Tim Sweeney

Join Me On Audio Tour of My Latest New Orleans trip

My first trip back to New Orleans in over 22 months comes to life in this week’s show, featuring musicians I saw perform live during my short visit made shorter by an unplanned diversion to Bossier City, Louisiana. Start the show and then read on about the trip.

Our nonstop flight from Seattle to New Orleans was met with dense fog and a malfunction of the airport’s guidance system. With gas running low and no Rudolph to guide our sleigh in, we landed at Shreveport in the Northwest corner of Louisiana — about as far away from New Orleans as we could get and still stay in the state. Eventually, we ended up in a casino hotel on the other side of the river from the airport in Bossier City — a far cry from Frenchmen Street. “Gamblin’ Blues” by Champion Jack Dupree helps paint the picture on my show.

Eventually, we got to hang on Frenchmen Street on Thursday night. The famous music neighborhood seems a bit diminished after a worldwide pandemic and another hurricane. A couple of clubs are closed and others are operating on more limited hours. But the music is there to be heard and seen. In the show, you’ll hear music that follows our bar-hopping course.

Jason and Lyrette Neville with their funk and soul band.

We started at Three Muses with Tom McDermott playing his Jelly Roll Morton and rag time influenced piano behind a plastic glass. After dinner, we walked down to the bottom of the street to the Yard with Jason Neville Funky Soul Band. Jason is son of Aaron Neville and performs with his wife Lirette, daughter of New Orleans Jazz Legend “Sullivan Dabney,” and a solid band of funk professionals. The band does mostly covers with a signature style and unfortunately I have no recordings of their music. (The Neville’s “Ain’t No Sunshine” cover fills in) You’ll just to have to take my word for it that it was worth the stop. In fact, I think most of my group would have been happy staying there the whole evening. But, we pushed on.

We landed at Bamboulas where Marty Peters and Party Meters were holding court. Peters plays saxophone and clarinet and his hot jazz quintet explores a similar vein of music as the New Orleans Jazz Vipers. My favorite feature of this group is the singing by Peters and his trumpet player, Jeff Kreis. The two also offer up a bit of comic repartee to enliven the show — as they do in “Somebody Stole My Gal.”. But wait, there was more.

I’ve wanted to catch Shawn Williams live ever since hearing her Motel Livin’ record. And since she was just across the street at Favela Chic, I moved the group again. This was my first time in this relatively new music venue and I was a bit disappointed in the sound quality. I’m not sure if that was the venue’s fault or the fault of the brass band blazing on the corner just outside. You need to hear Shawn’s words and that just wasn’t possible. Still, it was good to see her perform live. On the show, I play her “Buried Alive.”

One of a dozen light installations on the Lafitte Greenway

New Orleans is more than the French Quarter and Frenchmen Street and its imperative to get out into one of the hoods. The Greenway Supernova in Mid City on Friday night was a solid choice. A combination art event, fundraiser and concert in support of the Friends of Lafitte Greenway – a 2.6 mile greenbelt trail that runs from Louis Armstrong Park to Bayou St. John. Twelve luminary artworks dotted the park, anchored by a crafts fair, silent auction and two music stages.

My favorite light installation hung from a sprawling oak tree and involved some intentional spotlighting of “deconstructed disco balls” which cast spiral shadows and random sparklies. Later, singer and songwriter Abigal Cosio pointed out that people have been dancing to mirrored balls long before disco. In addition to being right on that one, she was also the reason we were there. She fronts the band Bon Bon Vivant who did an evening outdoor concert under the cheery lights.

As we got into the weekend, the clubs became more active. We caught John Saavedra’s G & the Swinging Gypsies digging deep into Django Reinhardt’s songbook at Bamboula’s on Saturday. I have a recording of this group when it featured Gisell Anguizola on vocals and tap. But it appears Gisell lives and performs in San Diego now.

The highlight of Saturday was Dragon Smoke at Tipitinas (well there also was an awesome meal at Herbsaint, a walk through the lit holiday decorations at Roosevelt Hotel and a street car ride all the way up town and back along St Charles and Carrollton). Dragon Smoke is a group formed in 2003 as part of New Orleans JazzFest tradition called Superjam which puts together people from bands who don’t normally play together. In this case, the Galactic rhythm section of drummer Stanton Moore and bassist Robert Mercurio pair up with keyboardist Ivan Neville (Aaron’s oldest son and leader of Dumpstaphunk) and guitarist, singer/songwriter Eric Lindell. The band alternated jamming on songs led by Neville and Lindell. The communication between musicians was strong, creating improvisational riffs that stayed tight and strong the whole night.

