One of the highlights of Dr. John’s send-up record of Louis Armstrong is his duet with Shemekia Copeland “Sweet Hunk o’Trash.” The song caps the opening four-song set that also features piano players Amasa Miller, Jon Cleary, and Henry Butler.
When you start the player above, Walter “Wolfman” Washington will kick it off with “The Big Easy” — a showcase of his guitar and malleable voice, backed up by a solid horn section — making it clear you’re about to listen to two hours of New Orleans music.
Charmaine Neville kicks off the first set with “Can You Tell Me” a sweet, sultry number co-written with her percussionist Gregory Boyd doing a steel pan solo. Helping out are Amasa Miller on piano, and Reggie Houston on saxophone and I think the whole band chimes in on the chorus. Henry Butler percusses his way into that song’s closing vibe with his rhythmic “Henry’s Boogie.” Jon Cleary slows the tempo down a bit while still staying funky with “Oh No No No” and then Shemekia and Dr. John cover Hunk o’Trash . They make it uniquely theirs but in case you were curious about the Louis Armstrong and Billie Holiday version, here it is.
Free Spirit Brass Band ramp it back up in the second full set with “Red Dress.” The unique project by New Orleans producers Steve Reynolds and Scott Billington of remixing Alan Lomax field recordings with studio musicians and rhythms follows.
Frustrated by the Congressional deadlock? Perhaps you’ll dig Smoky Greenwell’s latest single “Filibuster Blues.” With songs like “Progressives Unite” and “Get Out and Vote,” Smoky has been putting his politics where his sax and harmonica is — well except he still plays those, and sings. If you don’t want to here it on my show, try it on Soundcloud.
Rebirth Brass Band, which is performing in the Northwest this weekend, do “Who’s Rockin’, Who’s Rollin’?” followed by The Radiators “Long Hard Journey Home” (the version recorded for the Treme TV Show).
Also on the show: Danny Barker, Albanie Falletta, Dirty Bourbon River Show, Sarah Quintana, Dash Rip Rock, David Egan and the Olympia Brass Band. Thanks for tuning in.
This show helped anchor the last day of the KAOS Spring Pledge Drive. I cut out all the pledge drive jabber but if you feel inclined to support KAOS, here’s how you do it. But you don’t need to pledge to listen the show, just click the arrow in the the Mixtape box below. (something has happened to the embedded feature for mixcloud so here’s a link directly to the podcast.)
To reward myself for doing hosting two pledge shows during this 10-day Spring Drive, I finally bought the album and discovered that there are some other amazing tracks on the release, including the fifth song on this show. The recording is of North Carolina fishermen singing a chantey that they used to sing when hauling in menhaden fish. Here’s a bit more about that fishery. The producers noticed an island lilt to the singing and turned it into a reggae-style number with Trombone Shorty providing some great tracks. I pair that song with a couple of other reggae-influenced New Orleans performances.
Given all the pledge drive appeals that were edited out, this week’s show is not as long as usual so I hope you’ll stay listening for the last two songs — a live at JazzFest performance by The Wild Magnolias and a humorously well-done funk song by Mem Shannon that caused local musician “Dr. Soul” to pull over from his driving so that he could call the station and pledge. Thank you man!
An upside to Hurricane Katrina and the subsequent flood was the infusion of New Orleans culture throughout our country. With the city almost completely evacuated, its people, music, cooking, way of talk and style scattered across the U.S. like seeds from a dandelion blowball.
Texas received the largest number of evacuees. Austin, which like New Orleans is a regional music mecca, swelled from the addition of Cyril Neville, the Iguanas, the Radiators and other musicians — some who came to call themselves “Texiles” while playing music and waiting to return to their hometown. The resultant mix was described by Cyril Neville as having the “gumbo spill into the chili.”
Here’s more on how some of New Orleans finest musicians fared:
Fats Domino, the city’s greatest rocker, is a lifelong resident of the Lower Ninth
Ward. He stayed in his home through the hurricane and was rescued by a Coast Guard helicopter. But he lost all his gold records and memorabilia.
Irma Thomas – The Soul Queen of New Orleans weathered the storm and the aftermath in Austin Texas. She rebuilt her East New Orleans home and she won a grammy for her post Katrina recorded album.
Dave Bartholomew – The home and studio of the man behind many of New Orleans R&B hits of the 1950’s suffered considerable flood damage but he and his family (His son Don B. is a successful hip-hop producer) have bounced back with now three generations of Bartholomew’s making music.
The Radiators – Once described as New Orleans’ longest running and most successful rock band are no longer an act officially–though you can occasionally catch them on special events and Jazzfest. Hurricane Katrina landed on guitarist Dave Malone’s birthday. He and his wife struggled to rebuild their home and ended up living outside of New Orleans.
Al Johnson – The man who made it possible to be “Carnival Time” any time of the year, lost his long-time house on Tennessee Street in the Lower Ninth Ward He now lives in the Musicians Village where he penned Lower Ninth Ward Blues
The Iguanas – The members of this latin-tinged roots rock band were on tour at the
time and separated to find evacuated family members. They regathered in Austin and became part of the flexible ensemble of New Orleans musicians known as Texiles. The band has had three CD releases since Katrina.
The Hot 8 Brass Band – This innovative group could be called the Adversity Brass Band. Before Katrina, three of its band members had died — two from shootings. After Katrina, a fourth member was shot to death while driving in his car with his family. Another member lost the use of his legs in an accident. The band scattered across the country after Katrina and could easily have disbanded permanently. But it regrouped, recorded a grammy-nominated album and still perform today.
Dr. Michael G. White – The University professor and clarinetist lost his home in Gentilly, including many valuable jazz documents. But he’s back in town and working as hard as ever.
Henry Butler – Fortunately the talented piano virtuoso was convinced to evacuate his Gentilly home, which was devastated by flood waters. Blind since birth, he can’t tell you what the damage looked like but he can describe the feel of his piano keys as they fell apart in his hands. Last year, he and Steve Bernstein released “Viper Drag” to rave reviews and he regularly performs.
Kermit Ruffins – “What good is a million dollars if you’re not in New Orleans.” The widely recognized ambassador to New Orleans evacuated to Houston with a large extended family and pets. He returned to New Orleans after the storm and continued his routine up until last year. Ironically, his wife got a job in Houston and he now splits his time between New Orleans and Houston.
Donald Harrison Jr.- This lifelong New Orleans resident, Big Chief and heralded jazz saxophonist has a fear of hurricanes borne from his youthful experience escaping from Hurricane Betsy’s flood. But he stuck it out in the city cause his mother-in-law wouldn’t leave. They slept on the ballroom floor of the Hyatt Regency during the storm and aftermath, escaping to Baton Route four days later.
Shamar Allen – This young trumpet player’s home was right next to a levee that broke. He now owns a home in the Musician’s Village. He contributed some key songs to the musical Nine Lives that focuses on New Orleanians who survived Hurricane Betsy and Katrina.
John Boutte was in Brazil at the time and watched almost helplessly the hurricane reports from afar. Fortunately, he finally convinced one of his sisters and mother to evacuate but his other two sisters were stranded on an interstate highway bridge for five days.
Terence Blanchard – Much of this jazz trumpeter’s story was told in the Spike Lee movie “When the Levees Broke.” In the documentary, you can see him and his mother enter her flood-wrecked near Lake Ponchatrain. Blanchard wrote the score for the documentary and won a grammy for subsequent album he released.
Last week and this week, I’m honoring the survivors of Hurricane Katrina who dealt with intense horror, long hot days, and many months and in some cases years of uncertainty about their future. And yet, they returned to New Orleans, their home and rebuilt.