This weekend, the Mardi Gras parade season heats up so I start today’s show with like-themed music. In fact, the opening Cowboy Mouth song kicks ass. But this show was more inspired by the recent State of Union address. Go ahead and get it started and read on.
Earlier this week, I was put off by the President’s State of the Union remarks about immigration. In particular, comments that used a very broad brush to suggest that all immigrants are gangsters. I’m so glad Trump wasn’t in charge of immigration when my great grandparents immigrated from Cork, Ireland. News reports of Irish thugs and gangs in New York during the mid-19th Century might be considered threatening enough to block Irish immigration under his standards.
New Orleans music is very much a melting pot of cultures. Today being the first day of February, African American month, I’ll start with the role of slaves and their descendants in creating jazz, blues, funk and every other kind of music I love and listen to. Nicholas Payton’s “Jazz is a Four-Letter Word” says its better. “All of this exemplifies the genius of Black creation.” Definitely hang in for his eight-minute wonder later in the show..
The migration of French-speakers from Acadia (political refugees who refused to pledge loyalty to the English King) to southern Louisiana gave us Cajun culture. Listen for the three-song set on Cajun music.
Haitian refugees, Cubans, Central Americans who helped rebuild the city after Katrina and musicians from all over the world continue to stir the Gumbo Ya Ya pot. And this show has a taste of all that and some.
I even play Davis Rogan’s allegorical song about New Orleans newcomers which argues that unless we’re Native Americans, we’re all immigrants.
I hope you enjoy the show and consider subscribing to be alerted when I post new shows.
Last week, I did a summary of 2014 New Orleans releases. The list got so long, I needed a second round. I’m not organized enough to put them in any order so there’s no shame, as will be proven when you read below, in being included in this second installment.
By the way, this is music I play on Sweeney’s GumboYaYa. (And I’d be thankful if you subscribed – Upper Right Corner )
Tommy Malone – His third solo album since the Subdudes, Poor Boy, delivers 11 more smooth tunes with Malone’s unique blend of blues and folk. A talented guitarist and songwriter (he does only one cover), Malone has a voice that’s easy to make friends with.
Nicholas Payton – Numbers is what you make of it. You could call it chill music, but it’s far too engaging to allow your mind wander. I’ll get out of the way and repeat Payton’s description: “It’s a bed of sex wrapped in 500-thread count sonic sheets.” Get that?
Fo ‘Reel – Heavy Water bounced between our blues and soul shelf this year on the strength of Johnny Neel’s funky organ and C.P. Love’s vocals. The CD really takes off for me when bandleader Mark Domizio cuts loose with his guitar, particularly on Shake N Bake.
Dr. John – The Night Tripper left nothing to chance with this tribute to the immortal one, Ske-Dat-De-Dat: The Spirit of Satch. Terence Blanchard, James Andrews, Nicholas Payton (see above), and Wendell Brunious supply the chops with some welcome guest vocalists contributing a diverse array of interpretations of Louis Armstrong standards. You might not like every track but you won’t ask for your money back either.
The Roamin’ Jasmine – Another talented swing jazz band forged from the busking scene of New Orleans. In its self-titled album, this merry band of six musicians at times conjure up an exotic polyphonic sound, while staying true to the NOLA tradition of strong solos and swaggering vocals.
Davis Rogan – Davis Ex Machina is distinctly a New Orleans album–and not just because its performed with journeyman NOLA musicians. Mr. Rogan is no longer a school teacher struggling from performing at night and no longer the inspiration for a character of an HBO show. But he does continue to write songs that take you deeply into his hometown, while still connecting to timely broader messages. Case in point, “Big Treezy” appears to be a rant on the dilution of the”New Orleans” he loves yet ends as an allegory for immigration. Or maybe that’s just me reading too much between the lines. You tell me.
The Soul Rebels – No new CD this year BUT this kick-ass funk, R&B, hip-hop brass band has been offering a weekly track online for free throughout the fall, including three recorded this year–a cover of Michael Jackson’s “Off the Wall” (Week 5) , a mash up of its “Nothin But A Party”and Outkast’s “Spottieottiedopaliscious” (Week 6), and a never played again arrangement of Talib Kweli’s “I Try” (Week 7). Another reason not to want winter to begin.
Gal Holiday & The Honky Tonk Revue – Gal Holiday, the alter ego of singer Vanessa Niemann, fronts a genuine country dance hall band — part honky tonk, part redneck soul and solidly swing. They’re on my list to see live next time I’m in New Orleans, meanwhile I’ll keep enjoying Last to Leave, the band’s third CD.
Kelcy Mae – What do you call an album that wraps pop, country, and blues with solid arrangements, soulful lyrics and strong vocals? Before I started my New Orleans show, I was playing Half Light frequently on my open format morning show, without knowing she was a Louisiana native. crafting music from her home in New Orleans with the able assistance of Alex McMurray and Sam Cordts.
Benny Turner – Benny’s the real thing. He’s played guitar with his brother’s band, Freddy King and he was the band leader for Marva Wright for 20 years. With his third release, Journey, Turner plays and sings quintessential blues guaranteed to satisfy the music fan on your list.
Tuba Skinny – Owl Call Blues is a testament to this street band’s ability to find archival gems and make them fresh while also producing original music that sounds old-timey. They’ve toured the world but you can still catch them busking in the Quarter.
Gregory Good – Savage Lands offers original and traditional songs in a Woody Guthrie wanderlust style that places you at the campfire with Good singing and playing guitar as if he were still a roustabout in his home state North Dakota. Now in New Orleans, his new album joins Milo Records’ growing stable of Americana and traditional folk recordings.