J and the Causeways opened for Dragon Smoke (exactly on time by the way). Bandleader Jordan Anderson handles the keyboards, singing and songwriting with the help the help of a horn and rhythm section and tasteful rhythm and lead guitar by Evan Hall.

Our last night, Sunday, found out us back out at Mid City for a Christmas show at the Broadside but first we shopped at the pop-up Art Market in City Park where the Secret Six Band entertained us.

Finale song at The Very Loose Cattle Christmas Show at the Broadside

During the pandemic, The Broadside Theater opened an outdoor venue in its parking lot–which is where we caught “The Very Loose Cattle Christmas Show.” Loose Cattle is fronted by part-time New Orleans resident Michael Cerveris (You might know him as music manager “Mervin Frey” from the HBO show “Treme.”). The show was two hours of Christmas songs – reverent (O Holy Night) and irreverent (“Drunk This Christmas”). The show a featured a steady flow of guests such as Meschiya Lake, Antoine Diel, Mia Borders, Paul Sanchez, Arsene Delay, Lilli Lewis, and John Boutte. Stage musicians included two members of the grammy winning New Orleans Nightcrawlers (Craig Klein and Jason Mingledorff), The Iguanas bassist Rene Coman and Josh Paxton on piano. Cerveris generously taped and posted the entire show on YouTube– Merry Christmas.

We finished the night with a couple more shows on Frenchmen Street featuring John Lisi & Delta Funk performing to a packed Cafe Negril audience followed by Ted Hefko and the Thousandaires.

The show starts with Louis Armstrong singing “Do You Know What It Means to Miss New Orleans.” On air, I promised I’d provide the link to the original recording of that song featuring Billie Holiday singing with Louis Armstrong.

Here’s posts of other trips I’ve taken to New Orleans:

Your 2021 New Orleans Music Buying Guide

Give the gift of music. Here’s the new music that has crossed my path in doing Sweeney’s Gumbo Ya Ya this year. I play these records on the show in the order that you see them below.

Jon Batiste: We Are – What can I add to a record that has racked up eight Grammy noms? Batiste is a genius who writes and sings from a core of truth that is embedded in New Orleans. Once you get past the “Freedom” video, check out and several ass-kicking videos featuring the title track, “Freedom” and “Tell the Truth,” “We Are,”and “I Need You.”

Tiffany Pollack & Co. : Bayou Liberty – Following up on the success of her blues album recorded with cousin Eric Johansen, Pollack recorded a dozen of her original songs with assistance of producer and blues musician John Nemeth. But its far from a blues album with songs that channel Lone Star Tall Boys, honky-tonks, early morning nightclubs and sticky-seated dives where you go mainly for the crawfish and beer. Here’s more on Tiffany and the show with her interview.

Kid Eggplant & the Groovy Melatauns: Peace, Love & Donuts – Kid Eggplant, aka Robert Snow, and his music defy categorization perhaps because he embraces almost all genre: R&B, Doo Wop, Blues, Rock, Soul and Pop. You can count on his songs to be laced with catchy, and, at times ,slightly weird lyrics. However, you describe it, this music is an authentic product of the New Orleans music and nightclub scene.

Willie Durrisseau: Creole House Dance – Louis Michot and Corey Ledet carry off a major service to preserving creole music by capturing 101-year Willie Durrisseau on tape. Here’s more on this amazing story.

Secret Six Jazz Band: Secret Six – A side project of the brilliant Smoking Time Jazz Club led by the band’s bass player John Joyce, the Secret Six carry on the popular tradition in New Orleans of keeping old timey songs alive with a fresh take and sharp musicianship.

Dwayne Dopsie & the Zydeco Hellraisers: Set me Free – A favorite at the summer Portland Blues Festival, Dopsie and his gang deliver a dozen mostly original Zydeco tracks with everything you would expect from his show – excellent vocals, cranking accordion and even frottoir (rubboard) solos. Great for showing off your footwork.

