Welcome to this month’s Dance Party edition of Sweeney’s Gumbo YaYa. Ivan Neville’s collaborative project with Cris Jacobs titled Neville Jacobs kicks off the show with a very appropriate number called “Dance for Me Mama.”
The Meters, which includes Ivan’s uncle Art, starts off the first full set with “No More Okey Doke” — a silly title with a danceable groove. And speaking of danceable grooves, I would never have thought I could boogie to “If I Were a Carpenter” but somehow Eldridge Holmes’ cover pulls it off. Chuck Carbo, Corey Henry, Danny White, Big Sam and Sierra Green keep the beat flowing. This week’s show features extra long sets and less talking cause you really can’t dance when I’m blathering on.
Papa Grows Funk and Cha Wa takes into the second half hour which finishes strong with Rebirth’s “Hot Butt Naked Sex,” Paula and the Pontiacs “Rough n’ Tumble Man,” Allen Toussaint’s “Shoorah, Shoorah” (from a 1976 vinyl record) and Kid Eggplant’s touching love song “Vasectomy.”
We get a little reggae beat going with the second half of the show where Lil’ Rascals Brass Band does “Rasta Second Line” and Alex McMurray’s Rock Steady project, 007, performs “Alidina.”
Later you’ll hear songs by Meschiya Lake, Charlie Wooten and Arsene Delay, King James & the Special Men, George Porter Jr., Billy Iuso, Earl King and Lynn Drury.
The pace changes but doesn’t really slow down with Meschiya Lake’s “Anytime is Saturday Night,” Smoky Greenwell’s “Back to the Boogie,” and Dr. Michael White doing “Panama.” Thanks for tuning in and dancin’ to the beat.
So much great music, I couldn’t put it all in one post so here’s part two. (Check out 2016 Part 1) As you will quickly notice, there is no order to my lists. The only rule is I only list music from New Orleans (and nearby locales) I play on my show. Like the following:
Corey Henry – I’ve been waiting for Lapeitah, Henry’s debut solo album, ever since I heard “Boe Money” the song that carries his nickname on Galactic’s 2010 Ya Ka May release. Henry’s powerful trombone and songwriting mix of funk, R&B, soul and hip hop creates the experience I associate with the music I hear at New Orleans nightclubs. It’s no coincidence that Henry and his Treme Funket was the undisputed heir apparent of Kermit Ruffins legendary Thursday spot at Vaughn’s. Lapeitah does an excellent job of putting you in that Ninth Ward club with him.
The New Orleans Suspects – Just as you would not want to ever miss a live performance of the New Orleans Suspects, you should not go without possessing their fourth album–and second one with original songs. Kaleidoscoped delivers eight original numbers that makes me miss New Orleans and the original grooves that these journeymen musicians produce.
Kenny Neal – Bloodline hooks you from the opening number “Ain’t Gon Let the Blues Die.” And the rest of the album holds true to the promise. Nominated for best contemporary blues album grammy, this 2016 release is a full nod toward the amazing support this successful blues artist has received from his family members, who back him up on vocals and instruments throughout the album.
Bobby Rush – Porcupine Meat just scored Rush’s fourth grammy nomination– this time for best traditional blues album. Though he lives in Mississippi by way of Chicago and his birthplace Homer, La., this release is actually the first one that the 83-year-old blues veteran has recorded in New Orleans and some cool folks stop by to help out, such as Cornell Williams (bass), Kirk Joseph (sousaphone), Shane Theriot (guitar), and David Torkanowsky (keyboards). Be sure to cue up and listen to “Funk O De Funk.”
Miss Sophie Lee – Nightclub owner Sophie Lee returns to the recording studio with Traverse the Universe. She has a sweet voice and her band does a nice turn with the handful of standards on the album but its her original songs, particularly her title track, that had me reaching for it to play regularly on my show.
