Big Sam’s Funky Nation visits the Northwest this week so this show features two of his songs and a short interview with the band’s charismatic frontman Sam Williams. Let’s get started and I’ll tell you more.
Big Sam just got back from a tour of Spain when I talked with him today about his trip to the west coast. He leaves tomorrow (Friday, August 3rd) for San Francisco. He’ll play Mississippi Studio in Portland on Monday, August 6 and the Nectar Lounge in Seattle on Tuesday, August 7.
We talked about how he lost his prized trombone when his touring van got broken into last time he came out to the west. We also talked about how Wendell Pierce copied some of his moves and his style when he played Antoine Batiste in the HBO TV show Treme. In fact the broad outline of the character was patterned after Mr. Williams.
Big Sam’s Funky Nation’s new release Songs in the Key of Funk delivers on his earlier promise to include more dance songs. In this show, I play “What’s My Name (Big Sam” and “Buzzin.” But to get those songs and the interview, you have to listen to few other sets including a set of Led Zeppelin cover songs featuring a sousaphone on “Dyer Maker” and a three trombone salute to “When the Levee Breaks.”
Rolling with the HBO theme, Davis Rogan sings about the hassles of fake pot when acting in a song called “Prop Weed.” Also, this show includes my favorite version of St. James Infirmary, a rocking version led by Clint Maedgen and the Preservation Hall Jazz Band
This week on KAOS and KMRE, I’m reprising a show that aired three years ago shortly after Kermit Ruffins and Irvin Mayfield released their album “A Beautiful World.”
Today’s show features the new Basin Street release by Kermit Ruffins and Irvin Mayfield. Just the tonic you were looking for after the late summer rains. Ruffins and Mayfield have a lot in common. Same town, same label, same instrument. But there styles are very different. Lot of help though including Cyril Neville and some cameos by native NOLA actor Wendell Pierce. Other new releases featured as well including the Stanton Moore send up of Allen Toussaint.
Occasionally, when someone learns about my New Orleans music show, they’ll ask me: “Have you seen. . .
And I know where they are going.
Yes! I have watched all 36 episodes of HBO’s Treme — some of them more than once including the commentary and music notes. The program is that good at portraying New Orleans.
The show ran from 2010 to 2013 and chronicled the lives of New Orleans residents upon their return to the city after Hurricane Katrina. And the show’s creators, producers and writers nailed it. The show is well regarded in New Orleans as having captured the unique and diverse culture and character of the city–both the good and the not so good.
Unfortunately, the show wasn’t sufficiently well regarded beyond the city (at least at the time) so no new episodes are being made. But if you’re reading this blog, you probably already understand the disconnect between being good and being popular. A theme that Treme also explores.
There’s lots of reasons to love this show, the main one for me is the music. There’s lot of New Orleans music in it. Literally hundreds of New Orleans-based musicians participated in its filming. Some of them even acted.
Yesterday, I pulled up the full cast listing of the show on IMDB and did a search for “self” and “selves” as in people and bands portraying themselves. I found over 250 listings. While some of the people playing themselves were politicians, chefs, writers, community activists and Mardi Gras Indian Chiefs, most of them were musicians.
Some are well known like Dr. John, Fats Domino, Trombone Shorty and Irma Thomas. Others are not but should be such as Aurora Nealand, John Boutte, Tom McDermott, and Kermit Ruffins.
Several of the fictional characters are musicians attempting to make a living. One is a journeyman trombonists, played by Wendell Pierce, struggling to find gigs so he can pay rent and child support. Two others busk on the street and are learning the New Orleans style of music.
Throughout the series, the viewer is treated to music venues such as Tipitina’s, House of Blues, Blue Nile, Spotted Cat, and Snug Harbor and the music you hear on the show is recorded in situ. What you see is truly what you hear
In many cases, the musicians simply perform, either in the background or as a part of the plot. In other cases though, they deliver lines from a script or, in the case of Dr. John, ad lib. It’s a wonderful blend of reality and fiction.
Cornell Williams, a bass player who in real life performs with Jon Cleary, portrays a member of a band formed by Wendell Pierce’s character and helps another character recover from drug addiction.
A more bizarre blending of real life and fiction is the character Davis McAlary, who often supplies the show’s comic relief and social commentary. McAlary is a musician and an on again, off again deejay at WWOZ, which is a real community radio station in New Orleans. His character was inspired by Davis Rogan who has released several albums of original songs and was a deejay for WWOZ. To really twist your brain, you will see in various Treme scenes the real Davis performing on piano backing up the fictional Davis. (Another character is patterned after Donald Harrison Jr. who is also seen regularly in the show.)
If you have a propensity to love New Orleans, its food, culture and music, watching Treme will deepen that love. If you know little about New Orleans but are interested, the show is a great place to start your education. Well, subscribing to this blog (upper right hand corner) and listening to my show won’t hurt either.