Jamie Lynn Vessels: If I’m Being Honest – Blues rocker who has made New Orleans her home, Vessels offers a sweet voice, passionate and emotional lyrics and Cranston Clements fueled guitar licks. All original songs.

Loose Cattle – Heaving Lifting – Michael Cerveris (“Annie’s” agent on the HBO series Treme) performs with a solid group of musicians, many from New Orleans, creating barnburner style Americana music that will get you dancing.

George Porter Jr. & Runnin’ Pardners – Crying for Hope – The band collaborated remotely during the pandemic to re-record and mix the album’s 12 songs, culminating in Porter & the Runnin Pardners’ most compelling release to date.

Big Chief Monk Boudreaux: Blood Stains and Teardrops – Big Chief Monk Boudreaux is the oldest living Mardi Gras Indian Chief with an impressive library of recordings with the Wild Magnolias and others. But this solo effort allows Boudreaux to cover new ground with both his writing and singing with songs infused with reggae (six tracks were recorded in Jamaica) and blues.

Chris Acker: Odd, Ordinary & Otherwise – One-time Bellingham resident, Acker offers up a collection of songs written or finished during the pandemic shutdown. He’s been happily embedded in New Orleans for at least a half dozen years writing and singing songs in the spirit of John Prine with an entertaining ability to conjure life’s fascinating details.

Craig Klein: Talkative Horns – Musical Conversations on Lucien Barbarin – This grammy winning trombonist started this project with his friend but made the record a tribute to him after Lucien Barbarin’s untimely death from cancer. A fellow trombonist, Barbarin was fan of mutes and this record’s eight track features them throughout creating a conversation between Klein’s trombone and Kevin Louis’ trumpet. Here’s the show featuring Craig Klein interview on his new record.

Dumpstaphunk: Where Do We Go From Here – Dumpstaphunk, headed up by Ivan and Ian Neville, answers their record title’s own question when it comes to where funk goes from here. This is a funk rock album with touches of jam band and R&B. You’ll dance and the lyrics speak to today.

Tuba Skinny (Maria Muldaur): Let’s Get Happy Together – A smart selection of vintage songs by straight A student of old timey music and jug bands Maria Muldaur who last year did a record featuring LuLu Barker songs. This time her New Orleans connection is Tuba Skinny which is allowed to shine and complement Muldaur’s perfected suited vocals.

Jonathan Bauer: Sings & Plays – For his second record, Jonathan occasionally lowers his trumpet and steps up to sing classics like “Days of Wine and Roses,” “Exactly Like You” and “September in the Rain.” His website claims that early listeners have described the band’s new aesthetic as “New Orleans Chet Baker.”

Leo Nocentelli: Another Side – A new record that takes you back a half century when the Meters’ guitarist and co-founder took a short break to do something completely different. Recorded mostly in 1971 but just released this year, the songs have an intimate feel reflective of the folk rock of that time. An excellent showcase of Nocentelli’s guitar and vocals.

Lynn Drury: Dancin’ In the Kitchen – A veteran of the New Orleans Americana music scene, Drury’s latest record seems a cut above an already impressive list of recordings. With excellent studio support, Drury soulfully dishes out her life experiences — you will swing, you’ll smile, you’ll cry.

Cha Wa: My People – Brainchild of drummer Joe Gelini, Cha Wa follows in the footsteps of the Wild Magnolias in delivering the rhythm, traditions and ethic of Mardi Gras Indians outside of New Orleans. This third release now features Joseph Beaudreaux Jr. (Monk’s son) on lead vocals.

Ted Hefko and The Thousandaires: Down Below – Hefko, who has straddled jazz and blues, takes a serious dive into country — a genre he hinted at with his last release Gas Station Guru But the woodwind musician puts his unique stamp pulling out his baritone sax, clarinet and flute among other instruments and helped out on a couple songs by Kevin Louis and Craig Klein (See Talkative Horns above).

Jason Ricci and Joe Krown: City-Country – City – Ricci on harmonica and vocals, Joe Krown on Hammond B-3 and piano with Doug Belote on drums and you have a stripped down funky, blues, swinging sound. Truly a situation where the sum is greater. One of my favorites of the year.

Garage a Trois: Calm Down Cologne – Galactic drummer anchors this power trio of Skerik (sax) and Charlie Hunter (guitar) — there first recording together since 2011. These masters of improvisation pull it off right in the studio with some serious funk, jazz and just out there playing.