Jeff Chaz – Chaz and his trio are hardworking blues musicians who can be seen regularly playing on Frenchmen Street and the French Quarter. He put out two releases this year: Sounds Like the Blues to Me and The Silence is Killing Me. Both are solid blues albums with numbers like “Fried Chicken Store” and “Savin’ Everything for You.” The latter release offers a holiday tune as well – “Merry Christmas to You.”
Herlin Riley – A regular with the Lincoln Center Jazz Orchestra, Riley can be a straight up jazz drummer but there’s no question where his roots lie. As he says: “As a boy growing up in New Orleans, way before you heard that big bass drum in the street parades, you could feel it coming from four or five blocks away, and it would literally beckon you to come on down to the street, check out this music, and participate in it. ” Riley jazzes it up on New Directions but by the time you get to his hip version of Tutti Ma, you will like the direction he’s headed.
Dr. John – Recorded in 2014 in the historic Saenger Theater on Canal Street in New Orleans, The Musical Mojo of Dr. John offers two discs of many of New Orleans elite such as Irma Thomas, Cyril and Aaron Neville, Anders Osborne, Big Chief Monk Boudreaux, Zigaboo Modeliste and Dave Malone, paired with familiar outsiders like Bruce Springsteen, John Fogerty, Chuck Leavell, and Mavis Staples. With the venerable Mac Rebennak (Dr. John) in the middle, how can you not be satisfied wit dat package!
Smoky Greenwell – Another visiting musician who came to the city for a gig and stayed a lifetime, Greenwell has been cranking out the blues in New Orleans for 35 years and his last two releases are arguably his best. I particularly like it when he puts down his harmonica and reaches for his saxophone on South Louisiana Blues.
Gina Forsyth– This New Orleans-based musician is wickedly good on fiddle and guitar. Yea, you don’t expect this type of music in New Orleans. So what. Copper Rooster and Other Tunes and Tales provides a dozen and a half smile inducing old timey numbers that will have you reaching for the play again button.
Mark and the Pentones – This blues trio, fronted by guitarist Mark Penton, may be one of the best reasons to stumble down Bourbon Street. Currently anchoring the swing shift at Funky Pirate Blues Club on Fridays and Saturdays, the Pentones released its debut album, Don’t Leave Nothin Behind, late last year with some subtle surprises among the 11 tracks. I particularly like “Jodie,” “Too Many Second Lines” and “I B Cing You.”
Keith Stone – The Prodigal Returns is the aptly named debut album of a native New Orleanian who sowed some wild oats in the 90’s as an area blues guitarist, settled down to be a minister in Kentucky and then came back home after Hurricane Katrina. The album features playful piano, strong guitar licks, and a solid horn arrangements. If you’re a dislocated NOLA homeboy feeling the tug of that big magnet at the end of the Mississippi River, this album will talk to you.
Louisiana Soul Revival Featuring Doug Duffey – Okay, I’ve wandered all the way up to Monroe, La. to grab this one. But all’s fair if the music is great. From the distinctive bass line opening of “Funky Bidneh” to the inviting saxophone on its last track “Love Into My Life”, this band’s debut release has a full sound that puts you front and center of your own Soul Revival.
Anders Osborne – This prolific musician, songwriter, and producer released two albums this year. Spacedust and Ocean Views and Flower Box. My station didn’t get Flower Box (that happens but don’t let it happen to your album) and I almost missed Spacedust because the music director justifiably placed it in our Folk, Country and Bluegrass shelf. I love his voice and his songs and I don’t care what shelf I have to check, I’ll be regularly reaching for his music to play on my show.
Allen Toussaint – This one breaks my heart. A year after his death, I still grieve. American Tunes is his last studio album, released this year posthumously. There’s little between you and Toussaint other than his piano, a drummer and bass. He doesn’t even sing except on a Paul Simon cover– though others do. As I listento him run through Big Chief , he’s in the room with me, playing the piano, with his leather sandal and sock clad feet working the pedals.