With Mardi Gras over, we enter Lent and confront 40 days of reflection and deprivation. Don’t deprive yourself of the music, get my show started and then read on.
After the fun of the holidays and partying of carnival season, true believers in Lent settle down to a period designed to eliminate distraction and focus mind on prayer and connection.
While I’m not exactly a true believer, I am fascinated with the ability of religious practices to focus the mind on self-reflection. So today’s show displays that theme through music.
Alex McMurray sets the tone with “The Day after Mardi Gras Day.” I follow up with a rocking, bluesy set of reflection featuring Kevin Sekhani (“Wrong Direction”), Anders Osborne (“Echoes of My Sins”) and Honey Island Swamp Band (“No Easy Way”).
The ashes placed on the foreheads of Catholics speaks to our mortality. We are dust and to dust we shall return. Leyla McCalla’s “Let It Fall” beautifully captures that feeling as does Howard Fishman’s gospel like “When I Die.”
Other traditional songs with new twists include Aurora Nealand’s “His Eye is On the Sparrow,” Shotgun Jazz Band “Down by the Riverside,” and the Neville’s revision of a Steve Miller hit renamed “Fear, Hate, Envy, Jealousy.”
There’s lot more to explore in the show. Thanks for listening!
His hometown and the world mourn his passing on October 25, 2017. Click on my show in honor of his 87th Birthday and read the blog post I wrote in 2015.
Fats Domino turns 87 today. While perhaps debatable everywhere else, in my mind he’s the real King of Rock n’ Roll. And, he also has his professional DNA in ska and reggae.
“Be My Guest” hit 8 in the popular music charts in 1959–one of four Domino songs that got into the Top 40 that year. Not bad, considering he only recorded six songs.
“Be My Guest” marked a decade of Domino getting young people of all backgrounds to dance together. And with lyrics like “Come on baby and be my guest/Come join the party and meet the rest,” Domino made it a world dance party.
That dancing was particularly important in Jamaica where disk jockeys held dance parties in the street. As the unofficial northern capital of the Caribbean, New Orleans has had a long history with Jamaica. Island workers would arrive in New Orleans to work in canefields and return home with armloads of R&B records. Many argue that ska developed its rhythm from the shuffle and boogie beats that were emanating from Cosimo Matassa’s studio in New Orleans at the time.
“Be My Guest” was a huge hit in Jamaica and its 4/4 time with the drummer hitting hard on the offbeat apparently became the foundation of ska. Its not that Fats was the only inspiration. Professor Longhair, Smiley Louis and other R&B stars of that period were essential. But Domino was top dog, often covered (e.g. Super Cat’s My Girl Josephine) and paid homage in songs like Derrick Morgan’s “Fat Man.”
Bob Marley said reggae started with Fats Domino, according Rick Coleman, author of “Blue Monday: Fats Domino and the Lost Dawn of Rock ‘n’ Roll.” Whether it did or not, there are lot of people on this planet dancing because of Antoine “Fats” Domino. That alone is worth honoring the day of his birth.