Nicholas Payton – Smoke Sessions – Partly a sentimental yet original revisit of Miles Davis’ Four and More record, Sessions includes Ron Carter on bass and a couple of guest appearances by George Coleman on tenor saxophone. And they shine. But the real surprise and star of this album is Payton, the trumpet player, performing on piano.

Camile Baudoin: This Old House – The Radiator’s guitarist makes it all seem so simple with this spin of New Orleans/Radiator songs. Here’s how he introduces his latest album on Bandcamp – “It’s a New Orleans jukebox feel, enabled by some of my favorite fellow musicians. Roll up the rug, drop in a quarter, and enjoy!”

Debbie Davis, Matt Perrine and Friends: Oh Crap, It’s Christmas! Volume 2 – This is a family affair with Davis and Perrine anchoring with vocals and bass and their two songs adding their voice to songs like “Run Run Rudolph” and “Rockin’ Around the Christmas Tree.” And then there’s the musical family that includes the bright piano playing of Josh Paxton, Alex McMurray on guitar and Andre Bohren on drums. A nice mix of traditional and new for the holidays.

Get out and buy some low-carbon footprint gifts of music. Happy holidays. By the way, I do this end of year summary show every year.

December Dance Party with Only One Reindeer

I keep the first of the month dance party tradition rolling into the holiday season with the help of New Orleans and Lafayette musicians, digging a bit deeper to get your hips to swing and your tired dogs high steppin’. First up is Linnzi Zaorski with the “Rhythm in Me.”

In the first full set you’ll get to boogie to a bit of Zydeco, an R&B version of “Lil Liza Jane,” a brass band groove and a blues song. The next set swings from funk to R&B before running into a jazzy swamp number by Bluesiana.

And so it goes through the show bouncing between genres and rhythm speeds but always with a focus to keep you moving.

Kermit Ruffins will explain how to do the “Fat Tuesday.” Johnny Adams will have you “Chasing Rainbows.” And Arsene Delay will let you catch your breath with a “Slow Drag.”

Flow Tribe will go “Back ‘n’ Forth” while Shotgun Jazz Band will be “Steppin’ on the Gas.” Creole String Beans will get you “Barefootin'” while Marcia Ball makes sure “The Party’s Still Going On.” And as the show wears on, Smoking Time Jazz Club will make sure there’s “Friction.” Erica Falls simply sings “Dance.”

And Debbie Davis and family will “Run Run Rudolph.” Remember to stretch before and after.

All Female Gumbo Ya Ya for 2021

Great singing and rocking rhythms as the women take center stage on this week’s Sweeney’s Gumbo YaYa. You can listen to the show right from this page using the player below

Arsene Delay starts the show with the title track from her record “Coming Home.” Thirty songs follow all featuring a woman singer, musician and/or bandleader, including new music by Lynn Drury and Tiffany Pollack and great classics by Marva Wright and Irma Thomas.

But before you get to them, you’ll hear “My Sin” by the all-female Shake ‘Em Up Jazz Band and “My Darlin’ New Orleans” featuring a beat poet intro by Little Queenie.

Miss Sophie Lee sings “You Do Something To Me” on this week’s show which puts female musicians front and center.

Throughout the show you’ll hear Gumbo YaYa show shout outs by Marla Dixon who fronts the Shotgun Jazz Band, Debbie Davis, Vanessa Niemann of Gal Holiday and the Honky Tonk Revue, Tiffany Pollack, Lynn Drury, Shawn Williams, Sierra Green, Lena Prima and Kelcy Mae.

Each year this show gets easier in terms of having a choice of female musicians and harder in having to make those tough choices. Here’s previous shows featuring exclusively female musical artists:

All-Female Gumbo YaYa for 2020

All Female Ya Ya 2019

Female New Orleans Artists take the Gumbo YaYa stage

Plenty of music for one all-women show but still an imbalance

More women are taking the music stage in New Orleans

Al Hirt, Art Neville, Herb Hardesty and other veterans share their music

As with last year‘s Veterans Day show, this year’s features music from New Orleans area musicians who served in the military. One way perhaps to reduce the chance of war in the future is to give respect to the lives of people who we send off to fight. Whether these musicians saw combat or not, their service in the military often came with a price, some times to their careers. Veterans Day used to be Armistice Day — a celebration of peace. Here’s the link to Veterans for Peace who seek to reclaim this day’s purpose.

