Art Neville carried the NOLA sound from R&B to Funk to Unique

Another sad loss for the world and New Orleans with the death of Art Neville at 81. His 60 plus years of performing spanned the early years of New Orleans R&B to funk to the rich gumbo of the Neville Brothers. This week’s show has almost an hour of Art’s music. Get it started by clicking the triangle in the player below and then read on.

Barely 17, Art Neville recorded with his high school band a song that would entertain over seven decades of Mardi Gras revelers. “Mardi Gras Mambo” may not ever have charted but it has been a seasonal favorite ever since its recording in January 1955 in a local radio station studio.

Art Neville hooked up with Harold Battiste and recorded with Specialty Records after that cranking out songs like “Cha Chooky-Doo,” “Oooh Wee Baby” and “Please Listen to My Song.” You’ll hear those and others early on in the show before I move on to his more funkier stuff.

As a keyboardist, he became known as “Poppa Funk” anchoring the sound of The Meters and playing songs that would define the New Orleans funk sound. You’ll get three tracks from The Meters in this show — including “Africa” which the Neville Brothers would later cover.

Art’s uncle, George Landry, and the Meter’s association with Allen Toussaint would lead into musical history when they recorded “Wild Tchoupitoulas” — an album of music derived from the Mardi Gras Indian culture and the chants of their uncle in his role as Big Chief Jolly. In this album, you can hear the Neville Brothers sound developing — particularly in the context of Mardi Gras Indian numbers.

But my Neville Brothers’ set focuses on their New Orleans Jazz and Heritage Festival performances and the importance Art and his siblings played in supporting that institution. You’ll hear “Yellow Moon” for instance from the 2001 JazzFest.

The last half of the show includes a full set of brass bands, some country and swamp pop, and ends with Houseman DeClouet singing “The Truth Iz Out.” I know you’ll like this show. Be sure to subscribe to my blog so you can get wind of future shows.

Ain’t Dere No More But the Memory Lives On

If you ever get sentimental about favorite stores that have closed or been bought out, or people you no longer see or experiences that are long gone, well this week’s show might be for you. Click the arrow in the box below to start the show and then read on.

John Boutte sings the opening number “Never Turn Back” which is a caution we will not follow for most of the first part of the show. However, first we warm up with a couple of classic New Orleans piano players (Professor Longhair and Dr. John) and one contemporary one destined to be a classic (Josh Paxton).

Given its multi-national history, New Orleans is home to a variety of accents. One in particular “is hard to distinguish from the accent of Hoboken, Jersey City, and Astoria, Long Island” according to A.J. Liebling author of “The Earl of Louisiana.” a Hear’s more on how New Orleanians talk.

Long gone but much missed, you can find T-Shirts with this hometown drugstore logo for sale in New Orleans

I mention this to provide some understanding of why “Ain’t Dere No More” became a catch phrase in New Orleans made famous by a song of the same name by Benny Grunch and the Bunch. In a town with businesses such as Schwegmann’s, a 19th century grocery store that pioneered the concept of “supermarket,” and K&B, a purple-famed ubiquitous drugstore that stood for Katz and Besthoff, their buyouts and closures are still mourned decades later.

The song may seem silly but in my home of Olympia, I still miss going to the Rainbow Tavern and drinking dark Olympia beer (both are gone). And maybe you remember some place or things you used to do that you also miss. In the case of Alex McMurray its an old bar he can’t go back to. For Davis Rogan and his brass, hip hop band, All That, its the end of live music performances in a Treme neighborhood restaurant “Little People’s Place.” For Alex Duhon, its the passing of a generation that knew how to fix things and make them last.

I carry on with this theme for a few sets ending with a wonderful rendition by Allen Toussaint of his hit song “Southern Nights” — a song that brought back memories of an Arkansas childhood for Glen Campbell who popularized the song. For songwriter Toussaint, “Southern Nights” is about going into the Louisiana back country to visit relatives who speak in a difficult to understand patois, drink from jars and make stories about the stars. Please stay with the show through at least that song.

And if you do, well I celebrate the birth anniversary of George Landry, big chief of the Wild Tchoupitoulas and uncle of the Nevilles. Listen to one of the songs that brought these four talented brothers together in the studio for the first time. Leyla McCalla’s new song “Settle Down” pairs well with the Mardi Gras Indian song. Much more beyond that. I’ll let it be a surprise. Thanks for tuning in and please subscribe.