wonderful “Dog Days.” Harris, known as Lil Queenie, is struggling with cancer. Here’s here fundraising site for her hospice care. All the rest of the performers heard on this show can be seen live usually playing around the New Orleans area.
I enjoyed creating this show and I bet you’ll enjoy listening to it. (did you get it started yet?) Please consider subscribing. Cheers.
This week’s show is one of me catching up on playing music I’ve been meaning to get to but hadn’t been able to work it into a set. Here it is, with announcements edited out.
Tin Men’s “Tootie Ma is a Big Fine Thing” is another fine demonstration of how well Matt Perrine can play melody on a sousaphone. Their new album is Sing with Me and it kicks off the show. I dive into an earlier album of Bon Bon Vivant by playing the title track from”Paint & Pageantry,” serving notice that this show will rock a bit more than usual. By the time Bill Pierce does the Sonny Landreth number “Zydecoldsmobile” we are definitely rocking.
For some reason the 2001 release The Hoodoo Kings sitting in the KAOS blues section managed to elude my discovery until recently. This one-off album features Eddie Bo of New Orleans along with two well-regarded Baton Rouge musicians, Raful Neal and Rockin’ Tabby Thomas. I played “Luberta” and expect to hear more from this album in future shows. Ivan Neville’s collaboration with Chris Jacobs makes its debut on my show with “Money Talks” and I also play the opening track of the Ever More Nest release “Unraveling.”
A new group called Old Riley and Water also debut on my show and I play from Lena Prima’s new release Prima La Famiglia. There’s more in the show but if I haven’t convinced you to start playing by now, there’s no point writing any more. But if you do like, please subscribe. See you next week.
I miss the days when my Dad would pull out the slide projector and set up the screen and we’d look at the slides of our last vacation. Well, get my show started and you’ll hear an audio slideshow of my trip to New Orleans last week.
Since this show was part of the KAOS pledge drive, I have the honor of Anch Bergeson, host of Sundrenched, and Vertis Love, host of Old Ship of Zion (KAOS shows) as company. I kept our discussion of New Orleans but edited out the pledge requests. However, if you want to support our community radio station, its easy to do.
For West Coast visitors, there’s a nice alignment for catching Rebirth Brass Band at the Maple Leaf Bar on Tuesday nights. Usually, flights are cheaper on Tuesday and the two-hour time change helps in terms of staying up late enough to see this venerable band that usually doesn’t start performing until after 10:30 p.m. This show recognizes how I started last week’s trip with Rebirth’s “Who’s Rockin’, Who’s Rollin”
My next set portrays our ride on the Natchez boat down the Mississippi, an easy and fun tourist activity and I feature two bands we saw later in the day at clubs on Frenchmen Street (Bon Bon Vivant and Tin Men).
I do a set featuring coffee because my wife, Kim, still raves about the cup of coffee she had at Morning Call located at City Park. Most tourists get their cafe au lait at Cafe du Monde in the French Quarter. Morning Call used to be there but now they have a wonderful place at City Park. I finish the set with a Corey Henry song because we ended the day at Vaughan’s in the Bywater for his weekly late Thursday night performance.
Lena Prima, Louis’ daughter, is a wonderful performer with an excellent band and a crowd-pleasing songbook. She holds court in the Carousel Room of the Monteleone Hotel every Friday night. I play “Scuba Diver” off her live album which pretty accurately captures the music but to catch the antics, you’ll have to wait for my narrative after that set.
I caught up with Helen Gillet at the Courtyard Brewery’s fourth anniversary party and she gave me her latest release and I play “You Found Me.” Charles Sheffield “It’s Your Voodoo Working” and Clarence “Gatemouth” Brown’s “Swamp Ghost” symbolize the Krewe of Boo parade we caught.
It took some deciphering but we figured out how to catch up with the Men of Luck’s Second Line parade on Sunday. Cyril Neville’s “Running with the Second Line.” capture that feeling.
I’ve got two shows to share with you this week because I had to dash off last week and didnt’ have a chance to edit and upload until now
Start with this one which has three “kings” in it.
I celebrated Little Freddie King’s birthday with a song by him followed by a song by his namesake, Freddie King. (That’s two of the kings). Little Freddie King is actually Fred Martin and he turned 78 last week. I spin “I Used to be Down” from his latest release. To get to that song though, I “force” you to listen to two jazz and rhythm and blues sets that include tracks from new releases by Jon Cleary, Sabertooth Swing and Tin Men. I hope you can survive and stick with the show for the third king.
Later in the show, I do a set of songs that Elvis Presley popularized, including Smiley Lewis singing “One Night of Sin.” Elvis took the melody but toned down the lyrics so it was moreof a love song and less of a confessional. I did this so I could talk about “The King” a documentary about the American Dream viewed from the perspective of Elvis Presley’s life. I interviewed the director, Eugene Jerecki for a different program, and I include a one-minute clip of that interview where he describes the amazing music in this movie.
The July 26 show celebrates saxophonists Kevin Harris’ birthday by playing “Swampthang” from the New Orleans Suspects live album recorded at the Maple Leaf club. Kevin Harris, who performs with the Dirty Dozen Brass Band, blows his horn with with the Suspect’s Jeff Watkins that must made that old nightclub feel like it was coming down. This song alone is worth playing the show but you’ll also hear Lil Queenie (and Dog Days by Leigh Harris), Dr. John, Charmaine Neville, Lena Prima, Slim Harpo, Zigaboo Modeliste, Larry Garner, Tab Benoit to name a few.
This week’s show is about money. . .because despite community radio being free of commercial pressure it still depends on hard green cash to run. You can start the show now while you finish reading this. (Don’t worry, I’ve edited out the lengthy pledge appeals.)
As a 12-year-old, I would turn the radio on instead of going to sleep and from the shadows of my bedroom in Norman, Oklahoma, I would listen to deejays from Chicago, St. Louis and Dallas. The deejays would tell me about the weather, describe the music, and talk about their day while their commercials would hail the virtues of car dealers and appliance stores in their communities. Snuggled in my bed, I would envision what it would be like to live there.
I’ve always loved radio for its ability to ground me in the moment while also transporting me to other places. Unlike the constructed mass appeal of television, radio is a personal and live experience. One person speaking into a mike, sharing music and stories, talking to me wherever I might be.
While much of commercial radio has changed to a more decentralized and impersonal experience, community radio, particularly KAOS, 89.3 FM, Olympia, has moved in the other direction. Housed and supported by The Evergreen State College, KAOS trains its volunteer deejays, works with them on developing a show, provides them the studio platform and then cuts them loose to do their thing. The result is some inconsistency in delivery and mechanics but because of that diversity, the station preserves the spontaneity and joy of being in the moment. I tell that to myself every time I push the wrong button or cue up the wrong song or stammer through some sort of transition.
We’re not slick, we’re real
And though we wouldn’t exist if not for the generous support of the college and its students, we do need to show that the station has listeners. Listeners who appreciate the station’s existence enough to help underwrite its cost. It’s a different model from the commercial era, but worth it if you love real radio.
(Today’s show – see above podcast – starts with the New Orleans Suspects, features two songs by Chubby Newsome recorded in New Orleans, a vinyl track of Huey “Piano” Smith, the Tin Men, Lil Rascals Brass Band, Roddie Romero & the Hub City All-Stars, Ingrid Lucia, James Andrews and much more)