This show also features an interview with Kevin Clarke, Grammy winning trumpet player with the New Orleans Nightcrawlers, talking about his friendship with Al Hirt who served in the U.S. Army during World War II.

I start the show with a cover of Blind Lemon Jefferson’s “Wartime Blues” and then flow into Lee Dorsey’s “Gotta Find a Job” to kick off the first full set of music. While serving on a Navy destroyer during World War II, Dorsey was injured by a Japanese fighter plane attack. After leaving the military, Dorsey returned to New Orleans and learned auto body repair with funding provided by the G.I. Bill. Despite his music success, he continued to work at his shop through most of his life.

R&B pianist and Army band leader Paul Gayten follows with “Nervous Boogie.” Lloyd Price, whose career was short circuited when he was drafted and sent to Korea, offers up “Chee Koo Baby.” Dale Hawkins, who lied about his age and served during the Korean War, sings “Suzie-Q” (yes, the song that later would be a hit for Creedence Clearwater Revival) and Ellis Marsalis, a Marine, delivers “Just Squeeze Me (But Don’t Tease Me)”

The next set is dedicated to saxophonist Herb Hardesty who was a member of the famed 99th Flying Squadron better known as the Tuskegee Airman – the first African American squadron to be deployed overseas during World War II. You’ll hear him play baritone saxophone on Fats Domino’s “Blue Monday” and tenor on a couple of other Domino songs featuring his solos. The set starts with his original song “Just a Little Bit of Everything.”

Kevin Clarke shares his memories of Al Hirt in this week’s show.

Then Kevin Clarke, who won a grammy this year for his performance with the New Orleans Nightcrawlers’ album Atmosphere, talks about making a point to befriend Al Hirt when he first moved to New Orleans in the 1990’s. As part of Clarke’s reminiscence, you’ll hear “Java,” the theme from the “Green Hornet” and “Cornet Chop Suey.”

The next set highlights the Navy service of Art and Charles Neville with Art’s “Let’s Rock” along with The Meters “The World is a Bit Under the Weather. Leo Neocentelli served during the Vietnam War but returned in time to contribute his guitar licks to The Meter’s groove. Two Neville Brother songs follow that.

Willie Durisseau is far from a household name but he was an active Cajun fiddler in the 1930’s performing at House Dances, known in French as bals de maison, held in small towns in the Arcadiana area of Louisiana. But thanks to Louis Michot, with Lost Bayou Ramblers and Corey Ledet, he was recorded playing the fiddle at age 101. He also served our country and fought in Okinawa – the largest amphibious landing in the Pacific theater of World War II. Other veterans in that set include Clarence “Gatemout” Brown, Eddie Bo, Rockin’ Tabby Thomas, Chuck Carbo and Derrick Moss’ Soul Rebels (Derrick served in the Air Force Reserves).

Also in this week’s show: Dave Bartholomew, Al “Carnival Time” Johnson, Allen Toussaint and Robert “Bumps” Blackwell (who was stationed at nearby Fort Lewis)– all veterans.

I finish with a couple of songs focused on peace, most notably Louie Ludwig’s “World Without War.” Thanks for listening. Please subscribe.

November Dance Party starts funky but ends up in Panama

Welcome to this month’s Dance Party edition of Sweeney’s Gumbo YaYa. Ivan Neville’s collaborative project with Cris Jacobs titled Neville Jacobs kicks off the show with a very appropriate number called “Dance for Me Mama.”

The Meters, which includes Ivan’s uncle Art, starts off the first full set with “No More Okey Doke” — a silly title with a danceable groove. And speaking of danceable grooves, I would never have thought I could boogie to “If I Were a Carpenter” but somehow Eldridge Holmes’ cover pulls it off. Chuck Carbo, Corey Henry, Danny White, Big Sam and Sierra Green keep the beat flowing. This week’s show features extra long sets and less talking cause you really can’t dance when I’m blathering on.

Papa Grows Funk and Cha Wa takes into the second half hour which finishes strong with Rebirth’s “Hot Butt Naked Sex,” Paula and the Pontiacs “Rough n’ Tumble Man,” Allen Toussaint’s “Shoorah, Shoorah” (from a 1976 vinyl record) and Kid Eggplant’s touching love song “Vasectomy.”

