Two June CD releases are burnishing the city’s country music reputation and you’ll hear tracks from both in today’s show. Start it rolling and then learn more about Shawn Williams and Gal Holiday.
Shawn Williams’ second album Motel Livin’ is a gripping compendium of lyrical songs that leave me a bit unnerved but fully entertained. Her voice haunts and I’m going to enjoy digging deeper into this new release. I play “Best of Me” and later “Buried Alive.”
More upbeat and more battle worn is Gal Holiday and her Honky Tonk Revue with the new release Lost & Found. Almost a decade before The Deslondes formed, Gal Holiday (aka Vanessa Niemann) broke ground on the new wave of country in New Orleans. And true to her band’s name, you can dance to her music. I play “Found Myself Instead” and “Desert Disco.”
While Luke Winslow-King’s music has been difficult to describe, I’ve never thought of it as country until his latest release Blue Mesa. You can listen to his “After the Rain” and decide for yourself.
To keep the roots vibe rolling, I follow these sets up with The Big Dixie Swingers with “I Haven’t Got a Pot,” Eric Lindell with a live version of “Bayou Country” and The Radiators doing “Straight Eight.” Also, an encore performance of Albanie Falletta who charmed the smart attendees of her concert at Traditions Cafe in Olympia Sunday night.
Jazz sets follow and if you’re patient enough I finish with Dash Rip Rock’s “Let’s Go Smoke Some Pot” in honor of the State of Oklahoma adopting a medical cannabis initiative this week.
Oh and I almost forgot, while digging through the KAOS studio’s vinyl vault I found Danny Barker’s 1988 release Save the Bones and I played his version of “St. James Infirmary.” Struck by his riffing on the traditional lyrics description of his funeral, I thought about Fred Johnson’s description of how Danny Barker’s traditional funeral came about that I recorded in October of 2017 in his office in New Orleans. You’ll get to hear the story as well on this show.
This week’s show serves up a strong doze of New Orleans style jazz and swing but also country and rhythm and blues, including a classic by Chuck Carbo. Get it started while I tell you who else is in the show.
Albanie Falletta’s wonderful “Black Coffee Blues” kicks off the show, followed by a swinging love song by Antoine Diel, Al Hirt and his band at his best with “Yellow Dog Blues,” and the amazing Aurora Nealand performing “Touploulou.”
Dee Dee Bridgewater does a duet with Glen David Andrews on “Whoopin’ Blues.” David Egan rocks its with “Dead End Friend” and Eddie Bo does the instrumental “Just Wonder.”
Stay with the show for Chuck Carbo’s “Meet Me with Your Black Drawers On.” After a country set featuring new releases by Gal Holiday and Shawn Williams, jazz fans patience will be rewarded with the Riverside Jazz Collective” “Just Gone” from their new release, Stomp Off, Let’s Go.
Also, this show includes songs by Steve Riley and the Mamou Playboys, Allen Toussaint, Professor Longhair, Larry Williams, James Andrews, Galactic, Dr. Michael White, the Big Dixie Swingers, Bon Bon Vivant, Big Sam’s Funky Nation and Quintron.
This week’s show is about the one-handed piano player you have likely heard but not heard of. Edward Frank played on scores of R&B hits created in the Cosimo Matassa cauldron in the 50’s and early 60’s. But there’s more to the story so go ahead and get this week’s show started, kicked off by BeauSoleil’s “Bon Temps Rouler.”
This show celebrates Edward Frank’s birth anniversary. He was born June 14, 1932 and died in February 1997. Despite his early R&B history, he spent his later years playing more contemporary jazz at venues such as the Palm Court Cafe and Preservation Hall. He was a talented horn arranger and keyboardist, involved with Dr. John’s “Goin’ Back to New Orleans,” the Dirty Dozen Brass Band’s”Jelly,” Snooks Eaglin’s “Soul’s Edge,” Tommy Ridgley’s “Since the Blues Began”and Chuck Carbo’s “Drawers Trouble” and “The Barber’s Blues.”
Frank was born and attended high school in New Orleans. Except for a stint at college and some time in Houston working Bobby Blue Bland, he mostly made his home in New Orleans. He also played in Europe with Lillian Boutte. His performances were made more remarkable because of a disability that rendered his left arm paralyzed. This show features Frank playing piano on songs by Lloyd Price, Bobby Charles and Shirley and Lee (backing them up on their hit, “Let the Good Times Roll.”)
But first you’ll be treated to a set that includes Carlo Ditta’s “Tell It Like It Is,” the New Orleans Jazz Vipers’ “Swing that Music” and Professor Longhair recorded live in Chicago.
Stay with the show after the Edward Frank set because Davis Rogan, another New Orleans piano player, calls into the show to talk about how he was given a valuable life lesson by Ed Frank after losing a spot in Kermit Ruffin’s band. This show also has songs by Dirty Dozen Brass Band, the Hot 8 Brass Band (doing a long cover of “Sexual Healing”), Chocolate Milk, Corey Henry, Big Sam’s Funky Nation and a new song by Gal Holiday and her Honky Tonk Revue.
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June Yamagishi shocked his agent when he announced that despite a revered career as a guitarist in Japan, he wanted to live and work in New Orleans. On the occasion of his 65th birthday, this episode of Sweeney’s Gumbo YaYa celebrates his decision. But wait there’s more. (But go ahead and get the show started)
Chocolate Milk, a popular New Orleans funk band from the 70’s, kick the show off with their opening song from their 2010 New Orleans Jazz and Heritage Festival performance. I follow that up with a set of music featuring June Yamagishi and his guitar. Two tracks from Papa Grows Funk, a band he was part of for 13 years. Because he also loves Mardi Gras Indian music, I included a song by The Wild Magnolias that features some strong Yamagishi licks.
Also, here’s a link to a short video of his cameo appearance on the HBO show, Treme, where he is trying out for the band being assembled by Wendell Pierce’s character.
From this point in the show, I swing through a jazz set that starts with a classic King Oliver number from the late 1920’s and finishes with a recent recording by Preservation Hall Jazz Band featuring an original song.
Coco Robicheaux kicks off the next set which offers two songs about the importance of keeping on the good side of your woman. Paula of Paula and the Pontiacs sings about the importance of getting the coffee (grind) right while Larry Garner, with help from Buckwheat Zydeco, does a number called “Ms. Boss.”
Three contemporary zydeco and cajun numbers push the boundaries of those genres with the help of Bonsoir Catin, the Lost Bayou Ramblers and Rosie Ledet. A country/folk sets follows before I swing back into funk and finish with a genre-busting song by the BlueBrass Project. Actually, Irma Thomas gets the last word with “Since I Fell for You,” with Dr. John on piano.
There now, lots of reasons to keep listening. Thanks for tuning in.