Back in the 80’s, I think I played the grooves off my Tubes album with the song “What Do You Want From Life.” The last line regarding a “baby’s arm holding an apple” never failed to crack me up. In this show, I’m perhaps just a bit more of serious in my pursuit of an answer from the perspective of New Orleans music. Go ahead, get it started . . .you might need to.
What do you want from life? if its Slim Harpo, its money, not alibis. But for Scott Ramminger, its without a doubt a new body. (I can relate). Fats Domino is content if you’ll just let him walk you home. But John Mooney feels like hollerin’ instead. Dr. John would like to make sure New Orleans can mourn properly in a post-Katrina song.
Lots of musicians need love, don’t we all. Johnny Adams needs a lot of loving while Yvette Landry needs somebody bad (since she just lost somebody good). Carol Fran would be happy just to be “be’d with”. Chubby Carrier channels Bad Company with “Feel Like Making Love.”
Some needs are a bit hard to explain, like the Radiators “I Want to Go Where the Green Arrow Goes” while others are relatively clear (sort of) such as Marcia Ball’s need for “The Right Tool for the Job.”
Rebirth Brass Band makes it clear they feel like “Busting Loose” while Charmaine Neville is happy with a good song and Albanie Falletta seeks “Someone to Dance With.”
My hope is you’ll at least need to listen to a bit of the show and let me know what you think by subscribing or leaving a comment. Cheers.
This show dives into Lafayette music, with a strong assist from Yvette Landry’s new swamp pop album, Louisiana Lovin’. If you click the player below, you’ll start the show with Dr. John and Cyril Neville singing”Chickee’ Le Pas” – – whatever the heck that means.
Landry starts off the first full set of music with “Yea Yea Baby,” a wonderful duet with Roddie Romero who a few years back almost won himself a grammy for his Gulfstream release — which is where the second song “One Trick Pony” comes from. (Here’s more on Romero.) In the interest of balance, Michael Doucet does “Fonky Bayou” and Fernest Arceneaux performs “It’s Alright.”
Zachary Richard continues the Lafayette groove with a live performance from the Acadien music festival. Later, Landry does an encore from her new album, a cover of “Take it Easy, Greasy.” In all, its a great way to start the show but I do eventually take us back to New Orleans with some classic funk.
The Explosions do two of their three singles they recorded under the guidance of Eddie Bo as producer. It seemed to fit to spin Bo’s 1960 release “Every Dog Has Its Day” during that set.
I play cuts from new records by Walter “Wolfman” Washington, Big Al and the Heavyweights and the Radiators. You can see the full playlist here or just let the music flow over you. Thanks for tuning in and consider subscribing.
As I’ve mentioned before on my radio show, I wouldn’t be doing a program on New Orleans program if my sister hadn’t helped me reconnect with my birthplace over a dozen years ago. So it was fun to finally do a show with her in the radio studio. Get it started before reading on.
My big sister Katie was the one who taught me to take the bus from our house on Nashville Avenue in Uptown New Orleans down Freret Street to our school on Napoleon. We referred to the ride as the “Freret Jet.” Our family moved away from New Orleans before we could finish school but our hearts stayed there.
Later as adults, when Kate moved back to New Orleans, I visited her and reconnected with the music of New Orleans. So it was really cool to have her hang out with me in the KAOS studio for this show as we celebrated the start of the 2019 Mardi Gras season with songs like The Hawkettte’s “Mardi Gras Mambo” and the New Orleans Suspects “Carnivale.”
In the 1960’s, Kate and I and our older brothers would huddle around our teeny black & white television set and watch the Saturday night late movie on WWL TV — not for the movie but to watch the antics of the nutty guy who introduced the show “Morgus the Magnificent.” Last week marked the 60th anniversary of the debut of this New Orleans cultural icon. You can read my earlier blog post that gets deeper into his story. For today, we listened to Dr. John’s “Morgus the Magnificent” and Galactic’s “Friends of Science” in honor of the occasion.
New Orleans songwriter Andrew Duhon called in for a brief interview to promote his Olympia performance this week. Duhon has three albums under his belt and we played two songs from his latest. It was quite a delight to hear him talk about how the Freret Street Fair had inspired his song “Street Fair.” I also played his nostalgic song “They Don’t Make ’em.” His interview starts about an hour in and lasts about 10 minutes.
Because the New Orleans Saints are headed into the playoffs with a big game with the Philadelphia Eagles, you’ll hear a set of Black and Gold spirit by the Brassaholics and other Saints related songs by Johnny Sketch and the Dirty Notes and the Pinstripe Brass Band.
You’ll also hear Chuck Carbo and Eddie Bo (off a vinyl record) and other surprises as well. Thanks for tuning in.
Nothing like putting up a new calendar to feel the passage of time. Was 2018 a good year? What about 2019? Welcome to my musical reflection of this new year (first show of 2019) with amazing music from New Orleans. You can play it now while you finish reading
No matter how good my life is, it all seems hollow with our growing unhoused population, a gridlock country and a world that requires solutions built from collaboration rather than conflict. These thoughts guided my selections of songs.
Earl King kicks off the show with his “Make a Better World” followed by Lee Dorsey singing “Why Wait Until Tomorrow.” Later, Colin Lake performs his original song “The World Alive” followed by Tom Hambone’s “Faith” from his NOLA Sessions’ recording
The Radiators exhort us to “Never Let Your Fire Go Out” aided by The Neville Brothers “Wake Up” and Galactic’s “Action Speaks Louder than Words.”
“Who’s Gonna Help Brother Get Further” written and sung by Allen Toussaint with help from Elvis Costello seemed to fit right in at this point, along with “Street Symphony” by the Subdudes and an encore by Toussaint with “We’re All Connected.”
Carlo Ditto and Louie Ludwig songs take on complacency when it comes to war and Irma Thomas and James Booker close it off with “River is Waiting” and “Amen” respectively.
In between the above are appropriate songs by Dr. John, Helen Gillet, Paul Sanchez, the Iguanas, John Mooney, Mem Shannon, Marcia Ball and Ever More Nest.
I wish you a happy and fulfilling year. Stay engaged!