We get a little reggae beat going with the second half of the show where Lil’ Rascals Brass Band does “Rasta Second Line” and Alex McMurray’s Rock Steady project, 007, performs “Alidina.”

Later you’ll hear songs by Meschiya Lake, Charlie Wooten and Arsene Delay, King James & the Special Men, George Porter Jr., Billy Iuso, Earl King and Lynn Drury.

The pace changes but doesn’t really slow down with Meschiya Lake’s “Anytime is Saturday Night,” Smoky Greenwell’s “Back to the Boogie,” and Dr. Michael White doing “Panama.” Thanks for tuning in and dancin’ to the beat.

Day of the Dead Takes On Greater Significance

Partly because I’m at the age where I know more people who are dead and partly because the pandemic is helping to increase that number for all of us, the Day of the Dead holds more meaning now. While the playlist for this show is similar to past Day of the Dead (Halloween) shows, the vibe (my vibe) has definitely changed.

The show kicks off with a riff on “St. James Infirmary” by Wendell Pierce playing the character of Antoine Batiste in the HBO series Treme. Batiste is waiting in the Touro Emergency Room when he does his impromptu singing, accompanied by an anonymous slap beat on a tin waste can.

What follows is music about death including a Preservation Hall Jazz Band version of “St. James Infirmary,” King Oliver’s “Dead Man Blues,” Treme Brass Band’s “I’ll Be Glad When You’re Dead,” Dirty Bourbon River Show’s “All My Friends are Dead” and Spencer Bohren’s “Ghost Train.”

That theme rolls into the next set with Shotgun Jazz Band’s “White Ghost Shivers” and a fascinating song called “Seven Skeletons Found in the Yard.”

After the first hour, its voodoo time with the help of The Neville Brothers, Spider Murphy, Charles Sheffield, Sunpie Barnes, and Benny Turner.

If you make it that far, you’ll hear my annual send up of Morgus the Magnificent — the original New Orleans fright show host that spawned a movie and a regional hit by Mac Rebennack, Jerry Byrne and Frankie Ford from 1059. This year, you’ll also hear the Creole String Beans cover of the same song. Here’s an earlier post with a lot more detail on Morgus, his show and the son g .

I finish with a few spirituals including the most recognized one, “Saints,” by the Zion Harmonizers. My best to you and love to all those who are remembering a lost one.

“You’re my good for nothin’ sweet hunk o’trash.”

One of the highlights of Dr. John’s send-up record of Louis Armstrong is his duet with Shemekia Copeland “Sweet Hunk o’Trash.” The song caps the opening four-song set that also features piano players Amasa Miller, Jon Cleary, and Henry Butler.

When you start the player above, Walter “Wolfman” Washington will kick it off with “The Big Easy” — a showcase of his guitar and malleable voice, backed up by a solid horn section — making it clear you’re about to listen to two hours of New Orleans music.

Cover of Charmaine Neville Band’s *It’s About Time*

Charmaine Neville kicks off the first set with “Can You Tell Me” a sweet, sultry number co-written with her percussionist Gregory Boyd doing a steel pan solo. Helping out are Amasa Miller on piano, and Reggie Houston on saxophone and I think the whole band chimes in on the chorus. Henry Butler percusses his way into that song’s closing vibe with his rhythmic “Henry’s Boogie.” Jon Cleary slows the tempo down a bit while still staying funky with “Oh No No No” and then Shemekia and Dr. John cover Hunk o’Trash . They make it uniquely theirs but in case you were curious about the Louis Armstrong and Billie Holiday version, here it is.

Free Spirit Brass Band ramp it back up in the second full set with “Red Dress.” The unique project by New Orleans producers Steve Reynolds and Scott Billington of remixing Alan Lomax field recordings with studio musicians and rhythms follows.

Frustrated by the Congressional deadlock? Perhaps you’ll dig Smoky Greenwell’s latest single “Filibuster Blues.” With songs like “Progressives Unite” and “Get Out and Vote,” Smoky has been putting his politics where his sax and harmonica is — well except he still plays those, and sings. If you don’t want to here it on my show, try it on Soundcloud.

