Here’s a glimpse into New Orleans country music scene

Two June CD releases are burnishing the city’s country music reputation and you’ll hear tracks from both in today’s show. Start it rolling and then learn more about Shawn Williams and Gal Holiday.

shawn williamsShawn Williams’ second album Motel Livin’ is a gripping compendium of lyrical songs that leave me a bit unnerved but fully entertained.  Her voice haunts and I’m going to enjoy digging deeper into this new release.  I play “Best of Me” and later “Buried Alive.”

More upbeat and more battle worn is Gal Holiday and her Honky Tonk Revue with the new release Lost & Found. Almost a decade before The Deslondes formed, Gal Holiday (aka Vanessa Niemann) broke ground on the new wave of country in New Orleans. And true to her band’s name, you can dance to her music. I play “Found Myself Instead” and “Desert Disco.”

While Luke Winslow-King’s music has been difficult to describe, I’ve never thought of it as country until his latest release Blue Mesa. You can listen to his “After the Rain” and decide for yourself.

To keep the roots vibe rolling, I follow these sets up with The Big Dixie Swingers with “I Haven’t Got a Pot,” Eric Lindell with a live version of “Bayou Country” and The Radiators doing “Straight Eight.”  Also, an encore performance of Albanie Falletta who charmed the smart attendees of her concert at Traditions Cafe in Olympia Sunday night.

Jazz sets follow and if you’re patient enough I finish with Dash Rip Rock’s “Let’s Go Smoke Some Pot” in honor of the State of Oklahoma adopting a medical cannabis initiative this week.

Oh and I almost forgot, while digging through the KAOS studio’s vinyl vault I found Danny Barker’s 1988 release Save the Bones  and I played his version of “St. James Infirmary.” Struck by his riffing on the traditional lyrics description of his funeral, I thought about Fred Johnson’s  description of how Danny Barker’s traditional funeral came about that I recorded in October of 2017 in his office in New Orleans.  You’ll get to hear the story as well on this show.

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Gumbo YaYa serving thick in jazz, spiced with Carbo

This week’s show serves up a strong doze of New Orleans style jazz and swing but also country and rhythm and blues, including a classic by Chuck Carbo.  Get it started while I tell you who else is in the show.

Albanie Falletta’s wonderful “Black Coffee Blues” kicks off the show, followed by a swinging love song by Antoine Diel, Al Hirt and his band at his best with “Yellow Dog Blues,” and the amazing Aurora Nealand performing “Touploulou.”

Dee Dee Bridgewater does a duet with Glen David Andrews on “Whoopin’ Blues.” David Egan rocks its with “Dead End Friend” and Eddie Bo does the instrumental “Just Wonder.”

carboStay with the show for Chuck Carbo’s “Meet Me with Your Black Drawers On.”  After a country set featuring new releases by Gal Holiday and Shawn Williams, jazz fans patience will be rewarded  with the Riverside Jazz Collective” “Just Gone” from their new release, Stomp Off, Let’s Go.

Also, this show includes songs by Steve Riley and the Mamou Playboys, Allen Toussaint, Professor Longhair, Larry Williams, James Andrews, Galactic, Dr. Michael White, the Big Dixie Swingers, Bon Bon Vivant, Big Sam’s Funky Nation and Quintron.

 

A trip to French Quarter Fest and celebration of Johnny Dodds

In today’s show, we take an imaginary, real-time visit to French Quarter Festival happening right now and we celebrate the 126th anniversary of clarinetist Johnny Dodds’ birthday. Here’s the edited version of the show which you listen to while reading this.

IMG_1454Overshadowed by the older and more well-known New Orleans Jazz and Heritage Festival which starts later in April, the French Quarter Festival packs over 300 music acts (roughly 1,700 musicians) into four days starting today.  Celebrating its 35th year, this free festival is the largest showcase of Louisiana musicians with stages scattered throughout the French Quarter. Some of the more well-known acts playing this year include Cyril Neville, the Dirty Dozen Brass Band, Irma Thomas, Jon Cleary, Little Freddie King, the Lost Bayou Ramblers,  and Amanda Shaw.

And while I do play Neville and the Lost Bayou Ramblers later on the show, I start the show with a real time experience. Through the magic of radio and with a vivid imagination, I take you directly to the French Quarter to the stages and play music by musicians who are performing in real time synchronized to the airing of my show (10 a.m. to noon on Thursdays). This requires precision math on my part since I have to convert the Central Standard Time New Orleans-based schedule to the Pacific Standard Time reality of my radio show.

We start by running over to catch the last song of the Panorama Jazz Band performance on the Big River Stage in Woldenberg Park, before heading back toward the Quarter on Decatur Street to hear Tuba Skinny playing on the Jack Daniels Stage.  And because we can run fast in radio life, we can haul butt over to the Hilton Tricentennial Stage to catch the Preservation All-Stars.

After a little break with showcasing other artists featured later in the festival, we go back to real time with Gal Holiday and the Honky Tonk Revue performing at the River Stage again. And then we dash to Tropical Isle Hand Grenade Stage to catch Alex McMurray. During this imaginary real-time tour of the first day of French Quarter Fest, we also hear Banu Gibson.

johhny dodds
Johnny Dodds was born on April 12. 1892 and was part of the first generation of jazz musicians in New Orleans.

Later in my show, I honor Johnny Dodds, a first generation jazz musician who performed with Joe “King” Oliver. He and his younger brother, the drummer Warren “Baby” Dodds were part of Armstrong’s Hot Five and Hot Seven.  In honor of his birthday (April 12, 1892), this show dives into two versions of the same song that feature dual solos by Dodds.  The songs have different titles and different release dates though they were recorded back to back by Louis Armstrong and His Hot Seven.

S.O.L. Blues and Low Gully Blues feature Armstrong and Johnny Dodds at their peak, doing technically difficult and brilliant solos. S.O.L. Blues was recorded on May 13, 1927 in Chicago for Okeh records but was not released until Columbia Records got a hold of the collection 15 years later. The original release version went under the title of Gully Low Blues and was recorded the next day, May 14.  Both versions have their merits but I play them because I love the amazing tempo shift that Dodds pulls of during his solo. For more on this, check out Ricky Riccardi’s blog.  I also play a favorite, Dippermouth Blues, recorded by  King Oliver’s Creole Jazz Band in April 1923, because it contains a famous Dodds solo.

I’ve got other fun stuff on this show including Dana Abbott, Yvette Landry, the Subdudes and Eric Lindell, just to name a few.  Thank you for reading and listening. Please consider subscribing.