A Return in Time for Valentine’s Day Show

Love is a prolific muse and you’ll hear various musical manifestations of this on today’s Valentine’s Day Show — enhanced a bit by my recent visit to New Orleans.

Krewe Boheme Parade

Antoine Diel’s opening”Say That You Love Me’ set the tone while also enticing my station manager to pay notice. In the next set, stylish kazoos support Sarah Quintana’s hop skipping “You Me 1 2 3″and we get an optimistic “New Girl” from a band named after a beer and sporting a record cover photo of the bass player at age seven (Robert Snow aka Kid Eggplant) smoking a cigarette. More research needed here. (Actually I met him and his father at one of their gigs last week and his dad vouched for him.)

It’s also Carnival Season which is why this show includes a song from Tank and the Bangas — nominated for a Best New Artist Grammy. The award didn’t go their way but Tank or rather Tarriona “Tank” Ball was the Supreme Green Fairy headlining this year’s Krewe Boheme parade. Because she came early in the procession, I wasn’t ready to take a picture. So you get a different one on this page.

You will hear “Mr. Lion”by Tank and the Bangas on the show. Before you get there though, you will hear Eight Dice Cloth, Zazou City, Arsene Delay, Meschiya Lake BeauSoleil, Shannon Powell, Donna Angelle and others do their take musical take on love.

Robert Snow (aka Kid Eggplant) performing with his father Sydney.

It’s not mushy love though. Particularly when there is Davis Rogan to lament Why You “Do Me that Way.” Egg Yolk Jubilee answers with a song about an infatuation gone awry with an emergency room nurse — I’m waiting for “Emergency Ward – The Film” could be the greatest camp horror film from New Orleans ever. The movie would have to make room for Kid Eggplant’s Hobson’s Choice — as Kid Eggplant and the Melatauns “Vasectomy.” Quintron and Miss Pussycat finish the dysfunctional love set with “Love is Like a Blob.” Yes, I spelled that right, though I had trouble saying it on the show.

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A summer musical wave of New Orleans headed our way

Our pleasant summers typically create a musical wave of touring performers in our region.  Today’s show explores the music of performers from New Orleans (and Lafayette)  who will be touring our area soon.  And there’s a bumper crop so start listening while I tell you more about upcoming shows.

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Quintron is rumored to be headed to Olympia around the July 4 holiday.

Delfeayo Marsalis, Dr. John and Donald Harrison Jr. get us started. And sadly, these performers will not be playing our area any time soon.

However, Quintron, an eclectic organist and inventor from New Orleans, will do shows in Portland and Seattle and is rumored (from a reliable source) that he will be performing in Olympia most likely on July 5.  He does an instrumental version of Ernie K-Doe’s New Orleans hit “Certain Girl.”  I also play Ernie K-Doe’s “Here Come the Girls” because Ernie is the patron saint of my show and this blog, and he has a connection with Quintron.

Albanie Falleta, a solo swing guitarist and vocalists, will be at Traditions Cafe in Olympia on June 24. Originally from Monroe, Louisiana but now living in New Orleans, Falleta has performed at Traditions before and has been building a devoted local following. Her “Black Coffee Blues” kick  off the second full set of this show.

Grammy Winner Rebirth Brass Band returns to Seattle for two shows at the Tractor Tavern (“Why Your Feet Hurt”) and Big Sam’s Funky Nation (“Hard to Handle”) will grace Mississippi Studios in Portland the Nectar Lounge in Seattle.

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Helen Gillet and her cello are slated to perform for the first time in Olympia on July 12.

Helen Gillet, a cellist from Belgium who relocated to New Orleans about 15 years ago, will be performing in Olympia in July. And Davis Rogan, who performed in Olympia this February just booked a return engagement here for mid-August.  You’ll hear examples of their music as well as others playing in the area, including Pine Leaf Boys, Dirty Dozen Brass Band, Better than Ezra, Steve Riley and the Mamou Playboys, The Revivalists and Marc Broussard. It’s a great line up and you can see when and where they’re playing on my concert page. 

August 24th show – From Benny Turner to Quintron

This week’s show starts with the Young Tuxedo Brass Band in honor of Walter Payton, father of trumpeter Nicholas Payton and the sousaphone player for that storied New Orleans band.

I then take a twist toward more contemporary music with Quintron and Miss Pussycat, Sneaky Pete, Jello Biafra and the New Orleans Raunch and Soul All Stars, Helen Gillet and the Dirty Bourbon River Show. I then head back into R&B, including playing High Blood Pressure from the Huey “Piano” Smith album I bought in Ballard last weekend and another round of brass bands.  I mixed tracks from new releases by Benny Turner, Naughty Professor and Stanton Moore. The show, as edited below, finishes with Cowboy Mouth’s relationship dirge “Broken Up.”  Enjoy!

K-Doe and Quintron — Another example of New Orleans musical gumbo

Politics may make strange bedfellows but strange bedfellows can make for some awesome and unique music.

For proof, check out “The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble” or one of my favorite events, the Vancouver Folk Music Festival where a wide range of musicians are often put on the stage together  to some magical effect.

But a musical melting pot is not new to New Orleans which has been stirring up the world’s cultures for three centuries. Congo Square is widely considered to have been the cauldron for brass bands and ultimately jazz. All it takes is a place for musicians of different stripes to gather, meet and mix it up.  A place, let’s say, like just about any bar in New Orleans.

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Ernie K-Doe is Emperor regalia outside his Mother-in-Law Lounge. The bar was named after his number one pop chart hit from 1961.

How about the Mother-in-Law Lounge? Founded originally to create a play space for one of New Orleans most famous eccentric R&B stars and the patron of this blog, Ernie K-Doe, the Mother-in-Law operated from 1992 to 2009. Here’s how Ben Sandmel, author of Ernie K-Doe: The R&B Emperor of New Orleans described the lounge:

“. . .delight ensued from the lounge’s welcoming environment and the surreal sensory overload that walloped all who crossed the threshold. This physical entrance doubled as the conceptual portal into Ernie K-Doe’s eccentric parallel universe–a festive and unfettered happiness reigned supreme. . .The lounge’s hybrid ambience combined elements of a juke joint, a mosh pit, an R&B museum, and a cinematic set from Satyricon.”

Not surprisingly, the lounge attracted an eclectic mix of clientele particularly while Ernie was still alive. One regular was Robert Rolston a young keyboardist with his own eccentricities. Performing under the name of Quintron , he developed a style of punk, electronica, dance music that he dubbed “Swamp-Tech” –often performing with his artistic partner and wife, under the name of Quintron and Miss Pussycat.

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Mr. Quintron shares K-Doe’s affinity for bold, brash performances where there is no such thing as a mistake.

Ernie became friends with Quintron and in a way served as a mentor. Speaking of K-Doe, Quinton is quoted as saying “To him there was no failure onstage; he held stuff up with energy and emotion and screaming and shouting and turning disaster into glorious, successful, beautiful music. . . It was K-Doe’s music that made us gather around him–the way that K-Doe would perform. He was as punk as anyone.”

Quintron engineered and produced Ernie last two recorded songs, taped in the Mother-in-Law lounge. He also coaxed Ernie to be in his surreal infomercial created for one of his musical inventions called a drum buddy. Together, they performed Fever. You got to see it to believe it.   And here’s the full 49-minute infomercial.

I’ll be playing Ernie K-Doe, Quintron and many other New Orleans soul and R&B greats on my next show.  Tune in. Or listen to the edited podcast of that show (K-Doe and Quintron are saved for the last part of the program)