Rebirth Brass Band, which is performing in the Northwest this weekend, do “Who’s Rockin’, Who’s Rollin’?” followed by The Radiators “Long Hard Journey Home” (the version recorded for the Treme TV Show).

Also on the show: Danny Barker, Albanie Falletta, Dirty Bourbon River Show, Sarah Quintana, Dash Rip Rock, David Egan and the Olympia Brass Band. Thanks for tuning in.

You Just Never Know What You’ll Hear – It’s Gumbo Ain’t It?

Earl King addresses some of the reason’s why I do this show in the kick off song “No City Like New Orleans.” But hang on to your ear buds cause its my usual meandering ride through the city’s musical corners.

Kenny Neal at 2013 New Orleans JazzFest – Photo by Ryan Hodgson-Rigsee

In recognition of the second cancelled New Orleans JazzFest, Kenny Neal starts the first full set of this week’s show with an original song that flows into a Jimmy Reed medley. Neal apprenticed with Slim Harpo, Buddy Guy and his own blues musician father Raful Neal. He’s been inducted into the Louisiana Music Hall of Fame and recently won the Blues Music Award for Contemporary Blues Male Artist of the Year. I put his 13-minute track up front on this show so that if you’re short of time, you’ll at least catch this unique live performance at the 2013 New Orleans Jazz and Heritage Festival. Marva Wright and Bobby Rush round out that set.

The second set is a classic Gumbo YaYa mash up featuring Ted Hefko with a country-style number “My Life in Bars” followed by Bamboula 2000 and a Haiti sendoff by Cyril Neville. Then, I take a hard left turn by The Electric Arch that somehow goes really nicely when followed by Michael Doucet. Five distinctly different acts whose songs seem to flow well together. Either that or I inhaled too deeply on my way to the studio (. . .just kidding, its against KAOS rules).

Clarence “Gatemouth” Brown was primarily an East Texas-West Louisiana musician but he was living in New Orleans at the time of Hurricane Katrina and his music is so brilliant, I can’t help but gravitate to his vast library when planning a show. You’ll hear “Things Ain’t What They Used to Be” where he demonstrates his talent on guitar and violin. The Zion Harmonizers follow that with “My Record Will Be There” along with John Fohl’s “Do or Die” and John Fogerty’s recast of “Proud Mary” with Jennifer Hudson sharing vocals and Rebirth Brass Band backing them both up. (Just an hour into the show and its worth the wait)

If you’re still listening by then, thank you and perhaps Charlie Halloran and the Tropicales will be a good reward, along with Colin Lake, Clifton Chenier, Rosie Ledet, Little Queenie and Louis Prima . . .to name a few. Thanks for tuning in. If you like or not like something. . . LET ME KNOW!

Stomp Your Way Through October’s Dance Party

This month’s Gumbo YaYa Dance Party takes a 10-song dive into stomps. Within the first half hour, you will stomp through Mobile (Shotgun Jazz Band), Fort Worth (Aurora Nealand), Mahogany Hall (Louis Armstrong),Shreveport (Smoking Time Jazz Club), Louisiana (Clifton Chenier), a Roadhouse (Matt Perrine) and a Big Pasture (Hackberry Ramblers).

But perhaps the most significant “Stomp” I share is by the piano player who helped fuel the craze. You’ll hear “Black Bottom Stomp” by Jelly Roll Morton’s Red Hot Peppers — a band assembled by the maestro in Chicago from New Orleans musicians fleeing north during the Great Migration in the 1920’s, including Kid Ory on trombone and Johnny St. Cyr on banjo.

But its a dance party, so I move on to “boogies” such as Benny Turner’s “Mojo Boogie,” C.J. Chenier’s “Zydeco Boogie,” James Andrews “Banana Boogie” and Ghalia & Mama’s Boys’ “Hiccup Boogie.”

Shamarr Allen ramps it up further with his kick-ass version of Taylor Swift’s “Shaking It Off” and Corey Henry maintains the sweaty momentum with “Tell Ya Mama Nem.” You’ll also hear Earl King, the Explosions, Benny Spellman, the Dirty Dozen Brass Band and three live danceable performances by Flow Tribe, Midnite Disturbers and Johnny Sketch and the Dirty Notes.

Thanks for tuning in, limbering up and shaking your money maker. My best to you and I’ll check in with you next week.